Why didn't Guo Da partner with Cai Ming for the Spring Festival Gala?

What's going on in the world, if you close it for a long time, it will separate, and your partner will separate. Just because you have created a classic pair of partners many times, you don't have to cooperate forever. The audience will be tired of aesthetics, and the actors themselves will be weak in innovation because of lack of freshness. Actors are a profession that emphasizes the stimulation of sparks. Changing partners and performing methods may lead to new scenes. In fact, the cooperation between Cai Ming and Pan Changjiang has indeed reached a new climax.

Of course, there are also rumors that the relationship between husband and wife is not harmonious because of frequent cooperation and tacit cooperation, and there is also a media saying that "Guo does not leave Cai, Cai does not leave Guo." Cai Ming's husband even asked angrily, "Can't you cooperate with other actors except Guo Da?" Of course, this is just a rumor.

There are also rumors that Guo Da broke up voluntarily because of her physical condition, and gradually faded out of the Spring Festival Evening stage. The Spring Festival Gala has a long cycle, strict examination and many rows, which is very tiring. Guo Da 1955, Cai Ming 196 1 year, Cai Ming is still doing well, and Guo Da feels hard, so it is good for both of them to be separated.

Guo Da rushed back to his hometown for retirement, while Cai Ming later changed his route and played a vicious old lady in the Spring Festival Gala several times. The classic line "It's a thousand-year-old fox, don't tell me about serial love", but privately he takes the sexy route of middle-aged and old people, taking photos and even appearing in men's wear. Some people say that his eyes are spicy, but at least it shows that Cai Ming is still actively seeking changes, hoping to gain new impetus in his career.

Now that the parties have made their own choices, the audience should stop being stubborn. After all, they broke up on 20 1 1. This is the old calendar. Furthermore, the change of people and the permanence of works began in Guo Da Cai Minghuangpo in 1993, and the following Spring Festival Evening sketches, such as robot anecdotes, overseas telephone calls and fathers, will still remain in our memories, and it is also excellent to take them out for review in the future.