What is the content of Lu Xun's ever-burning lamp?

Lu Xun revealed and described this image in his novels. Secular religious atmosphere and superstition of gods and witches have become an important part of the local characteristics of Lu Xun's novels. Its normal performance mostly permeates all aspects such as civil weddings, funerals, birth and death, food and shelter. As the epitome of civil society, the residents of "Ji Guang Tun" don't travel much, so they have to check the yellow calendar to see if it says "Not suitable for traveling"; If you haven't written yet, you must go out and celebrate your good luck first. The opening of "The ever-burning lamp" describes the inner spiritual connection between "fire" and "villagers". Because in the eyes of the villagers, breaking the law is very difficult, and the gods will repay them. ; The madman "blew out the lamp that was lit in the Liang Wudi era." "The ocean here will change." People "will become mud" are "crazy people" that cause "social anxiety" and "stroke of the old rich". Therefore, the whole village (even affecting children) is trying to get rid of the "evil spirit" attached to the "madman" with the help of the "city god". The superstition of gods and witches led by Taoism is such a typical example in the ever-burning lamp! Similarly, other images and plots in Lu Xun's novels often show the theme of revealing the roots of Taoism to varying degrees: Wei went to his grandmother's funeral and came home and said, "Damn it ... after discussion, he probably agreed to three conditions, which he must do." One is to wear white clothes, the other is to bow down, and the third is to ask monks and Taoists to do things.