Which movie do you like best, 1987?

There is no doubt that Paul Verhufen's movie Robocop? . This is my favorite movie 1987.

1987, the competition for "favorite" is definitely fierce. Look at this lineup-Angel's Heart, Deadly Weapon, Death of Evil II, Resurrection Arizona, Da Park Jung Su, Predator, All Metal Coat, Lost Boy, Hell Warrior, Princess Bride, Three o'clock High, Dark Prince and Kind Vietnam, in the morning.

But I'll give it to robocop, okay.

Controversial director Paul Verhufen's film Robocop? ) is called "the greatest sci-fi movie since metropolis" by ken russell, which is a worship phenomenon full of special effects. The hero of this film is a revived and mechanized hero (Peter Weller). His body is full of new mechanical devices, trying to restore his memory and avenge his death.

In a dystopian Detroit, a seriously injured policeman returned to the hands of the police because he was troubled by the memory of human life. ...

Paul Verhufen's Robocop (1987), an unexpectedly popular song, defined this new genre. The core of Cyberpunk's theme is personal spirit, which is almost completely submerged by the technology of automated society, thus defeating the evil of the ruling elite.

"Iron Man meets 6 million dollar millionaire and Judge Dred."

Violent and bloody, coupled with the scene of drug abuse, definitely pushed the robocop to the category of 1987 18. The powerful influence of comics has been recognized, and the obvious difference between good and bad has also been recognized. Heroes "always stand aside." Rights "endow the film with a" solid moral foundation ".

How does Robocop predict all the important events in modern America-as early as 1987

The central premise of this film is that the future Detroit will become a collapsed disaster area, occupied by criminal lords hidden in abandoned industrial buildings.

From 1987 to now, it is almost the same.

"Under the ambitious leadership of Verhoeven, challenging technical production exceeded the budget and schedule."

Under the ambitious leadership of Verhoeven, the challenging technical production is beyond the budget and schedule, but it has dozens of in-camera effects and extraordinary visual effects, which is surprising so far. Rocco Joffre's flawless frosted paintings in Dallas constitute Detroit's futuristic image, with towering skyscrapers and vast urban landscape.