Traditional Culture Encyclopedia - Lucky day inquiry - Brief Introduction of Japanese Literature Author Tsutomu Minakami Iwaji
Brief Introduction of Japanese Literature Author Tsutomu Minakami Iwaji
Author's brief introduction Tsutomu Minakami (19 19-), a famous modern Japanese writer, was born in March 2009 in a poor mountain village named "Begging for Food Valley" in Wakayama, Fukui Prefecture. My father is a carpenter who builds temples and works outside all the year round. Tsutomu Minakami's family has five children and a blind grandmother. The family is very poor. 1February, 929, the writer was under ten years old and went to Ruichun Garden of Suoguo Temple in Jingshi as a young monk. Three years later, I escaped because I was too tired, and then I went to another temple to become a monk, and then I escaped. He lived in the temple for more than seven years. After finishing high school through work-study program, I entered Ritsumeikan University. Until after the war, in more than 20 years, he was engaged in business, selling medicine and being a reporter ... * * * engaged in more than 30 occupations, and widely contacted the lower classes in Japan, which tempered his insight into society and provided a rich source for his creation. 1948 After publishing the debut novel "Song of Fryer", after decades of efforts, * * * has written more than 100 works with tens of millions of words. Before the publication of yan zhen, he and another famous writer, Seicho Matsumoto, started the golden age of "social school mystery novels", whose representative is Fog and Shadow (1959). 196 1 year, Tsutomu Minakami published his masterpiece yan zhen, which caused a sensation in Japanese literature, and won the 45th Naoki Literature Award, thus establishing his unshakable position as a writer. 1977, Japan's Central News Agency published the Complete Works of Tsutomu Minakami in 26 volumes, which is remarkable among prolific Japanese writers. Tsutomu Minakami created a series of "social problem novels", which were highly praised at home. Among them, Evening Fog House on Five Streets, Music under the Lake, Bamboo Puppet in front of Crossing, Stone behind Crossing and Peony in Monkey Cage are all works of moxibustion population. Tsutomu Minakami's creative style is unique and distinctive, and people call his works "Shuidiao".
Before the death of Nanyue Kishimoto, a famous painter who was good at painting wild animals and birds, the abbot of Gu Feng Temple was invited to the north to watch Ci Hai. "Monk ... Lizi ... please give it to you ... she will be the wife of Gu Feng Temple in the future ..." Lizi, whose full name is Feng Lizi, is 32 years old and plump and beautiful. She is the lover of Kishimoto Nanyue. Ten years ago, Kishimoto lived in Gu Feng Temple. He brought Lizi, and he painted geese on the partition of the temple. Kishimoto pointed to the painting and showed it to Lizi. "After my death, it will be called the Wild Goose Temple ..." Now Kishimoto is dead, and on the seventh day after his funeral, Lizi entered the Gu Feng Temple. So, she met a little monk with a skull and a small body. What kind of child is kindness? The sunken eyes are shining, which makes Lizi shudder. He is taciturn, working all day, pathetic. From then on, Lizi lived in the temple, accompanying Ci Hai and the wild goose paintings left by Kishimoto Nanyue every day ... Next to the bamboo forest in the back mountain of Gu Feng Temple, an oak tree has no branches and leaves, just like a huge wooden stick that goes straight into the sky. On the oak tree, a kite hovers all day. Linzi felt very uncomfortable. She doesn't know why the kite only hovers on the oak tree. Cihai longed for the beauty of Lizi day and night, but Lizi was dissatisfied with the kindness of the young monk. She asked Cihai, where was Cinian when she was a child? Cihai only knows that Cinian is the son of a carpenter who built a temple in Ruowa. He was brought by a monk from Xi 'an Temple in Ruowa. He is in middle school. After school, he sweeps the floor, cooks, weeds and digs dung in the temple ... When this series of work is completed, he will take notes on scriptures. Lizi believes that children of the same age in ordinary families are still loved by their parents, but it is really hard to be kind. In the biting early spring, Lizi told Cinian to stop weeding. She wanted to know more about Cinian's life, but Cinian didn't say a word. Only clear eyes make Lizi tremble. There was a military training class in Ci Nian's school, so the tired Ci Nian overslept one day. Since then, Ci Hai has tied Ci Nian's wrist with a rope. As soon as he pulled the rope, Cinian had to get up at once to avoid oversleeping again. One night, Cihai couldn't wait to do what Lizi did every night, but accidentally touched the hemp rope. Cinian got up in a hurry and asked if the master had called him. All the things about Cihai and Lizi fell into Cinian's eyes. When the school teacher visited, he told Ci Hai that Ci Nian had been absent from school recently! Cihai was very angry and immediately called Cinian and asked him why he was absent from school. "I hate military training. It's exhausting to carry a gun. " Lizi's heart was touched. Yes, it's really difficult for such a small person to carry a big gun ... but the teacher said mercilessly, "This is set up according to the regulations of the Ministry of Education. It must be done, there is no way. " Ci Nian implored Ci Hai: "Master, please don't make me accept military training with guns. I really can't carry a big gun. " However, how could Cihai agree? "Starting from tomorrow. Participate in military training. The monthly tuition can't be wasted. If you can't graduate from middle school, you are not qualified to be a wandering monk. " Kindness is cold, turn to the corner and cry. The Woods saw off the teacher and walked to the back of the hall. Suddenly, she found Cinian stabbing the carp in the pond with a small bamboo knife. The back of the fish was stabbed for more than a foot, and the blood floated on the water like a pile of red wool ... The Woods felt terrible. When the autumn wind blows, the abbot of Xi 'an Temple, Tian Mu Motang, wrote that he would pass through here. Lizi is eagerly looking forward to the early arrival of this monk, because it is this monk who brought kindness in those years. Lizi wants to know the origin of Ci Nian from Mo Tangkou. Three days later, Tian Mu Motang strode into Gu Feng Temple. He was very excited when he saw Ci Nian, and called Ci Nian's nickname-Asher. Lizi learned something about Ci Nian from Mo Tangkou: there is a place called Beggar Valley. In winter, many beggars stay in broken ancestral halls. The offerings in the shrine are the food that beggars scramble for ... A beggar named Aju, in his thirties. On a snowy day, she gave birth to a child ... of course, the father of the child didn't know who it was. Ah Zhu wanted to beg elsewhere in the spring, so he gave the child to Jiao for adoption. Jiao Lizhong had a child, but Jiao Lizhong persuaded his wife to let her feed the beggar's son ... The child grew up and had a big head, and the children in the village nicknamed him "Warship Head". His name is Shequ. He always said that he would look for his real father ... Ah, Lizi has heard many stories about strange fate, and Ci Nian is another one. Tears ran down Li Ning's cheeks ... On this day, Ci Hai went to Yuanguang Temple to play Go and didn't come back until late at night. Lizi was lonely, looking at the kite hovering in the oak tree, and then kindness came. He told Lizi that there was a Ying Chao on the top of the oak tree, and the eagle was storing snakes, fish, mice and other food ... Lizi felt uncomfortable. She remembered the night when Mo Tang told the story of Ci Nian. She came to Ci Nian's room and caressed Ci Nian like a gentle mother. Ci Nian moved * * * and pushed Gigi Lai down on the mat. That night, Lizi dedicated herself to Cinian. Cihai never went out, and a benefactor named Pingji died, so Ci Nian did it ... That night, the night watchman took turns to rest, while Ci Nian recited the scriptures all night. The dead were buried after dawn. Although people think the coffin is heavy, they don't take it to heart. Cihai didn't come back, and no one can tell where he went. A sad wind blew from the mountainside, and Lizi felt lonely ... for more than ten days, people didn't know the whereabouts of Cihai, so they guessed where he might have died. Only Cinian remembers that night more than ten days ago, when Cihai got drunk in the middle of the night. Ci Nian killed Ci Hai with a small bamboo knife and a small iron knife, and then hid the body. He got up early the next morning and cleaned up the blood on the ground ... At night, when he turned over the dead, he dragged Ci Hai's body into the coffin while others were sleeping ... In this way, without leaving a trace, Ci Hai disappeared. One morning many days later, Ci Nian was in the Buddhist temple, looking at the wild goose paintings of Kishimoto Nanyue, with strange light in her eyes. That's a goose feeding her goslings. He put his finger on the fan and dug up the goose. So, there is a hole here. The image of Ci Nian was also heard from Gu Feng Temple. Lizi was alone, staring at Nanyue's paintings, and Nanyue's voice sounded in his ear: "Gufeng Temple, later named Yan Temple."
This is a sad picture, this is a sad song. Between the lines, they are full of deep sympathy for the lower classes and accusations against evil people. With its unpretentious lyric style, the author makes his works flow like a mountain spring, fresh and sour, which makes people deeply moved to read. This is the unique "water upward". This painting depicts the debauchery of Ci Hai, the abbot of Gu Feng Temple at the foot of Mount Erie in Kyoto. As a monk, he brought a woman living in the lower class into the temple and asked him to play with her. He looks serious on the surface, but in fact he is decadent. And lining, although kind-hearted, but weak personality, her fate is completely in the hands of Cihai, she is just a tool of Cihai, a tool to vent * * *. From Lizi, we can see the humble social status of Japanese women in the 1920s and 1930s. The appearance of the young monk's kind thoughts exposed and accused Ci Hai incisively and vividly. Cihai regards Linzi as a tool and Cinian as an ox and horse. Teenagers should be spoiled in front of their parents, but they have to bear all the affairs in the temple. He gets up in the dark, cooks, chopping wood, weeding, sweeping the floor, chanting scriptures, copying scriptures, and visiting donors' homes ... He is exhausted and has to go to school during the day, where he receives militaristic education and military training with a gun. The darkness of society and the oppression of Ci Hai filled Ci Nian's heart with hatred, and he buried the hatred deeply, making him withdrawn and taciturn. Lizi is also a suffering person, so she deeply sympathizes with Kindness and longs for understanding the inner world of Kindness. When she learned that Ci Nian was an orphan left by beggars, she was full of pity for Ci Nian. In fact, Lizi's situation is as pitiful as kindness. However, she doesn't think so. Cinian overslept. After that, Ci Hai tied one end of the rope to Ci Nian's arm and the other end to his room. He pulled the rope at five o'clock, which made Cinian tortured and humiliated. It is because of all this that Cinian has the idea of resistance. He can't bear to be so * * *. After Ji Zhi killed Ci Hai, he ran away from home and disappeared. It is such a work that has won the appreciation of Japanese literary circles. The critic Kenichi Yoshida believes that Wild Goose Temple can be included in the world literary classics. The works are full of poetic meanings, such as the kite hovering on the top of the oak tree, the painting of geese in the hall ... especially the kindness of digging away the goose, which expresses an orphan's nostalgia for his loved ones. Shortly after the opening, the author gave a detailed description of the geese painted in the hall, especially the description of the young geese begging for food from the mother goose with their mouths open, which not only rendered the atmosphere, but also emphasized the kind character, and finally read the story that the mother goose dug away when she left, laying the groundwork. When it comes to bedding, Tsutomu Minakami is very good at this skill. The school teacher came to the temple to complain because he didn't want to take part in military training and was absent from class. After Ci Hai cursed Ci Nian, Ci Nian was very resentful and stabbed the carp in the pool with a bamboo knife. The description of this plot also laid the groundwork for Ci Nian to kill Ci Hai with a bamboo knife in the future. Therefore, the structure of the Wild Goose Temple is compact, which is another feature of Tsutomu Minakami's writing. The Wild Goose Temple attacked Japan's militaristic policy in the 1920s and 1930s and mercilessly exposed the dark reality. Teenage primary and secondary school students will receive military training at school, but on the other hand, working people are living in hunger and poverty, beggars are everywhere, bullies are everywhere, and there is a cursed temple life ... Thus, hydrology is very thoughtful. Water's works are not as loud as those of critical realism, but they try their best to control the sad mood, just like a person who is full of bitter water and whimpers about his misfortune. Just like a silkworm spinning, unconsciously, gently winding the reader's heart, making you feel heavier and heavier. This is the Wild Goose Temple, which is another obvious feature of hydrology. The emergence of such excellent works is closely related to the writer's experience. We can see the shadow of the writer's childhood from kindness, and it is precisely because of our personal experience that we can write such a famous masterpiece.
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