What are the characteristics of He's calligraphy?

He's calligraphy is based on seal script and official script. Among the North Monuments, his favorite is the epitaph of a black woman, which is Han Li's legacy. He admired the inkstone style most among the Tang steles, and the inkstone style was mainly based on seal script brushwork. In my early years, I liked Ouyang Tong's Epitaph of the Black Woman and Monument to the Taoist Priest, so I used many kinds of pens. Later, I used Yan Zhenqing's "Magu Mountain Xiantan" and so on. In his later years, he preferred to be a seal character, and most of his calligraphy pens were based on the meaning of seal character, and Li Shu also had a sense of roundness. He once said: "Yu Xueshu traced back more than 40 years, and the method of opening letters was what the Northern Dynasties wanted, and it was really the mood of opening letters." (What's Lao Ai's readme) added: "There were many calligraphers in the Tang Dynasty. However, if it means to seal and divide everything, then the Bohai Sea (Ou Yangxun) is an unprecedented place, and the Duke of Lu (Yan Zhenqing) is an unprecedented place, which Yu and Chu can't match. This theory is not credible unless it is deeper than the origin of printing, dividing, truth and grass. " From his self-evaluation, we can know that his books have their origins. From his evaluation of Tang calligraphy, we can know that the model he worships is both seal and official, so he respects Europe (also an official) and strictness (also an official). In his later years, his book consolidated his bones with the meaning of seal script, and opened up its momentum with the meaning of official script, combining the inscriptions of Europe, Yan and Northern Dynasties with the carved stones of Southern Dynasties, such as the inscription of "He". What he saw and heard all flowed into his pen, creating a unique face. This is the general context of its truth and the evolution of running script.

Judging from the calligraphy style, He's regular script is broad and elegant, but it is not sparse. It also combines the precipitous and dense features of the North Monument, Ou Yangxun and Ouyang Tong, and pursues the style of "the epitaph of a black woman" and "the monument of Taoist concealment", which makes its calligraphy unique. Small letters also use the golden method, and the brushwork is meaningful. The cursive script melts and prints, and the converter is magnificent and unique. His seal script, centered with a pen, can be mixed with official script and matched with cursive script, which is also unique. From the chronological point of view, He's calligraphy was beautiful and smooth in his early years, wandering between Yan Zhenqing, Li Yong, Wang Xizhi and the inscriptions of the Northern Dynasties, with a sense of integrity; Middle-aged people are getting older, their brushwork is getting more and more calm, their pens are shaking, and their taste is heavy; In his later years, people and books were old and perfect, and they were masters of epigraphy in the late Qing Dynasty.

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