What does Xipi and Huanger mean? -Introduction.

Xipi and Huanger, also known as Pihuang, are the combination of Xipi and Huanger. Xipi and Huanger were originally two different vocal cavities. Xipi originated from Shaanxi Opera and penetrated into Wuchang and Hankou in the late Ming and early Qing Dynasties, while Huang Er came from Anhui, formed in the adjacent areas of eastern Hubei and Anhui, and evolved from opera blowing and high school students.

In the early Qing Dynasty, Xipi was the lead singer of Han tune and Huang Er was the lead singer of Hui tune.

In Beijing Opera, Han Opera, Hui Opera and other operas, Xipi with Huang Er accent is used, which is collectively called "Pihuang".

The Xipi of Peking Opera includes the guide plate (reverse plate), adagio (slow three eyes), original plate, allegro, running water, scattered plate, rocking plate and Huilong plate.

Xipi is more lively and lively. Compared with Huang Er, Huang Er is not so lively. Xipi Li also has an anti-Xipi accent, including Erliu and Yaoban, which is a common singing style in Beijing opera.

Xipi's tone is relatively high, so there is a saying that "men are afraid of Xipi and women are afraid of Huang Er", while in Shaanxi there is a saying that "men are afraid of Shaanxi opera and women are afraid of eyebrows".

In Beijing Opera, the old man's Huang Er is a multi-business mode, and the old man's Xipi is a multi-palace mode, both of which are tone-seeking.