Which dynasty did Dong Fangbubai belong to?

Question 1: Which dynasty was Dong Fangbubai? Dong Fangbubai is the founder of Sun Moon Shintoism in Jin Yong's martial arts novel the legendary swordsman. Because the legendary swordsman's Taijiquan was created by Zhang Sanfeng, the founder of Wudang, and Zhang Sanfeng was in the early Ming Dynasty (Yuan Yanyou 13 14 ~ 65438+ in the 15th year of Yongle in Ming Dynasty).

As for the era of the legendary swordsman, Mr. Jin Yong said that there was no dynasty. As far as the content of the novel is concerned, it is based on the Ming Dynasty, and a more appropriate definition should be the period from the Ming Dynasty (Yongle) to the Qing Dynasty (Kangxi).

Question 2: In which era did Dong Fangbubai live? What was the form of drama in that era? Ming dynasty.

This social and political drama shows the sharp contradiction of the ruling class in the Ming Dynasty, the fierce party struggle, the dissolute and brutal emperor, and the corrupt social atmosphere. The struggle between Lindong Party and Yen Party continued until the Ming Dynasty. The reality of political darkness, political turmoil and people's sufferings in Ming Dynasty had a great influence on drama creation, which led to many works describing anti-power, adultery and castration, calming the war of resistance and exposing social darkness in Kunqu Opera scripts in Ming Dynasty. Many of them are anti-Yan songs, the most famous of which is Wang Shizhen's Feng Mingji.

By the Ming Dynasty, Jiangxi opera culture had entered a prosperous stage, and remarkable achievements had been made in both the types of opera tunes and screenplays. In vocal opera, Yiyang tune and tea picking tune are two great creations of Jiangxi opera artists, and Kunshan tune also has the contribution of Jiangxi artists. Since the middle of Ming Dynasty, there have been many prosperous situations of intense competition in the stage of Southern Opera, among which Haiyan Opera in Zhejiang, Yiyang Opera in Yu Yaoqiang, Jiangxi and Kunshan Opera in Jiangsu are representative operas, which are also called "the four major operas of Southern Opera System" in the history of China Opera. Yiyang Opera and Kunshan Opera are the two famous operas with the greatest influence, the longest duration and the widest spread. Yiyang tune is the creation of Jiangxi people, and the originator of Kunshan tune improvement is also Jiangxi people. Therefore, the achievement of these two loud tunes embodies the wisdom, talent and efforts of Jiangxi artists.

Yiyang Opera, also known as Yi Opera, spread all over the country at the end of Yuan Dynasty, and one of them spread to yiyang county, Guangxin Prefecture, Jiangxi Province, and gradually formed with the integration of local dialects and folk arts. After Jiajing and Qin Long in Ming Dynasty, its influence continued to expand. Popular areas are equivalent to Nanjing, Beijing, Hunan, Guangdong, Fujian, Anhui, Yunnan, Guizhou and other places. At the same time, they are good at combining with local languages and folk tunes, producing many new operas and gradually forming a vocal system. The vocal cavity belonging to this system is characterized by high pitch and rich recitation, so it is called "high cavity". In the Qing Dynasty, they were called "Gao Qiang". Yiyang Opera, with its well-known ancestral style, keeps close contact with the broad masses of the people, and at the same time, it can constantly absorb nutrition from the soil of folk art and enrich itself, so it has a far-reaching influence on the people, especially in the vast rural areas. The basic feature of Yiyang Opera is that one person sings solo, others help, and only percussion is used as accompaniment. Later, in the performance practice, I constantly improved and enriched my singing art to make it more suitable for the appreciation requirements of the broad masses, and the creation of rolling method was one of them. Yiyang Opera and its descendants Qingyang Opera popularized legendary scripts, adding some rhymes or short sentences close to spoken language before, after or in the middle of the lyrics, making the lyrics easy to understand and giving full play to my thoughts and feelings. Later banqiang music such as Bangzi and Pihuang was developed on this basis. Yiyang Opera gradually declined after the Qing Dynasty, and as its offspring, Gaoqiang once developed greatly in the Qing Dynasty. Gaoqiang entered Beijing in the early Qing Dynasty and once flourished, which was called Peking Opera. At that time, there were sayings of "Nankun, Yi Bei, Liu Dong and Xibang". Yi Bei refers to Peking Opera, which declined and disappeared in the late Qing Dynasty. At present, there are still many operas, such as Gan Opera, xiang opera Opera, Qiyang Opera, Sichuan Opera, Fujian Opera and Chaozhou Opera.

What is worth mentioning is Wei Liangfu, who made important contributions to the development of Ming Dynasty operas. Wei Liangfu, a native of Zhang Yu (Nanchang) and Taicang, Jiangsu, was a Ming Dynasty opera musician. He has a good accomplishment in literary lyrics and songs, is proficient in melody and singing art, and is familiar with various voices of popular North and South songs at that time. The old Kunqu Opera was formed at the end of the Yuan Dynasty. Its timbre is plain and vulgar, lacking charm and interest, and it is still in the stage of cappella or rap. During Jiajing period, with the assistance of Zhang, Guo Yunshi and others, after a long period of painstaking research, Kunshan dialect was boldly reformed and innovated. The reformed Kunshan dialect has absorbed the advantages of Haiyan, Yu Yaoqiang, Yiyang and Jiangnan folk songs. The melody is smooth and changeable, and it is called "ink painting play". Accompaniment instruments have broken through the limitation of using only strings and drums in Nanqu, using flute, flute, sheng, pipa and so on. , exquisite movements, vigorous dance, formed a unique style. "Strong Ink and Wash" has reached a perfect level in the art of singing: "Try your best to listen and not open the hall. It's called Shuimo, Boya cold plate, and the sound is flat and soft. The characters are the hooks of the head, abdomen and tail. The work is deep and deep, and there is no fireworks. The mouth is light and round, the radio is pure and thin ... The cavity is called Kunqu opera, and the song title is seasonal. " After the reform, Kunshan Opera also summarized the traditional opera heritage since the Song and Yuan Dynasties, created the most complete performance system, and had a far-reaching impact on many operas. Wei Liangfu is also honored as "Qu Sheng" ... >>

Question 3: Which dynasty did Dong Fangbubai wear? During the Wanli period of the Ming Dynasty, Dong Fangbubai and Shishi wore Japanese national costumes. The costume of this film was designed by Zhang Shuping. The film won the Hong Kong Academy Award for Best Costume Design, and Brigitte Lin was nominated for Best Actress.

Question 4: Dong Fangbubai was Mr. Jin Yong who wrote about the legendary swordsman in that era, aiming at writing about the helplessness of each era (the tragedies of Quyang and Liu Zhengfeng were just flukes compared with those of Ling Huchong and Ren Yingying), so the novel did not specify the background of the era, but we can guess that the story happened in the Ming Dynasty: Wu Tiande was the military attache kidnapped by Ling Huchong when he went to Fujian. Needless to say, it was inferred from his official rank system and Ning Zhongze's reference to the beggar emperor Zhu Yuanzhang.

As for movies, whether it is Dong Fangbubai 1 or Rise of the Storm, it is clearly pointed out that it is the Ming Dynasty. The so-called "Toyotomi Hideyoshi, a Japanese vassal, is overwhelming. . . "Such as language, can be proved.

Question 5: What dynasty was the background of the legendary swordsman's story? It should be from the Ming Dynasty. Shop 28 in Ling Huchong House pretends to be Wu Tiande, a military attache in Ming and Qing Dynasties. The conspiracy mentioned in the legendary swordsman is related to the distortion of court and human nature. Dong Fangbubai's usurpation of power and Yue Buqun's usurpation of power, including Lin Pingzhi's revenge, are all examples of normal people. This may be the portrayal of Jin Xia's reflection on the eunuch forces in Dongchang, Ming Dynasty.

Question 6: Which era does the legendary swordsman belong to? eighty

Question 7: In which historical dynasty did the legendary swordsman occur? 1: Zu mentioned yuan porcelain when commenting on wine vessels. People in the current dynasty would not use this tone to describe things in the current dynasty, so we can see that the background of the legendary swordsman that night was in the Yuan Dynasty, in the Ming Dynasty or the Qing Dynasty.

2. At the end of Yuan Dynasty, Zhang Sanfeng was still alive, and the proud Xu Chong was Zhang Sanfeng's N disciple. It can be seen that the legendary swordsman must have happened after the Yuan Dynasty. In the twenty-third chapter of Duke Lucheng, Cheng Guan once said, "As the ancients said, when martial arts are just around the corner, the antelope hangs on the corner and there is no trace to be found. It is said that there was a great warrior in the previous dynasty who tried to defeat alone, and there was another great warrior in Ling Huchong who was invincible in the world ... ". It can be seen that Xiao Ao was born before the Qing Dynasty.

3. the legendary swordsman's Sun-Moon Shintoism is also one of the controversies: If it was in the Qing Dynasty, why not call it Zoroastrianism openly? Moreover, Sun Moon Shintoism is obviously a Jianghu sect rather than a political organization, so there is no point in opposing the Qing Dynasty and regaining sight. The reasonable explanation is that Zhu Yuanzhang became an emperor by relying on the power of Zoroastrianism, but many birds were not born, so he began to clean up Zoroastrianism. Zoroastrianism was originally a Jianghu organization, so it had to be renamed as "Sun Moon Shinto", and it became more and more strange to hide the general rudder on the black wooden cliff. Moreover, it originated in the western regions and has an extraordinary relationship with * * *, so it is incompatible with the major sects in the Central Plains and has become an enemy for generations.

To sum up: Xiao Ao happened in the Ming Dynasty.

Two: upper and lower age limits.

1: upper limit. In the book Laughter, it is mentioned that Zhang Sanfeng's handwritten Taiji Zhuan Jing was taken away by Sun Moon Shinto for more than 80 years. Zhang Wuji, the protagonist of Yi, was originally from Wudang, and later served as the founder of DD- Zoroastrianism before Sun Moon Shinto. He is not only good at martial arts, but also famous in Wulin. Therefore, when Zhang Wuji was alive, Sun Moon Shinto did not dare to run wild on Wudang. Zhang Wuji was about thirty years old when he retired. In the same year, Zhu Yuanzhang drowned in Han Liner, which was about twenty years before the establishment of the Ming Dynasty. Zhang Wuji's internal skill is so high that it is not surprising that he can live to be a hundred years old. Therefore, the day when Sun Moon Shintoism seized the scriptures was 50 years after the founding of the People's Republic of China, and the age of laughter must be 130 years after the founding of the People's Republic of China. In addition, in the Book of Changes, Songshan School was unknown, but in Laughter, it has become a very important school, and its development takes about one hundred years, which is consistent with the above estimation.

2. Lower limit: Huashan Sect has been completely destroyed by cannibalism in laughter. However, in the late Ming Dynasty, it became a great school of fencing with royal blood. Although the process of its revival has not been recorded, its outline can be known through careful examination. In the book Bi, Huashan disciples always worship Feng Zushi before learning sword. Master Feng is probably the wind in laughter, and his expression is elegant, which also conforms to the description of the wind in laughter. In addition, the revival of Huashan School is also due to the strength of Ling Huchong. However, once Ling Huchong became the head of Hengshan School, it would be inconvenient to be the head of Huashan School. Secondly, it has been explained that it is not convenient to play the banner of rebuilding Huashan School. Third, based on modesty, he wouldn't call himself grandpa, but his fencing is self-evident, and when rebuilding Huashan School, he naturally takes the wind as his grandfather. As for Ling Huchong's reason for accepting disciples, he was probably old and bored, thinking quietly, and didn't want to lose the nine swords of Dugu, so he accepted disciples for many years after quitting the Jianghu. In this way, it should have happened about forty years after Ling Huchong retired, and there was only one disciple. ? According to Bi, in the same year of Ming Dynasty, Huashan School held a master meeting. At that time, Yuan Chengzhi was in his twenties, about the same age as Feng Buchong and Feng Bupao, the sons of Feng Buchong. Feng's enemy master is Mu Renqing's apprentice; Calculated by 20 years of each generation, Mu is 90 years old. It is estimated that Mu joined the Huashan School in his twenties, that is, more than 70 years before the demise of the Ming Dynasty and about 2 10 years after the founding of the People's Republic of China.

3. From the above, we can see that Ling Huchong had lived in seclusion for 40 years when he accepted his apprenticeship, that is, 70 years after the founding of the Ming Dynasty. Therefore, Mu Renqing is either Ling Huchong's disciple or his disciple. However, when Huashan School was in Murenqing, there were many rules. Ling Huchong was heroic by nature and didn't look like a person who made rules. To illustrate this point, we put forward a reasonable hypothesis: Huashan sent an unscrupulous disciple (or some). After cleaning the gate, the director learned from a painful experience and specified the gate as the main entrance style. However, Mu Renqing's three disciples are consistent in words and deeds, so the person who made the rules must be his teacher and Ling Huchong's disciple.

4. It can be inferred that Mu Renqing is a disciple of Ling Huchong. Mu Renqing is scheduled for tomorrow? Build? After the country became an apprentice in 2 10, there was a 30-year difference between master and apprentice, and Ling Huchong was established as an apprentice ... >>

Question 8: Which dynasty did Ren Woxing come from? That is a novel. According to the description in the novel, it should be the end of Yuan Dynasty and the beginning of Ming Dynasty.