Feng Jicai's file?

Feng Jicai, male, from Ningbo, Zhejiang, is a contemporary writer and painter in China. 1942 was born in Tianjin. I started as a painter, specializing in copying ancient times. After the "Cultural Revolution", the representative writer of scar literature 1985 rose, and his "cultural reflection novel" had a far-reaching influence on the literary world. His works have a wide range of themes and forms, and nearly 50 kinds of works have been published. Among them, Ah, The Carved Tube, The Tall Woman and Her Short Husband, The Whip of God, The Three-inch Golden Lotus, The Pearl Bird and The Wonder of the World all won the National Literature Award. The film Thanks for Life, which was adapted from Playing Two Lights, won awards at the Hawaii Film Festival and the Spanish Film Festival. His works have been translated into English, French, German, Italian, Japanese, Russian, Dutch, Spanish and other languages 10, and 30 versions have been published overseas.

◎ Since the 1990s, Feng Jicai has devoted himself to the rescue and protection of cultural heritage, organized many large-scale cultural rescue operations, published various related works, published a large number of speculative and appealing articles on the protection of cultural heritage, and held relevant speeches at home and abroad, which had a far-reaching impact on contemporary China cultural circles.

◎ Currently, he is the executive vice chairman of the China Federation of Literary and Art Circles, the president of the Chinese Fiction Society, the president of the China Folk Writers Association, the president of the Feng Jicai Institute of Literature and Art of Tianjin University, the editor-in-chief of Literature Freedom Talk magazine and Artist magazine, the vice chairman of the International Folk Art Organization (IOV), the vice chairman of the Central Committee of China Association for the Promotion of Democracy, and the member of the Standing Committee of Chinese People's Political Consultative Conference.

Feng Jicai's famous writer. Originally from Cixi, Zhejiang, I was born in Tianjin. He is the author of the novel Legend of the Magic Lamp and many other works, and has won many national excellent short story awards. In recent years, he has devoted himself to the protection and excavation of folk art, and is currently the vice chairman of China Federation of Literary and Art Circles and the chairman of China Folk Writers Association.

In Tianjin, there may be few people who don't know Feng Jicai. As soon as he wandered in the street, a big man with a height of 1.90 meters, someone shouted, Dafeng, are you busy? How about a set of pancakes, jiaozi? Taihō is really busy, especially in recent years, he seldom stays at home honestly, either holding meetings everywhere to call for the protection of folk culture, or personally going to the countryside and fields to explore folk relics. Once, I met his wife Gu and said, I advised Dafeng not to work so hard. After all, he is over 60 years old. Gu Dajie smiled helplessly and said, if you leave him idle, he is either itchy or painful. When he goes out for a crazy run, he will get rid of everything. Alas, he is a diligent man!

Feng Jicai is famous for his novels. Up to now, there are more than 150 works in various versions and languages, which is higher than him. Readers at home and abroad are familiar with his real works, mostly through these works. So his main business should be a writer. However, he has the talent and spirituality of painting, and each of his paintings, like his novels, has a thrilling power, and its cultural connotation is beyond the reach of ordinary painters. Walking on two legs makes the road in front of Dafeng wider and wider. In recent years, Dafeng has once again become a famous social activist. More specifically, he lobbied around and put it into action, focusing on the protection of folk culture. Today, it can be said that his cultural thoughts are in the same strain. In many of his literary works, we can find his unique views and footnotes on national culture, which is not difficult to understand why he temporarily put down his writing to do this laborious and flattering thing.

Feng Jicai's first "deviation" was probably in 1994. At that time, Tianjin was carrying out a large-scale modern urban construction, with high-rise buildings rising from the ground, and the dilapidated old city would disappear in this torrent, which would inevitably cause devastating damage to some cultural relics. Feng Jicai is worried. Feng Jicai tea rice don't think. But a scholar who has no decision-making power can do nothing but shout at the sky. What he can do is to pull up a huge team, including planners, architects, historians, anthropologists, and of course more photographers. It took them a year to make a carpet survey of the city, took more than 30,000 photos and videos, and selected more than 2,000 of them to make four big picture books. He gave these photo albums to government officials. Every time he sends a set, he must write the following words on the title page: This is your dear land. Dafeng made a lot of noise, but few people supported him. Many people say that it is useless for you to leave a novel without writing it. This makes Dafeng very sad. And from the beginning to the end, all the expenses of this activity were paid by Taihō himself, and hundreds of thousands of yuan of manuscript fees were filled in this big hole, not to mention the few paintings left, all of which were replaced by investigation. But today, Dafeng's work is beneficial and timely, and there is no way, because many cultural relics in Tianjin can only be found in these big picture books now.

200 1, Feng Jicai put on the "job hat" of the chairman of China Folk Writers and Artists Association. Since 2003, Dafeng started the general survey of China folk cultural heritage rescue project. He said, we can't smile and watch the folk culture disappear from our eyes. Tens of thousands of experts and scholars from all over the country have also left their study rooms and plunged into the fields to pick up the "mother culture" that is about to disappear from the earth. For more than two years, Feng Jicai spent most of his time running in the fields. One of the reasons for running is that he wants to know what the real field culture is. If you don't know, you will be shocked. Today's folk culture is basically in a state of self-destruction, and the power of protection is very weak; Second, their funds are so short that it is almost impossible to invest in security. However, folk culture is mostly controlled by counties, townships and villages. If problems are found, you can find county heads, township heads and village heads and tell them how to protect these cultures. I have been to several places with Feng Jicai. I once went to Jiucheng Village, Zhouwo Township, Wuqiang County, Hebei Province. There was a sudden rainstorm on the road, and our car slipped into a ditch and had to walk in the mud. Taihō's feet were covered with two plastic bags, one deep and one shallow, and he fell several times. He was drenched like a drowned rat, covered in mud soup and looked very funny. If no one said that, who would have thought that he was the vice chairman of Democratic Progressive Party Central Committee and the vice chairman of China Federation of Literary and Art Circles? After returning to Tianjin, Gu Dajie saw our photos, and we laughed, but Gu Dajie was so sad that she shed tears. "Nothing," Dafeng said. Among our volunteers, it is much more difficult than me. Their wages are meager, there is no subsidy, they have to put money into it, and they often work hungry. In order to improve the working conditions of these people, Dafeng first wanted to sell the house, and then returned to his old job, painting day and night, and simply drew a big bag on the back of his hand. These 30-odd paintings were auctioned once in Tianjin and once in Beijing Modern Literature Museum, and the folk culture foundation was established with the proceeds of100000 yuan, so that those volunteers could have tea. Taiwan Province actor Zhao Wenxuan was deeply moved by Dafeng's behavior and donated 654.38 million yuan to support Dafeng.

Fortunately, the efforts of Dafeng and his volunteers have paid off. A large number of rescued graphic materials have been published, and more audio-visual materials are being sorted out, which will be a valuable asset for both the country and the nation.