Characteristics of Dongchang Ancient City

Located in the center of the ancient city, Liaocheng Guangyue Building was built in the seventh year of Ming Hongwu (1374). Its height is 33 meters, that is, nine feet nine feet, which is the number of the sun, suitable for Yi Li. Build five floors, reflecting the number of Heluo. Guangyue Building is a landmark building in Liaocheng, a famous historical and cultural city. It is also one of the highest and oldest existing ancient pavilions in China, and also a national key cultural relics protection unit.

The Guangyue Building in Liaocheng was built by Chen Yong, then the garrison commander of Dong Changwei, out of the military need of "looking away from the enemy". At that time, people called it "Yumulou". Therefore, the building has the function of beating drums to tell the time, also known as "Drum Tower". In the 22nd year of Chenghua in the Ming Dynasty (1486), Yang Neng, the magistrate, named this building "Dongchang Building" when he was renovating it. In the ninth year of Hongzhi in Ming Dynasty (1496), Li Zan, the official minister, passed by Dongchang to visit Mr. Jin Tianxi, the prefect. * * * climbed up the building and was amazed. "There is nothing in the world because of sighing, although yellow crane Yueyang also wants to see it. It's been a hundred years now, and I'm still unknown, nameless and nameless, and I'm not ashamed. Because it is called' Guangyue Building' by Tianzhu, it is better to be near Lu than to wait for Yue. " Since then, the name of "Guangyue Building" has been used in the reconstruction of inscriptions in previous dynasties. The appearance of Guangyue Building is a street pavilion with four eaves and ridges, which is divided into two parts: pier and main building.

The pier is a quadrangular prism made of masonry, with a bottom length of 34.43 meters, which is close to the total height of Guangyue Building and a vertical height of 9.38 meters. In the middle of the east, west, south and north directions of the platform, there is a half-ticket arch, which forms a cross arch from the center of the platform. Square doorways are built above the four ticket gates. South says "civilization", North says "martial law", East says "peace" and West says "Xing Li". It is worth noting that the "Wuding" in the north gate has a strong military color, which should be related to the wariness of the remnants of northern Mongolia in the early Ming Dynasty. There are small arches on both sides of the south arch, which are similar in shape to the middle arch. The front of the small door on the east side is carved with bluestone, with the inscription "Fairy Que in Fengcheng" and the inscription "Yingzhou in Yuen Long" on the west side. The "Fengcheng" in the "Fairy Que of Fengcheng" is named after the legend of the old Fenghuang ancient city in Liaocheng. "Xianque" refers to the place where immortals live. Reading the artistic conception is ethereal, giving people the association of Xianshan Qiongge. "Yuen Long" in "Yingzhou, Yuen Long" is the legendary fairy residence. Yingzhou refers to the legendary fairy island. Although the two characters are different, they are all in contrast with the fairyland atmosphere outside the transcendental object. The west gate is a fake gate, only in form, in order to match the east gate. The east gate is the only access to the building. The gate width is 3. 14m, and the arch height is1.75m. However, the actual use is still too large, so a small coupon is built in the coupon, and the doorway width is only1.86m.. When people step on the door, there is a room in the door, a stamp on the east, and a small window on the south wall for ventilation and lighting. Visitors can use the lights to turn north and climb 37 steps to reach the platform. The platform area is not large, but you can stop and take a nap. Tourists often stop here to have a rest. Then it will be upgraded to 15 level to reach the table.

Build an open porch on the countertop to prevent rainwater from invading the terrace. Its architecture can be traced back to the Qianlong period of the Qing Dynasty, and its location is just on the central axis of the East Building. As the East Gate is the main avenue, its buildings were added as a symbol. The veranda is 5 rooms wide and 3 rooms deep, and the roof is light and lively. On the stairs of Changxuan, there is a woodcut plaque inscribed by a famous contemporary calligrapher, Mr. Qi Gong. The font is exquisite and the brushwork is vigorous. The countertop is brick, surrounded by parapets, and there are drainage channels on the east and west sides. Standing by the wall, look around: overlooking the southeast, Daiyue peaks are looming; Looking south, the banks are weeping willows and the lake is overflowing; Looking north, trees are shaded and tile houses are clustered; Looking up outside the city, the buildings are vertical and horizontal, and the flowers are like flowers; Looking back, dongchang lake is like a brocade belt, surrounded by ancient cities, and the lake city is full of interest.

When you climb the foundation, you can see that the four-story main building is built on a high platform, and it is all made of wood. This square building is surrounded by a veranda about 24 meters high. * * * There are 192 gold pillars and 200 bucket arches. The ground on the first floor is slightly higher than the countertop, square, surrounded by stones, with five rooms wide and five rooms deep. The structure is fresh and clear, with double grooved columns and corridors inside and outside. The wall is decorated with red chalk, but there is no paint inside, revealing a bare brick wall. All the rooms open on all sides of the building have two board doors, which are simple and elegant.

The stele gallery consists of 7 vertical steles and 15 wall steles. Except for two wall monuments embedded in the inner wall of the first floor, the other 20 are under the eaves or on the outer wall of the first floor. It is of great historical, literary and artistic value to observe its contents, either for repairing stones or writing poems. Among them, the Qianlong poem tablet is one of the best products. There are two * * * tablets of Ganlong poems, one of which stands in the north outside the East Gate, engraved with seven Ganlong poems by Gengzi Nian (1780), Chen Jianian (1784) and Geng Xunian (1790). The other is a wall monument, which is embedded in the east wall outside the south gate and engraved with Gan Shen (1776) and two imperial poems. In addition, some inscriptions on the reconstruction of Guangyuelou are included, which are important historical materials for studying the architecture of Guangyuelou. The monument to the reconstruction of Dongchangfu and the merger of Guangyue Building stands outside the south gate. Fu Yijian Shudan, a teacher of Kangxi, was the first scholar in the Qing Dynasty in the fifth year of Shunzhi (1649). In addition, there is a tablet entitled "Rebuilding Dongchang Building" written by Liaocheng Jinshi and household minister Liang in the 22nd year of Ming Chenghua (1488). Rebuilding Guangyue Building was written by Jinshi in Liaocheng in the 13th year of Ming Jiajing (1534) and right assistant minister Xu of the Ministry of Rites. The monument to the rebuilt Guangyue Building was erected at the East Gate and the Four Gates, which was made by Yang Yizeng, a Taoist priest in Jingxiang, Hubei Province and the founder of Haiyuan Pavilion, in the 20th year of Daoguang in Qing Dynasty (1840). On the forehead of the east gate on the first floor, there is also a wooden horizontal plaque "Tailai is a emerald screen", written in black and white by Shi, the special envoy of Shandong research in Qing Dynasty.

On the north side of the gate on the first floor, there is a shrine of Luban in Ming Dynasty on the eaves column and gold column. There is a statue of Lu Ban in the niche. The reason why Lu Ban is worshipped is that Lu Ban is the founder of carpenters, and the main building of Guangyue Building is made of wood, which shows that the building technology is superb and can be called Lu Ban's masterpiece. There is a wooden plaque with black characters on a white background on the Luban niche, which was inscribed by the younger brother of Pu Jie, the last emperor of the Qing Dynasty. On the golden pillar around Luban Temple, there is also an article by Sun Tongfeng, the former county magistrate of Liaocheng, and Mr. Jiang Weisong's couplet: "Mount Tai is east, the Yellow River is west, the moonlight is peachy, and the wine by the railing is infinitely good; Taiwan shoots books, the hometown is bright, the people are outstanding, and the building is nostalgic. "

There is Wenchang Pavilion on the second floor, which is well worth a stop. Wenchang Pavilion is a rectangular room surrounded by partition walls, divided into large rooms and small rooms, surrounded by golden pillars. The square room has a door in the middle from south to north, and a round window on the left and right. Looking up, it is an empty well, and you can see four layers of beams. This room was originally used by Wenchang Emperor, hence the name Wenchang Pavilion. In the Qing Dynasty, Emperor Qianlong visited Jiangnan seven times, visited the East six times, visited Dongchangfu nine times, and boarded Guangyue Building five times, and lived in Wenchang Pavilion many times. He once wrote thirteen poems for Guangyue Tower. Therefore, Wenchang Pavilion is also called "Qianlong Palace". Now there is a statue of Qianlong in the pavilion to commemorate it. On the forehead of Wenchang Pavilion, there is a plaque inscribed by Mr. Guo Moruo, a modern historian in China. Black characters on white background, 1.2m long and 0.5m wide. On both sides of Wenchang Pavilion, there is also a Tibetan couplet inscribed by Feng Zikai, a famous historian and calligrapher in China: "After the light falls, the wisdom of the working people is infinite; Yuejun Building is a major cultural relic of the motherland Yongchang ". On the north wall of Wenchang Pavilion hangs a plaque of "Scenery of Civilization", made of wood, with a length of 1.5m and a height of 0.6m, with black characters on a white background. Zhu Zhu, Qing court and National History Museum Association.

Under the four eaves on the second floor, there are four wooden plaques 3 meters long and 1.4 meters high. There is a plaque of "Shen Guang Zhongying" hanging under the eaves in the south, which was inscribed by Emperor Kangxi of the Qing Dynasty. The edge is decorated with dragon patterns, imperial seals and gold characters on a blue background. Hanging under the north eaves is the "Guangyue Building" inscribed by Mr. Guo Moruo 1974, a famous historian and archaeologist in China, to commemorate the 600th anniversary of the establishment of Guangyue Building, with black characters on a white background and magnificent momentum. There is a plaque of "Heping Pavilion" hanging under the eaves in the east, which was inscribed by Deng Zhongyue, the top scholar in Liaocheng in the 60th year of Qing Emperor Kangxi (172 1). There is a plaque "Looking at the clouds and rising to the sun" under the west eaves. Its plaque is black on a white background, which explains the problem for historians in the Qing Dynasty.

Go up the stairs on the west side of the second floor 16 steps to the third floor. The third layer is the dark layer. In fact, it is the structural layer of Guangyue Building, with crossbar interspersed, cross beams buckled and crisscrossed, which makes the bottom-up gold column and eaves column form a whole, which is more solid and stable. So the third floor is also the main frame of the building. This floor is five rooms wide. The upper end between the golden column and the eaves column is a beam frame, which runs through the second floor, so there are only three floors of underground buildings. "Not in the heart" is the center of the building, an empty well with railings around it. There is a prominent rolling brake at the top of the cylinder. This case conforms to the architectural French style of the Song Dynasty. The eaves are connected by arches, beams and columns intersect, beams and trees penetrate each other, and the structure is compact and appropriate.

Climb 13 steps from the third floor to the south, and you will reach the fourth floor of Guangyue Building. The fourth floor is the highest floor of the building, with the width and depth of three rooms and a square plane. There are six windows in the bright room, from which you can overlook. In the middle of the open room, a capillary railing is decorated. The handrail passes through the wellhead and you can see the bottom of the well. Install round windows with ice patterns at intervals, with proper construction and natural use. The roof is a cross roof, the lotus column is hung in the center of the roof, and eight inclined ridges are placed on three beams and corner beams respectively. Climb to the top floor, hold the window around, the northwest plain of Shandong is vast, and the scenery is spectacular; Close look, sparkling, water and sky are the same. It makes people nostalgic and arises spontaneously.

The roof of the building is a Xieshan cross roof, and a flower-piercing iron gourd with a height of 3 meters and a diameter of 1.5 meters is installed in the center of the roof. Four little lions crouched on the cross ridge, and those four big kisses were like four dragons. Seen from a distance, they give people the feeling of flying. The main building of Guangyue Building is wood structure, but it can still be well preserved after more than 600 years of wind and rain, which not only has high scientific value, but also has high artistic value. Liaocheng Shanshan Guild Hall is located in the south of the city and on the west bank of the canal, which is the epitome and witness of Liaocheng's commercial prosperity in the Qing Dynasty. The guild hall was built in Qing Qianlong for eight years.

(1743) was built by merchants in Shanxi and Shaanxi to raise funds for "worshiping God and uniting mulberry". * * *, it took 66 years from start to finish, and it cost more than 92,000 taels of silver. The main hall is 77 meters long from east to west and 43 meters wide from north to south, covering an area of 33 1 1 square meter. The whole building includes doors, buildings, theatres, mezzanine buildings, bell and drum floors, north and south watchtowers, Guandi Hall, Chunqiu Pavilion and other parts. * * * There are more than 65,438 pavilions, which are national key cultural relics protection units. Among the existing clubs in China, the building area of Liaocheng Shanshan Club is not very large, but its exquisite architectural carving and painting art is rare in China. According to the basic pattern of traditional palace-style architecture in China, the guild hall arranges all groups of buildings, emphasizes the balance and symmetry on both sides of the central axis, highlights the buildings on the central axis, and distinguishes the primary and secondary levels of buildings through the form, width and depth of the roof and the complexity of artistic component carving. From east to west along the central axis, there are the mountain gate, the theater, the bell and drum tower, the north and south watchtowers, the tablet pavilion, the Zhongxian Hall, the Guandi Hall and the Spring and Autumn Pavilion. From the mountain gate to the Spring and Autumn Pavilion, three courtyards are gradually increasing, and the single buildings are interrelated and compact in layout. Shanmen, also known as Sanmen or Pailou, is a gatehouse with four pillars and three Pailou. 7m wide, 1.7m deep and 10m high. The foundations of the four pillars are carved lions, and the front of the two pillars in the middle is engraved with couplets, which are bold and full of charm.

The first part is: this is a hero, as the only saint with a clear conscience, worthy of the Lord of the East Country;

The bottom line is: Why should the immortal Buddha have virtue? Only heaven and earth became western saints because of their qi.

The middle stone door frame and lintel stone are engraved with bat patterns. There is a stone embedded in the middle above the lintel, which is engraved with the words "Shanshan Guild Hall".

The doorframes and lintels of the two small doors are also made of a whole piece of bluestone, and the cirrus pattern is lightly engraved on the stone. There is a stone square plaque embedded above the lintel, which reads "Walking in the Middle" and "Dancing in Harmony" in regular script respectively. On both sides of the second door are brick-shaped screen walls, and on the right are Zuo Shu's "Japanese essence" and "righteousness in heaven".

There is a square stone pier with a flagpole at the north and south ends outside the mountain gate. The stone pier is1.98m high and 0.92m wide. Dragon and phoenix are engraved on the front and back sides of the stone pier, and lotus peony is engraved on the left and right sides. There are four wooden pillars in the gate. The upper ends of the two inner columns behind the door are connected with the two outer columns in the wall through members.

Entering the guild hall, after passing a mountain gate under the stage, you will see the magnificent theater, sitting east and west, facing the main hall. In the center of the back gable of the theater building, there is a tunnel that passes under the stage and leads to the courtyard, with a width of 2.16m and a height of12.12m. The entrance is a brick-carved hanging door cover. There is a stone carving of "Cenlou Ningxia" above the cover. There is a stone wall on the left and right sides of the tunnel, with red-crowned cranes and conifers carved on the left and sika deer and flowers carved on the right, both of which are 2.08m high and1.15m wide. There is an exquisite stone carving screen frame under the zhaobi, and there is an exquisite brick carving wall cover on it, decorated with yellow peony, green unicorn and evergreen made of glass.

Between the gate and the theater, there is a rain-proof building connected, and the top is a single-eaves hard mountain type. The theater building is a two-story podium, with two double eaves, a top and a ridge, standing against the mountain, and then leaving the mountain left and right, forming a ten-wing corner, and the room is covered with blue-yellow glazed tiles. The stage is square, 2.3 meters high, the front stage is 9.6 meters wide and 5 meters deep, and the back stage is 8.6 meters wide and 3 meters deep. There are three platforms in front of the stage, five carved wooden foreheads under the eaves, with the story of "Fu Lushou" in the middle and dragons, flowers and figures on both sides. The four eaves columns are all stone carvings. Inline regular script Yang Wen: the palace merchants' banquet is the first wedding candle; Give full play to the role of written pleasure in saying that Ma Gaofan has a good wind. Inscription of outreach regular script: knot 50 thousand spring flowers to play elegant propaganda without coquettish is called outstanding structure; It is a miracle to paint a thousand colors in autumn and carve gold in the wrong color.

Inside the stage, there is a welcome screen to separate the foreground from the background. Four big flowers are painted on the screen, and Yang Wen couplets are engraved on the left and right wooden pillars: very sonorous, a song of nature; Singing over the snow, dancing all over the place makes the lotus flat. There is a woodcut plaque "Yunxuan Flower" hanging above the screen. On both sides of the stage front desk are splayed folding walls, and each wall is inlaid with 1.8m high and 0.5m wide stone carving meticulous paintings ... on the left is a mirage, and on the right is a rooftop view. The clouds of cranes painted by the algae wells on the stage seem to imply that happiness is higher than the sky. Its delicate and complicated structure is rare.

There are three two-story single-eaved buildings on both sides of the theater, which are symmetrical in north and south and integrated with the theater. A roof rises in the middle, and there is an arch below to enter and exit. There is a stone tablet in the east gate, with "facing the moon" on the left and "looking at the sea" on the right. The small room on the second floor has windows of the East Garden on both sides. This used to be the dressing room and lounge for theater actors. Up to now, from the 25th year of Qing Daoguang (1845) to the 8th year of the Republic of China (19 19), the opera clubs in Shanxi and Shandong provinces and Yi Sushe, the Ministry of Education, were dissatisfied with the poems written by the "performers" and the Peking Opera, Shanxi Bangzi and Peking Opera.

Bell and Drum Towers The Bell and Drum Towers are symmetrical in north and south, which are located outside the folder building. They are all single-room two-story double-eaved cross-ridge buildings built on masonry platforms. There are 12 eaves columns on the second floor to support the eaves on the first floor. The door on the first floor is in the west. On the left is the "Bell Tower", and the second floor door faces south. On the lintel, there is a stone carving with a "vibrating and deafening" banner, and on the stone pillars on both sides, there is a couplet engraved in yin: its sound is loud and far, and its meaning is deep and long. On the right is the Drum Tower, and the door on the second floor faces north. On the lintel, there is a stone carving "ring" on one side, and on the stone pillars on both sides, there is a pair of couplets engraved in yin: when you know how to listen and think, you must not ignore it.

There is a small courtyard under the bell and drum tower, with dense bamboo forests and a full moon door on the wall leading to the courtyard. The courtyard is 23 meters deep from east to west and 33 meters wide from north to south. There is a straight stone road in the middle, and there is a century-old locust tree on both sides of the road, shaded by trees. Under the steps of the main hall in front of the hospital, there are a pair of tall and vigorous stone lions, which are composed of three parts: lion body, sumeru seat and base, and are 3.25 meters high. The base is carved with eight magic weapons of Buddhism on all sides, and the sword and pestle are in front; On the left are umbrellas and towers; On the right are bells and baskets; Then it was printed with platinum to ward off evil spirits. There are vases, deer, melons and pomegranates carved on the upper part of Xumi Mountain, which means peace, prosperity, sweetness and children and grandchildren. Below is the peony, on the left is the lotus, on the right is the plum blossom, and behind is the chrysanthemum, which symbolizes auspicious seasons. In this pair of stone lions, the lion stepped on the hydrangea on the left and the lioness stepped on the cub on the right. According to records, the pair of stone lions came from Shanxi and spent 633 taels of silver.

The north-south watchtower is located on the west side of the bell and drum tower, on the left and right sides of the stage. It is a two-story veranda building with five rooms wide and one room deep. The building is 16.5 meters long and 5 meters deep, with a rolled shed at the top and covered with grey tiles. The first floor of Kanlou is paved with bricks, and the second floor consists of six wooden floor beams, wooden floor rafters and Shi Zhuan on the wooden floor. There are four beams on the second floor, including purlins, rafters, surface plates and tiles. Kanlou is an open gallery building where you can sit and watch the performances on the stage.

Kanlou is located on the north and south sides of the courtyard, with five rooms wide and two floors above and below. The building is16.5m long and 5m deep. The roof of the house is covered with grey tiles, which is a place for watching plays, drinking tea and talking about business. Looking upstairs, there is a stele pavilion, each with 3 bays, the front is open, and the cornice is higher than the watchtower and the main hall. The forehead is wide up and down, each painting sunrise, dragons and tigers, melons and fruits, and people. There are four stone tablets and two wall tablets in each pavilion. The monument is 6.2m high and1.2m wide. The inscription records in detail the maintenance and construction of Shanshan Guild Hall over the years, and the names of various firms and the amount of silver donation are also engraved on the inscription. On the inner wall of the west end of Nanbeiting, there is also a title deed tablet carved by Qingganlong, which records in detail the number of steps, four directions, purchase price and the reasons for carving the stone to build the tablet. It is an important document to study the business thoughts of Shanxi merchants.

From the west of the title deed monument to the west, through the west gate of Nanbeiting, is the monument wall. It is inlaid with fifteen years of Jiaqing (18 10), twenty-five years of Daoguang (1840), six years of Tongzhi (1867), thirteen years of Tongzhi (1874) and twenty years of Guangxu (/kloc)

The main hall is the central building of the guild hall, which consists of two parts: the dedication hall and the restoration hall, and the eaves are connected by gutter. The dedication hall and the restoration hall are divided into the main hall and the north-south attached hall, with six halls, three rooms wide. The main hall is higher than the South Hall and the North Hall. The dedication hall is the roof of the shed, and the restoration hall is the hanging mountain. The main hall is paved with green glazed tiles, and the front and rear rooms are inlaid with diamond-shaped yellow-green glazed tiles. The north and south halls are covered with grey tiles.

The main hall, also known as Guandi Hall, has four square pillars in front, with hanging curtains and legs under them. The front of the stone pillar is engraved with couplets praising Guan Yu, and the inner column is in the form of regular script: Wei Liezhuang, ancient and modern, Dan Xin, Qi Hao, and a true gentleman in the Han Dynasty; Sincere, heroic, and a thousand-year-old gentleman.

Outreach is a running script: you must die and ask who is righteous in our generation; On the matter, laugh at the scholars for reading the Spring and Autumn Annals for nothing. Above the four eaves columns, there are three woodcarvings, with Laozi and the Eight Immortals engraved in the middle 1. On the left is a story of "Fairy Biography", and on the right is a picture of filial piety, which is several stories of twenty-four filial piety in ancient China. From left to right, they are: crying bamboo gives birth to bamboo shoots, fascinated by pillows and warm, and I cherish my right home, burying my mother's son, mourning the thunder tomb and feeding mosquito blood. There are six meticulous paintings of Journey to the West and 12 woodcarving peony flowers on the top of my forehead for decoration.

In the middle of the eaves gallery, there is a wooden plaque of Yang Wen, which reads "Great Justice". The Hall of Great Heroes was originally a place for offering offerings and holding meetings and discussions. The temples and purlins are painted all over, carved beams and painted buildings, resplendent and magnificent, with 18 figures. The wooden plaque of "enriching the country and enriching the people" hangs right above the temple.

Behind the memorial hall is a corridor, which communicates with the corridor behind the memorial hall in the north and south attached halls. There is a corner gate on the west end wall of the corridor leading to the north and south courtyards, and there are stone carvings outside the gate, with "South Pole" written in the south and "North Arch" written in the north.

Behind the cloister is a complex hall, behind which is a warm pavilion, and in front of it are three statues of the Holy Emperor, Guan Ping and Zhou Cang. The statue of Guan Jun is 3 meters high, wearing an embroidered dragon robe and a golden crown. It looks like an emperor. After the restoration, there is still an eaves gallery, and there are four wooden pillars under the eaves, all of which are mainly exquisite stone carvings. There are three woodcarving foreheads above the eaves column, with figures and peonies carved in the middle and dragons and unicorns carved on the north and south sides. On the windward board of the eaves gallery, there are also plaques inscribed with "Mount Nishan in Xu Tao" and "Lin Jing in Bing Yi" on both sides, which further shows that Guandi Temple believes in authentic orthodoxy.

Nanpeidian is located in the south of the main hall, also known as Wenchang Fire Temple, where many businessmen worship Wenchang Fire God. The setting is the same as the main hall, that is, the front is the worship hall and the back is the restoration hall. On the front porch of the Dedication Hall, there are four stone eaves columns based on stone carving unicorn and elephant, with flower patterns of cranes and auspicious clouds engraved on both sides and couplets engraved on the front. The inner column is engraved with Yang Wen's couplets: the gas is like a pearl, and the child's night light is separated; Gong Yuan helped Shui. When he left office, he was appointed as Bing Ding. Inscribed on the outer column are couplets: the southern sky is revered, and the flame of God shines in bucket handle; Adjacent to the North Pole, the stars are shining.

There are three wooden figures inlaid above the eaves column, one in the middle is engraved with seven deer, geese and chrysanthemums with different expressions, and the two sides are engraved with plum blossoms, lotus flowers, bottles, incense burners and teapots respectively. In the middle of the eaves gallery, there is a wooden Yang Wen plaque, which reads "Calm" next to it.

There are Wenchang God and Wang Lingguan, the god of fire, in the complex hall behind the memorial hall, and a wooden plaque with "Tiankai Moire" is hung above the main entrance of the hall.

The North Attached Hall is located in the north of the main hall, also known as the "God of Wealth Temple", which corresponds to the north and south of Wenchang Fire Temple. It was a place where many businessmen prayed for wealth in those years, and it was also divided into a temple and a restoration hall. On the front porch of the hall, there are four stone eaves columns based on unicorns and elephants. The side and back of the column are engraved with floral patterns, and the front is engraved with couplets. Carved couplets on the inner column: Dezhao Fucai, the materialized treasure of the world; Doing things is beneficial to interests and celebrates the moment when Haiyan River is clear. Yang carved couplets on the outer column: Tianjin has an important position, financial resources are in hand, and Wan Li is wrapped around his waist; The god of wealth is the pillar, and the treasure of the future is safe.

There are three wood carvings above the eaves column, with six flying geese and a castle carved in the middle, and ding, vase, incense burner and food box carved on both sides respectively. In the center of the eaves gallery, there is a wooden Yang Wen plaque "Gong Lisi Ji".

There are statues of Xie Xu, Zhao Gongming, the god of wealth, and Jinlong, the water god, in the complex hall behind the Fairy Hall, and a wooden plaque of "Forever and Ever" is hung above the main entrance of the hall.

The Spring and Autumn Pavilion is the last and largest hall in the guild hall. It has the width of three rooms, two floors up and down, a roof resting on the mountain, a gray tile roof and a bucket arch beam lifting structure. There are four wooden eaves columns on the front porch of the pavilion. The front porch is carved with figures, peonies, melons and flowers. There is a watchtower on the left and right of the pavilion, one at the top and one at the bottom. There is a fan-shaped plaque at the ticket gate of each watchtower, which means "step by step" in the south and "step by step" in the north. The Spring and Autumn Pavilion was once a place to worship Guan Di. A huge portrait of Guan Yu hangs on the first floor, and a wooden serial portrait of Guan Yu's life story hangs on the second floor. At present, the western wall on the second floor still retains Guan Yu's whole body stone carving.

There are verandahs on the north and south sides of the Spring and Autumn Pavilion, each with three rooms wide and one room deep, covered with grey tiles, connected with the watchtower and the main hall, forming a compact quadrangle. The north and south sides of the two corridors are north-south courtyards. Between the two houses, there are small doors at the east end of the north and south hatchbacks. There are three hard-mountain tile houses in the south campus. There are three south houses, two small north houses, three small west Buddhist pavilions, and one sitting at the back door in the east-west direction, all paved with gray tiles and out of the veranda.

After the completion of Liaocheng Shanshan Guild Hall, it was expanded and maintained eight times in history. According to the existing 16 stone tablet, the fourth maintenance took seven years from the eighth year of Jiaqing (1803) to the fourteenth year of Jiaqing (1809) and cost 49,643.43 yuan. The fifth maintenance was in Daoguang for twenty-five years (1845), and the silver fee was 18028.78. Most of the wood used for maintenance comes from Zhong Nanshan, Shaanxi, and most of the craftsmen come from Fenyang, Shanxi. The architectural style reflects its local characteristics as much as possible. For more than 100 years after its completion, performances have been performed to entertain the gods every Spring Festival, Dragon Boat Festival and Mid-Autumn Festival.

Liaocheng Shanshan Guild Hall is the witness of Liaocheng's commercial development and economic prosperity in history. It combines China's traditional culture with China's traditional Confucianism, Buddhism and Taoism. The whole building is a masterpiece of ancient architecture in China, with compact layout, patchwork, proper connection and gorgeous decoration. Its stone carving, wood carving, brick carving and painting techniques are excellent works of Chinese architectural art, which are of great data value for studying the history of ancient Chinese architecture, commerce, drama, canal culture, calligraphy, painting and sculpture and the emergence of the budding factors of capitalism in Qing Dynasty.

● Guild Hall, a feudal group composed of fellow villagers or peers in Ming and Qing Dynasties. Built in the early Ming Dynasty, the earliest known guild hall is Wuhu Guild Hall in Beijing, which was built in Yongle period. During Jiajing and Wanli years, guild halls tended to flourish, with the largest number in the middle of Qing Dynasty, almost all of them were located in Datong, and even some towns and villages had guild halls. During the Ming and Qing Dynasties, merchants gathered in Liaocheng, and there were eight halls along the Dongguan Canal, including Shanshan, Jiangxi, Suzhou, Ganjiang and Wulin, among which Shanshan Hall was the only hall building preserved to this day. Dongchang lake Scenic Area is a famous historical and cultural city in the southwest of Liaocheng, with Liuyuan, the main road of Liaocheng, on the east, north and west.

Road, Dongchang Road and Huxi Road are bounded, and the south reaches the south outer ring, with a total area of 20.6 square kilometers. The famous Beijing-Hangzhou Grand Canal passes through the scenic spot. Dongchang lake Scenic Area is centered on Liaocheng Ancient City, which was built in the Northern Song Dynasty, and relies on dongchang lake, which is surrounded by the ancient city. It has a vast water surface and beautiful scenery. It embodies the characteristics of "water, antiquity and culture" in Liaocheng, and creates a unique style of "there is a lake in the city, a city in the lake, and a city, a lake and a river are integrated". It is the most famous scenic spot in the border area between Luxi and Hebei, Shandong and Henan.

Dongchang lake was founded in the third year of Song Xining (A.D. 1070). It was excavated on the basis of the original moat, with an existing water area of 4.2 square kilometers. It is a rare large-scale urban lake in Jiangbei area of the Chinese nation. Dongchang lake takes water from the Yellow River, with a water depth of 3-5 meters all the year round, and the lake is clear without any industrial pollution; The scenery is pleasant, which makes tourists linger. The center of dongchang lake is a square ancient city of Liaocheng with a history of 1 square kilometer. The style and features of the ancient city are well preserved, with the Guangyue Building in the middle of the ancient city as the center, radiating in all directions, forming four main roads in the ancient city, east, west, north and south, and other streets and lanes are also clear in latitude and longitude, crisscrossing vertically and horizontally, forming a checkerboard grid skeleton. The residential buildings in the ancient city still retain the traditional architectural style of white walls, gray tiles and city tops. On both sides of the ancient Beijing-Hangzhou Canal, there are many streets and lanes, and all kinds of shops and houses are built along the river. Large and small piers paved with stones, vigorous ancient pagodas, longxing temple Tower in Song Dynasty, national key cultural relics and Shanshan Guild Hall in Qing Dynasty will still make people appreciate the prosperity and glory of ancient Liaocheng in the heyday of canal water transportation. Through the effective development and utilization of these unique tourism resources, the important contents of dongchang lake scenic spots-lakeside scenic spots, ancient city cultural areas and canal customs areas have been formed.

Dongchang lake scenic spots have profound cultural connotations and rich tourism resources. Liaocheng has a long history and outstanding people. There have been many outstanding figures in history. Prime Minister of Ming Dynasty, a famous painter and calligrapher in Qing Dynasty, Deng Zhongyue, a national hero of modern anti-Japanese, Fan Zhuxian, a famous scholar and social activist, Zhang Haidi, a model of youth in 1980s, and a model of leading cadres in 1990s are all outstanding representatives. In addition, China's ancient classics, such as Water Margin, Liaozhai, Jin Ping Mei and Lao Can Travel Notes, all describe ancient Liaocheng and dongchang lake. Thousands of years of historical vicissitudes and endless outstanding figures have created the rich cultural background and inside information of dongchang lake Scenic Area. Charming natural scenery and numerous cultural attractions have also merged into rich tourism resources in dongchang lake Scenic Area. There are many scenic spots in the scenic spot, such as Guangyue Building in Ming Dynasty, Song Pagoda, a Buddhist cultural treasure in China, Shanshan Guild Hall, Haiyuan Pavilion, one of the four private libraries in Qing Dynasty, and Fu Sinian Memorial Hall, Fan Zhuxian, a national hero, and Comrade Kong Fansen Memorial Hall. In Dongchang Lake area, a large number of scenic spots and facilities have been built in recent years, such as Liaocheng Fishing Base of China People's Fishing Association, dongchang lake Amusement Park, Jiangbei Aquatic Bamboo Village, Beach Bath, Cruise Terminal, Huxin Island, Hexiang Island, Fuchun Pavilion, etc. The green belt along the lake for more than 30 miles has also taken shape. A number of key construction projects such as Huxi Park, Xiguan 2 1 Kong Sightseeing Stone Bridge and Beiguan Sightseeing Stone Bridge are also being actively implemented.