What is the main content of Lu Xun's ever-burning lamp?

Secularized religious atmosphere and superstition of witches and gods have become an important part of the local characteristics of Lu Xun's novels. Its normal performance mostly permeates all aspects such as civil weddings, funerals, birth and death, food and shelter. As a microcosm of civil society, the residents of "Ji Guang Tun" don't travel much, so we should check the yellow calendar to see if it says "not suitable for travel"; If you haven't written yet, you must go out and celebrate your good luck first. The opening paragraph of the ever-burning lamp describes the inner spiritual connection between "fire" and "villagers" Because in the eyes of the villagers, it is difficult to break the law, and the gods will repay them. ; The madman "blew out the light lit in the Liang Wudi era" and "the ocean here will change." People "will become loaches" are "lunatics" which cause "social anxiety" and "stroke of the old rich". As a result, the whole village (even affecting children) tried to get rid of the "evil spirits" attached to the "madman" with the help of the "God of the Town God". The superstition of gods and witches dominated by Taoism is so typical in the ever-burning lamp! Similarly, other images and plots in Lu Xun's novels often show the theme of revealing the roots of Taoism to varying degrees: Wei went to his grandmother's funeral and returned home, "It's time to die ... After discussion, he probably agreed to three conditions, which he must do. One is to wear white clothes, the other is to bow down, and the third is to ask monks and Taoists to do things.

Lu Xun revealed and described this image in his novels. Secularized religious atmosphere and superstition of witches and gods have become an important part of the local characteristics of Lu Xun's novels. Its normal performance mostly permeates all aspects such as civil weddings, funerals, birth and death, food and shelter. As a microcosm of civil society, the residents of "Ji Guang Tun" don't travel much, so we should check the yellow calendar to see if it says "not suitable for travel"; If you haven't written yet, you must go out and celebrate your good luck first. The opening paragraph of the ever-burning lamp describes the inner spiritual connection between "fire" and "villagers" Because in the eyes of the villagers, it is difficult to break the law, and the gods will repay them. ; The madman "blew out the light lit in the Liang Wudi era" and "the ocean here will change." People "will become loaches" are "lunatics" which cause "social anxiety" and "stroke of the old rich". As a result, the whole village (even affecting children) tried to get rid of the "evil spirits" attached to the "madman" with the help of the "God of the Town God". The superstition of gods and witches dominated by Taoism is so typical in the ever-burning lamp! Similarly, other images and plots in Lu Xun's novels often show the theme of revealing the roots of Taoism to varying degrees: Wei went to his grandmother's funeral and returned home, "It's time to die ... After discussion, he probably agreed to three conditions, which he must do. One is to wear white clothes, the other is to bow down, and the third is to ask monks and Taoists to do things. Foundation 2008-07-2 1 report