Traditional Culture Encyclopedia - Lucky day inquiry - The custom of Henan Lantern Festival
The custom of Henan Lantern Festival
Emperor Wen of the Han Dynasty ordered the 15th day of the first month to be designated as the Lantern Festival. During the period of Emperor Wu of the Han Dynasty, the sacrificial activities of "Taiyi God" were scheduled for the 15th day of the first month. Taiyi: the God who rules the universe. When Sima Qian created the taichu calendar Law, he had already identified the Lantern Festival as a major festival.
Another way of saying it is that the custom of burning lanterns in Lantern Festival originated from the "ternary theory" of Taoism; The fifteenth day of the first month is Shangyuan Festival, the fifteenth day of July is Zhongyuan Festival, and the fifteenth day of October is Xiayuan Festival. The officials in charge of the upper, middle and lower elements are heaven, earth and man respectively. The celestial officials are happy and the Lantern Festival should be lit.
The festivals and customs of Lantern Festival have been extended and expanded with the development of history. As far as the length of festivals is concerned, there is only one day in Han Dynasty, three days in Tang Dynasty and five days in Song Dynasty. In the Ming Dynasty, lights were lit from the eighth day of August until the seventeenth night of the first month, a total of ten days. Connected with the Spring Festival, it is a city during the day, full of excitement, and brightly lit at night, which is spectacular. Especially the exquisite and colorful lights make it the climax of entertainment activities during the Spring Festival. In the Qing Dynasty, there were more "hundred operas" such as dragon dancing, lion dancing, dry boating, walking on stilts and yangko dancing, but the festival period was shortened to four to five days.
Look at the lights.
During the Yongping period of Han Dynasty (AD 58-75), when Ming Chengzu advocated Buddhism, it happened that Cai Cheng returned from India to seek Buddhism, saying that it was the fifteenth day of the first month of Mohato, India, and monks gathered to pay tribute to the relics, which was an auspicious day to participate in Buddhism. In order to promote Buddhism, Emperor Hanming ordered "burning lamps to show Buddha" in palaces and temples on the fifteenth night of the first month. Since then, the custom of putting lights on the Lantern Festival has spread from being held only in the court to the people. That is, on the fifteenth day of the first month, both the gentry and the people hang up lights, and the urban and rural areas are brightly lit all night.
The custom of setting off lanterns during the Lantern Festival developed into an unprecedented lantern market in the Tang Dynasty. Chang 'an, the capital at that time, was already the largest city with a population of one million in the world, and its society was rich. Under the personal initiative of the emperor, the Lantern Festival became more and more luxurious. After the middle Tang Dynasty, it has developed into a national carnival. In the prosperous period of the Tang Xuanzong Kaiyuan (685-762 AD), the lantern market in Chang 'an was very large, with 50,000 lanterns and all kinds of lanterns. The emperor ordered 20 giant lantern buildings with a height of 150 feet, resplendent and magnificent.
The Lantern Festival in Song Dynasty is superior to that in Tang Dynasty in scale and dreamy lighting, with more folk activities and stronger national characteristics. Since then, the Lantern Festival has continued to develop and the time of the Lantern Festival has become longer and longer. The Lantern Festival in Tang Dynasty is "the day before and after Shangyuan". In the Song Dynasty, two days were added after the 16th, and in the Ming Dynasty, it was extended from the 8th to 18th to ten days.
In the Qing Dynasty, Manchu entered the Central Plains, and the court no longer held lantern festivals, but the folk lantern festivals were still spectacular. The date was shortened to five days and continues to this day.
In Taiwan Province Province, lanterns have the meaning of light and elegance, and lighting them means lighting up the future. The homonym of Taiwan Province Lantern and En stands for having a boy. So in the past, women would deliberately wander under lanterns, hoping to "drill under lanterns to lay eggs" (that is, swim under lanterns to give birth to boys).
lion dance
Lion dance is an excellent folk art in China. Every Lantern Festival or assembly celebration, people will come to the lion dance to entertain. This custom originated in the Three Kingdoms period and was popular in the Southern and Northern Dynasties. It has a history of 1000 years. According to legend, it was first introduced from the western regions, and the lion was the mount of Manjusri Bodhisattva. As Buddhism was introduced into China, lion dance was also introduced into China. The lion is a tribute brought back with the peacock after Emperor Wu of Han sent Zhang Qian to the Western Regions. However, the skill of lion dance originated from Xiliang's "masked play". Some people think that lion dance originated from the army in the fifth century and was later introduced to the people. Both statements have their own basis, and it is difficult to judge whether they are right or wrong today. However, in the Tang Dynasty, lion dance has become a popular activity in the court, the army and the people. Tang Duanan Festival "Yuefu Miscellaneous Search" said: "There are five lions in the play, more than ten feet high, each with five colors. Each lion has 12 people, wearing red stripes, wearing clothes and painting clothes, and holding red pens. They are called lion lang and dance Taiping music. " The poet Bai Juyi's poem "Xiliang Geisha" vividly describes this: "Xiliang Geisha, Xiliang Geisha, masked conference semifinals, fake lions. Wood carvings at the head and tail, gold-plated eyes and silver teeth. Fenxun sweaters have ears, such as coming to Wan Li from quicksand. " This poem describes the scene of lion dance at that time.
In the development of 1000 years, lion dance has formed two performance styles, north and south. The lion dance of the Northern School mainly performed the "Wushi", that is, the "Ruishi" appointed by Wei Wudi in the Northern Wei Dynasty. Little lions dance alone, while big lions dance in pairs. One stood and danced the lion's head, and the other bent down to dance the lion's body and tail. The lion dancer is covered with a lion quilt, wearing green lion pants and golden claw boots of the same color as the lion's body. People can't recognize the lion dancer's body, and its shape is very similar to that of a real lion. The lion guide dressed as an ancient warrior, holding a spinning hydrangea with Beijing gongs, drums and cymbals to tease the lion. Under the guidance of "Lion Lang", lions perform somersaults, jumps, climbs, bows down and other techniques, as well as some difficult movements such as walking plum blossom piles, jumping on tables and stepping on bowling balls. Shi Wen is the main performance of the Southern Lion Dance. When performing, it pays attention to expressions, such as scratching, shaking hair, licking hair and so on. Vivid and lovely, but also have difficult skills such as spitting the ball. South Lion is centered in Guangdong, and is popular in Hong Kong, Macao and the hometown of overseas Chinese in Southeast Asia. Although the Southern Lion is also a duet, the lion dancers are all dressed in knickerbockers, and only a colorful lion is danced. Different from the lions in the north, "Lion Lang" wears a big head Buddha mask, a cassock, a ribbon around his waist and a sunflower fan in his hand to tease the lions, thus dancing all kinds of beautiful movements, which is ridiculous. There are many schools of southern lions, such as the lion with the head of a dog in Qingyuan and Yingde, the lion with a big head in Guangzhou and Foshan, the duck-billed lion in Gaohe and Zhongshan, and the unicorn lion in Dongguan. In addition to their different shapes, heather also has different personalities. The white beard lion dance method is not wide, and there are not many varieties of colors, but it is calm and powerful, and it is called "Liu Beishi" by the people. Known as the "Guan Gong Lion", the black-bearded red-faced lion dances bravely and fearlessly. Gray bearded lion, rough and belligerent, commonly known as "Zhang". The lion is the statue of all animals, and its image is majestic and martial, giving people a sense of majesty and bravery. The ancients regarded it as a symbol of courage and strength, and thought it could ward off evil spirits and keep people and animals safe. Therefore, people gradually formed the custom of dancing lions during the Lantern Festival and other major events, hoping for good luck and peace of life.
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