What kind of people and scenes are described in Four Seasons Pastoral Excitement?

Four Seasons' Pastoral Fun is a group of large-scale pastoral poems written by Fan Chengda, a poet in the Southern Song Dynasty, after he retired to his hometown. It is divided into five parts: spring, late spring, summer, autumn and winter, with 60 songs in each part 12. Poetry describes the rural scenery and farmers' life in spring, summer, autumn and winter, and also reflects the exploitation and suffering suffered by farmers. There are 60 pieces of "Four Seasons' Pastoral Fun" (title: Various Pastoral Fun of Four Seasons), just like a long painting of pastoral life. It is divided into four volumes: spring, summer, autumn and winter, including spring 12, late spring 12, summer village 12, autumn 12 and winter 12. It describes the different scenes of the four seasons in the countryside and vividly depicts a dynamic picture of rural farming. Daming Duan 1 out during the day, the children in the village are in charge. Although the children don't plow and weave, they also learn a kind of melon in the shade of mulberry trees. Pay attention to the four seasons: four seasons. Plow: hoe the ground. Merit and hemp: rub hemp into a rope, rub hemp rope. Son: Man (farmer). Woman: Woman (peasant woman). Responsibilities: Everyone has special responsibilities and is independent. Sun Tong: Children. Supply: engage in participation. Next to: near. Cutting land during the day and rubbing hemp at night, both men and women on the farm help their parents do things, do housework and let their parents rest. Children don't know how to farm and weave, but also learn to grow melons under the shade of mulberry trees. A brief analysis of this poem describes a scene of rural life in early summer. The first sentence "Going out to plow during the day, getting hemp at night" means: Going out to cut the field during the day and rubbing hemp thread at night. "Success" means rubbing. "Tillage" means weeding. In early summer, the seedlings need weeding. This is what men should do. "Ji Ma" refers to women who rub twine and weave cloth at night after doing other work during the day. This sentence directly wrote the labor scene. The second sentence "the children in the village mind their own affairs" refers to men and women. The whole poem uses the tone of an old farmer, and "children" refers to young people. "Being in charge" means that both men and women are not allowed to be idle and mind their own business. In the third sentence, "children and grandchildren are not prepared for farming and weaving", and "children and grandchildren" refer to those children who can neither farm nor weave, but are not idle. They have been in contact with and love labor since childhood, so they "learn to grow melons under the shade of mulberry trees" and learn to grow melons under the lush mulberry trees. This is a common phenomenon in rural areas, but it is quite distinctive. The conclusion shows the naive interest of rural children. With a fresh style, the poet described the tense working atmosphere in rural areas in early summer in a more delicate way, which made it interesting to read. (Lesson 2, Unit 1, Grade 6, Beijing Normal University, and Lesson 3, Unit 6, Grade 4, People's Education Edition have been included. ) Appreciating 60 "Four Seasons Pastoral Miscellanies" is like a long painting of rural life. This is one of them. With simple language and detailed description, this poem enthusiastically praises the intense and busy working life of farmers. The first sentence compares day and night, and unfolds a picture of rural men and women plowing, making contributions and being busy day and night. The last two sentences vividly describe the rural children's participation in the labor they can, revealing the poet's love for the children. The image of children described in the poem is innocent and lovely. The language of the whole poem is simple and plain, with no trace of deliberate pursuit. The style of writing is fresh, light, smooth and natural, just like a vivid picture of rural customs, full of strong rural flavor in the south of the Yangtze River. In the second section of the famous article, Li Zijing and Huang Xingzi are fat, and the wheat is white and cauliflower is thin. No one has ever crossed the fence, but dragonflies and butterflies can fly A plum tree turns golden, and the apricots grow bigger and bigger; Buckwheat flowers are white and rape flowers are sparse. As the day grows, the shadow of the fence becomes shorter and shorter as the sun rises, and no one passes by; Only butterflies and dragonflies fly around the fence. On the pastoral scenery of Jiangnan in early summer written in this poem. In the poem, plums are yellow, apricots are fat, wheat is white, and cauliflower is sparse, which describes the characteristics of rural scenery in the south in summer, with rich flowers and fruits and tangible colors. In the first two sentences, plums and apricots are fat, wheat and cabbage are thin and brightly colored. The third sentence of the poem describes the situation of farmers' labor from the side: in early summer, farmers are busy with farming, so they go out early and return late, so they rarely see pedestrians during the day. The last sentence uses "only dragonflies and butterflies are flying" to set off the silence in the village, which makes it even quieter. The last two sentences say that the days are long and the people are sparse, dragonflies fly and butterflies dance. (People's Education Press, the first volume of the fifth grade ancient poetry has been included; Unit 8 ancient poetry in the fifth grade of Hubei Education Edition; The appreciation of Fan Chengda's Four Seasons Pastoral Miscellaneous Interest is regarded as a model of pastoral poetry. This poem is about the rural scenery of Jiangnan in early summer. The poet vividly described the summer scenery of Jiangnan with the words yellow, fat, white and rare. The third sentence, from people's pre-hospital silence to show that farmers leave early and return late, hard and busy. The last sentence uses "only dragonflies and butterflies are flying" to set off the silence in the village, which is dynamic and interesting. There is not a word in the whole poem about farming or labor. However, through every line in the poem, we seem to see the real face of the countryside and the busyness of people. At the same time, this poem contains the poet's love for rural life. The language is fresh and smooth, and the artistic conception is lively and natural. Mingduan 3 charter plane is fully loaded and ready to open the warehouse, and the grains are as white as pearls. I will not hesitate to throw away two cups, but I will still win the chaff core! A brief analysis of this poem describes the hard harvest of farmers all year round, almost all of which were won by the government, and children can only be fed with coarse bran to fill their stomachs. The poet painted this picture of the peasants' blood and tears with great sympathy. In the famous paragraph 4, Gaotian Ermai is connected with Shanqing [1], and the lowlands near the water are green and uncultivated. Peach and apricot Man Chun, song and drum are clear [2]. On the auspicious day [3], rice bags were planted at the beginning, and the thunder and rain in Nanshan were small all night. I don't owe water to the paddy field this year, so let's take a look at the bridge. Butterfly has entered cauliflower, and Tianjia has no guests for a long time [4]. The chicken flew over the fence, the dog barked, and people knew that a businessman had come to buy tea. Thirty-year-old silkworms are forbidden to stay in the door [6], and the neighboring songs have no steps [7]. It was still sunny, and we met temporarily during the mulberry picking season. Plum golden apricot fat, wheat white, cauliflower thin. No one has ever crossed the fence, but dragonflies and butterflies can fly Tilling during the day, sleeping at night [9], the children in the village are in charge [10]. Children are not ready for farming and weaving [1 1], but also learn to plant melons in the shade of mulberry trees. It's not easy to get things done [12], but it's colder to avoid the wind and rain [13]. Note 5. Tiangong Holiday plundered profits [14], paid off private debts and lost his official position. Newly-built fields are mud and flat, and every family cooks, and first frost is clear. There was a light thunder in the laughter song, and the flail rang against the light all night [15]. Rent yellow paper and rush it with white paper [16], and go to the countryside in the afternoon [17]. "Sir, his brain is very dry in winter [18], please buy bronze wine [19]." See the custom in Dongcun Lane [20], and the neighbors talk about worshipping Chai Jing. The gown is like frost and snow, and the cloud is woven at home [2 1]. Note [1] Ermai: barley and wheat. [2] Vertebral drum: drumming. Spine: a knocking tool. Used here as a verb. [3] Rice bag: straw bag used by farmers to store rice seeds. [4] Day length: that is, "long day", which means all day. Talked for a long time. [5] Sinus: a hole in the wall. [6] Silkworm taboo: Farmhouse custom, avoid wind, dust and strangers entering the door during the sericulture season. [7] Neighborhood Song: Neighborhood. Z not zūng: traces of coming and going. [8] jiá butterfly: A kind of butterfly. [9] Farming: weeding. Performance: Spinning hemp into thread for weaving linen. [10] Responsible for each other: each undertakes certain work. [1 1] Unsolved: I don't understand. Supply: engage in. Harvest crops. [13] fear: fear. [14] Note 5. God: Write to tell God. Note: This refers to letters. Scavenger: plunder the surplus grain. [15] flail (jiā): an agricultural tool for threshing. [16] ju (juān): exempted. [17] Soap clothes: yamen officers. Because it wears black clothes, it is called "soap clothes", also known as "soap clothes". Afternoon: It's complicated and intertwined. [18] Winter is very dry: it means "very confused". [19] Bronze: refers to bronze money. [20] Vulgar feelings: local conditions and customs. [2 1] Cloud: Say and weigh. A brief analysis of Fan Chengda's early years, at the age of 57, retired to Suzhou Shihu. During this period, he composed 60 songs, which were originally divided into five groups: spring day, late spring day, summer day, autumn day and winter day, each group 12. Each group can be called a group poem. Therefore, he was awarded the title of "pastoral poet". The Four Seasons Pastoral Miscellany combines the poetic traditions of Tao Yuanming to Wei, Chu Guangxi, Meng Haoran and Wei, and the poetic traditions of the Book of Songs to July to Tang Dynasty, changing the archaic style into seven words and showing outstanding creativity in content and form. "Four Seasons Pastoral Miscellaneous" is extremely rich in content, in which the natural scenery, farming in four seasons and farmers' life experiences are all reflected, forming a vivid picture of rural society. The first song I chose described the natural scenery of Tomb-Sweeping Day. The second is about the rural scene before sowing; The third is to write pictures of farmers' spring life; The fourth song says sericulture; The fifth song is the pastoral scenery of Jiangnan in early summer; The sixth song writes the farmer's labor scene in the style of the old farmer; The seventh is about the heavy burden on farmers; The eighth song is about farm fighting; The ninth song is about exorbitant taxes and outrageous officials; The tenth song is about simple nostalgia. The ten poems selected can give a glimpse of the pastoral and interesting styles of the four seasons. Miscellaneous Stories of Four Seasons Pastoral is unique in narrative, scenery description and romance, natural and rich in connotation, which is memorable and has high artistic achievements.