Classical Chinese for making bricks with clay.

1. Classical Chinese translation "Tiangong Kaiwu" and "The Seventh Pottery Cong" Pottery Cong: producing bricks, tiles and ceramics.

The original Song Zi said: Fire and water help Ji. A country with thousands of rooms is short of thousands of people every day, and the civil use is also complicated.

Go to the next room to avoid the wind and rain, but cover it. The princes risked their lives to defend their country, but the walls were too narrow for them to get on.

The clay urn is strong and the wine wants to be clear. Wajie and acyl sugar are recommended. In Shang and Zhou dynasties, cowpea was made of wood, so it was also a quality problem.

Later generations have a miraculous effect on the earth, artificially showing differences, elegant, like jade bone. A few banquets, civilized and awesome. Is it solid at last? Song Zi said: When water is combined with fire and earth, pottery can be made.

In a country with a population of 10,000, it is not enough to use 1000 people to make pottery every day. The people use enough pottery. The house is built with beams to protect it from the wind and rain, and the roof is tiled.

The princes and ministers set up dangerous terrain and situation to stick to their country, and the built city wall was not easy to get up when the enemy invaded. The earthenware jar is thick, but the wine is clear. The tile is clean, and acyl sugar is used as a vegetarian sacrifice (a sacrifice without wine and meat tribute).

During the Shang and Zhou Dynasties, cowpea and other containers were all made of wood. Is quality important also an idea? Later generations used earth objects to imitate gods, and the performance of man-made objects was different. Pottery has gradually become an elegant tool for people to play with, because the image of jade bone appeared in pottery. This kind of drama is hidden in several cases or banquets, and the image of civilization can be performed. Can't you reach the final state? ○ Wafan used mud to make tiles, dug more than two feet, and chose sand-free clay for it.

Within a hundred miles, it will be produced into a common earth tone for people's living rooms. All residential tiles are divided into four pieces, with buckets as templates, and four boundaries are drawn outside.

Mix the cooked mud and fold it into a rectangle. Then use a wire bow, the line is three points empty, limited by the ruler, flat into the mud (a piece), as if it were lifted from paper and wrapped around the bucket.

After a little drying, demoulding, naturally split into four pieces. There is no fixed formula for the size of each tile in ancient times. The big one is eight or nine inches, and the small one is three tenths smaller.

In rooms and ditches, there should be the largest one, called trench tile, which can keep out the rain and not overflow. After drying, the green body will be burned in the stack kiln, or one or two days and nights, depending on how long the kiln is extinguished.

Watering and turning (sound right) is the same as making bricks. Those hanging on the eaves have dripping water, those not on the roof have cloud tiles, those covering the roof with tiles have hugs, and the images of birds and animals at both ends of the roof are all hand-made, and one is made by fire and water in the kiln.

If it is used in the palace, it will be very different. It is made of glazed tiles, plates or bowls.

Taking eucalyptus globulus as a model, it is made piece by piece, and its soil is taken from Taipingfu (the capital of the boat transport party is 3 thousand miles), which is extremely harmful to people by engaging in false sand and hiring servants to spoil it. Even the Emperor Chengtian's Mausoleum was shot here.

First put it into a glazed tile kiln, and pour 5000 tiles into each firewood. Take it out and paint it green with the decoction of ring finger and brown hair, and yellow with ochre, rosin and cattail.

Then enter another kiln, reduce the fire and force it to be glazed. It is also done between Taitai Palace and Xianfo Hall in other provinces, but the pigments are coordinated, so it is not necessary to use the same, while the houses are prohibited.

○ Where bricks are made of mud, it is necessary to dig to test the color of the soil, whether it is blue or white, red or yellow. There are many red mud in Guangdong, Fujian, and blue people are famous for their good mud, mostly in Jiangsu and Zhejiang. ) are sticky but not scattered, powder but not sand.

Pumping water nourishes the soil. People only count Niu Yi, step into thick mud and fill it in wood. The wire bow will flatten its surface and turn it into a blank shape. Sleeping bricks and side bricks are used for the walls of pheasant houses in Yicheng County.

Sleeping bricks are long and narrow, and battlements are built to cherish and enrich the people. They go straight to the base and do not hesitate to work. The residential calculator is paved with bricks all the way to sleep, and it is filled with gravel to save money.

Anything stuck on the ground outside the wall brick is called a square brick. The Towa people on the purlin are called yellow bricks.

Bow bridges, ghost gates and tombs are called knife bricks and bow bricks. The narrow and one-sided place of the knife brick is tightly packed and round, so that the horses and chariots can not be crushed.

Make a square brick, put the mud into a square, cover the surface with a flat plate, stand on it with two people's feet, polish and reinforce it, and pour it effectively. The mason grinds the edges and then grinds the ground.

Knife brick looks a little more directly at the wall brick, while Wong brick has ten points as one of the wall bricks, and square brick has ten points as one of the enemy wall bricks. After the bricks are green, they enter the kiln, and the firepower is 200 times that of the day and night.

There are firewood kilns and coal kilns for burning bricks. Turn green and black with wages and white with coal.

When three holes are drilled on the top of the firewood kiln to smoke and the fire stops, plug the holes with mud and then turn to water to drill holes. Where the temperature is below one or two degrees, not only the color, but also the tender fire brick.

True colors are mixed, frost and snow are soluble, and the soil is still. One or two bricks have cracks on the surface, and three or two bricks shrink and crack, and warping does not stretch, which is not suitable for use.

Skilled users use it as a foundation in buried soil, but it also has the use of bricks. When you look at the fire, you can see the inner wall from the kiln door. The soil is exposed to the fire, and its shape and spirit are shaking. If gold and silver are extremely melted, Tao Chang can tell.

The method of turning around is to make a flat land on the top of the kiln, circle it slightly and pour water on it. Bricks and tiles cost 40 stones.

The water god penetrated under the soil film and felt the fire. Fire and water ji ji, its quality lasts forever.

If the coal kiln is twice as deep as the firewood kiln, the bow on it will become smaller and smaller, and the top will not be capped. Inside, coal is used to make a five-foot wide cake. Each piece of coal is separated by a layer of bricks, and reeds are paid to ignite.

If the imperial house is made of bricks, the largest factory is in Linqing, and the Ministry of Industry is in charge. The initial colors are deputy brick, coupon brick, flat brick, table brick, axe blade brick, square brick and so on. And then remove half the leather.

Shipment to Beijing, 40 yuan per ship, half the fare. Those who decorate the main hall with square bricks are all made in Suzhou.

Its glazed tiles have been printed with "tiles". Paid taiji factory, burned by black kiln cloud.

○ Tao is a genus with hundreds of species. Big jars, medium bowls, small bottles and jars, and rustic money system will not work.

Whoever made it must be a round rather than a square device. After trying to find the mud, the pottery car is still turning.

Skillful kung fu kneading mud according to the size of the viewer has not increased much. The two men helped the mud rotate, and they squeezed it. Dragon and phoenix jars (a real kiln in Quyang and Yangzhou, Zhengding) are different from the Nanzhi flower jars used for migration, so they are all straight or hundreds or fifty times.

Everything with ears and mouth is another, and it is muddy. Pottery has a bottom and nothing.

2. Yu Haota's translation of classical Chinese is:

When the former dynasty ruled Zhejiang, Brahma Temple in Hangzhou built a wooden tower with only two or three floors. Money took people to the wooden tower and thought it was shaking. The craftsman said, "There is no tile on the wooden tower, but there is light on the top, so this is the case." So the tiles were laid, but the wooden tower was still shaking as before. Helpless, the craftsman secretly sent his wife to see Yu Hao's wife, gave her gold hairpin jewelry, and asked why the tower moved. Yu Hao smiled and said, "Easy! As long as each floor is covered with wooden boards, it will be nailed firmly and will not shake. " The craftsman did as Yu Hao said, and the tower was stable. Probably the nailed boards are tied tightly up and down, and the six directions are connected like boxes. People walk on the floor, and the boards below and around support each other, so the tower naturally cannot shake. People admire Yu Hao's shrewdness and sophistication.

3. Translation of Classical Chinese: Han Brick During the Jiajing period of the Ming Dynasty, someone in Quanzhou got a Han brick. There is a pattern on the brick, in which an old man killed a tiger. People in Quanzhou are scrambling for a quick look. Yan Jiu, the author of "The Story of the Pear Garden", was beaming when he saw this Han brick, and said, "This is a script written by Huang Gong of Donghai. I have seen it in records and materials, but I have never seen the real thing. Isn't it a blessing that the drama industry has seen the light of day again? " Cai Wu, a businessman from Quanzhou, sells antiques to Persian Hu people. Seeing this Han brick, I touched it again and again and said, "There are many Han bricks, but few people draw such pictures." If it is sold to someone who knows the goods, the profit will be 100 times that of unpainted China bricks. "Qin Da is a vulgar husband in the countryside. I saw Korean bricks once in the crowd. After whispering for a long time, he said, "(use it) when the wall is too loose; "The mattress is too thick; It seems too light to press the grass. Why do you have to fight to see it? " When the magistrate heard about it, he ordered the chief to bring it to him. he is filled with a wild ecstatic happiness. I thought to myself, "Lord Yan Song likes these antiques. If it is presented (Yan Songzhu), there is hope of promotion. " This China brick is the same (from beginning to end), with different experiences and different methods. Some people confirm its academic value, some people covet the profit it can bring, some people hope to get its (ordinary) use, and some people seek the official title it can bring. Just like a talented person, a talented person uses his talents, and an evil person uses his evil aspects. Good birds choose wood to live in, how can they be careless!

There are two tigers fighting for a man, even though Zhuangzi wants to stab them to death. Guan Yu stopped him and said, "Tigers are fierce and violent animals; People are sweets. Let two tigers fight each other to eat people. The little one will definitely die, and the big one will definitely get hurt. Wait until two tigers are injured and then stab them, so you can kill two tigers at once. Killing a tiger doesn't take much effort to win the reputation of killing two tigers in one fell swoop. "

4. What are the basic characteristics of brick making in Sun Shi in the three-year literature? The basic characteristics of brick making in Sun Shi in the three-year literature are as follows: 1. The font is horizontal; Second, the stippling is fine and vigorous; Third, stippling often breaks the pen at the beginning, resulting in a coherent situation.

On the whole, we can see the melodious interest in uniformity. In particular, the brick-making in Sun Shi has been passed down from generation to generation in the three years of Jianxing, and the following is "Long live unbeaten"; Ren Xu made bricks in Sun Shi on August 20th, with the words "Can last for a long time" (Figure 70). The calligraphy is particularly broad and the strokes are coherent and interesting.

The brushwork of these works is straight, round and interactive, emphasizing the upward form of horizontal painting, which is both vigorous and graceful. This is a rare masterpiece in the brick works of the Three Kingdoms and the Jin Dynasty.

A rich man in Beijing is going to buy bricks to build a wall. A man came to him and said, "The outer wall (main entrance) of a palace should be torn down with old bricks and replaced with new ones. Why not buy the old bricks they removed? " The rich man doubted his statement and said, "The sovereign does not necessarily sell bricks." A said, "Don't say you think so. I doubted it at first." But I have been a doorman in the report for a long time and dare not talk nonsense. Since you don't believe me, please send someone to the palace with me. When the king came out, I knelt down and asked the king. When I saw the king nodding to me, it was not too late to open it again. "The rich man thought he was right, so he sent a slave to get a bow ruler (bow: an instrument and unit of measurement for measuring acres in the old days). ) Go with him. The saying with a bow ruler is: people who buy old bricks can get a 50% discount on how long they measure with a bow ruler (I don't know whether it's a 20% discount or a 50% discount or a 20% discount, in fact, a 50% discount is more credible). Just when the waiting king came back from the imperial court, a certain armor stopped the waiting king, made him kneel in front of the waiting king's horse and said something in Manchu. As expected, the King Hou nodded, pointed to the front wall and said, "You can measure it (canal: you). "A man immediately took a bow ruler and took it with him to measure the wall, which was seventeen feet long and seven feet wide, equivalent to one hundred and twenty sycees (ancient gold refers to silver). When he came back, he told the rich man that he was happy and immediately gave half the money.

Choose an auspicious day and send slaves to lead people to tear down the wall. The gatekeeper of the palace was furious and arrested them and asked why. The slaves said, "This is arranged by the monarch." When the gatekeeper reported to the waiting king, the waiting king smiled and said, "The man kneeling in front of the horse that day claimed to be a servant of Beizi. The host wants to build a wall outside the mansion and likes the style of my exterior wall, so please measure it so that the wall can be built according to the appearance. I thought it was a trivial matter, so I pointed to the wall and asked him to measure it. That's what happened. I didn't say to sell. " The rich man pleaded guilty and demanded his release. He spent a lot of money, but A has escaped.

6. Drill wood to make a fire.

It means that the hard stick rubs against the wood or goes in, rubbing against the fire.

The source "Guanyinzi Jules": "The shape is self-generated, such as drilling wood to make a fire."

Cite as evidence

Qingyuan Mei's "New Qi Xie Sui People Drill Fire Trees": "Teach the Sui Emperor to drill wood for fire, so as to make a big cooking."

Lu Xun's "Mobilizing Fire from South to North": "However, it seems that Suiren did not commit theft."

Luo Guangbin's "Eternal Life in Fire": "If there is no ink, we will drill wood for fire, burn cotton to ashes, and drop a few drops of water instead of ink."

Luo Tangyin's "Two Books on Chaos": "In the past, Boyi dug wells and people drilled wood. The benefits of fire and water depend on this today. "

He lives a happy life on an isolated island.