Huang Lishi is a TV fan.

However, the world doesn't see it, but the grain is what it sees and the melody is what it translates: it means that people in the world can't see the essence of things, only the beauty on the surface, and they are addicted to the melody.

"A clever woman can't cook without rice" is an fable created by Zhuangzi (Zhuang Zhou), a representative of Taoism in the pre-Qin period. The original intention of the article is to explain the way of keeping in good health, thus revealing the truth that people should conform to the laws of nature when doing things.

The full text can be divided into four paragraphs. In the first paragraph, I wrote about the skillful movements and wonderful sounds of skilled cows. The second paragraph is followed by Wen Huijun's praise, which sets off my master's exquisite skills from the side; The third paragraph is my answer to Wen Huijun, mainly about the three stages of my reaching Tao. In the fourth paragraph, Wen Huijun understood the truth of keeping in good health after listening.

This article uses a variety of techniques in writing, with tight structure and vivid and concise language, which fully embodies the wanton features of Zhuangzi's article Wang Yang. This fable aims to clarify "keeping in good health", but in fact it also expounds a profound aesthetic proposition, that is, artistic creation is a kind of free creation.

Zhuangzi thinks that there is "skill" in "skill". Knowing how to understand the cow's movements is quite artistic and ornamental. His performance is like a beautiful music and dance, the pace of which is consistent with Sanglin's dance music and the rhythm of which is consistent with the brilliant movement of Xianchi.

As a creative activity with beautiful significance, it fascinates the audience. The expression "standing with a knife, looking around, full of ambition" makes people see the joy of the creator's inner satisfaction after the work is completed.

Zhuangzi reveals that beauty is a kind of free creation through clever expression. The creation of this kind of beauty must achieve the unity of law ("because it is natural") and purpose ("to the point") in order to reach the realm of freedom ("freedom").

"Meeting God without looking at him, and wanting to do things with Zhi Zhi as an official" is a basic mentality of creation, which emphasizes eliminating all sensory obstacles and concentrating, which is consistent with what Qing Zi said when he cut his body in Zhuangzi Sheng Da: "fasting by Zen" and "forgetting myself in four shapes".