Whose article does the "beauty" in Li Sao appear in?

"Beauty" is one of the most common images in China's ancient poems. It has been used for thousands of years, which makes it have the characteristics of a certain prototype image. Such images in early poetry can be traced back to The Book of Songs. Such as "The Book of Songs, Gaofeng, Jane Xi": "Who thinks about clouds? Western beauty. He is so beautiful that westerners are embarrassed. " "Chen Fengze North": "There are two evils: Pu and Mi. There is a very beautiful person, huge and curly. " The beauty in The Book of Songs often refers to men, mostly warriors with high martial arts, gentlemen with noble moral character, or objects admired by women.

"Beauty", as a special image with political implications, appears in a large number of poems, which should begin with the Songs of the South in the late Warring States Period. "Li Sao" says: "Only the grass and trees are scattered, and I am afraid that the beauty will be late." Thought says, "Make a statement with a little affection and correct it with a beautiful husband." "Smiling Beauty" said: "Smiling Beauty is like tears. The media is absolutely blocked and the road is blocked. " In Qu Yuan's Nine Chapters of Lisao, "beauty" sometimes refers to the king of Chu, sometimes to himself, and sometimes to a saint; In Nine Songs, it is often the laudatory name and incarnation of Lady Xiang and the three gods. In addition to the image of "beauty", there is also an image of "beauty" in Songs of the South: "Only beautiful women will live forever and be more unified and self-satisfied." "Beautiful and exclusive, it looks like a pepper." It is worth noting that all the beautiful women in Return from Sorrow are directed and performed by Qu Yuan, not used to refer to the king of Chu. In other words, compared with the "beauty" who is close to the monarch, the "beauty" has a relatively low status as a "minister". This image of "beauty" has been inherited in many China's poems. For example, "The Sage Comes Out": "The Sage Comes Out, and Yin and Yang are in harmony. Beautiful women go out to swim nine rivers. Beauty is coming, why bother? " Kun explained: "Beauty and beauty are opposites and separate statements." The "beauty" here symbolizes the courtiers who meet the monarch. The "beauty" in Junma Huangzhong refers to a minister who has never met before. The "beauty" missed in the autumn wind poems of Emperor Wu of the Han Dynasty, the beauty of orchids and chrysanthemums, and the beauty can't be forgotten, is obviously a symbol of good ministers. In later poems, the word "beauty" appeared more frequently than "beauty".

The original text is in/gudai/090119/15135227.html. Look for yourself, it's too long to post.