How to pronounce and use gas correctly when singing?

Correct vocalization in singing can be adjusted from posture and breathing.

First, the posture of singing

Correct singing posture is not only the expression of the singer's good mentality, but also related to the use of breath, the adjustment of singing and the effect of singing. During training, students should develop good singing habits, so that their eyes are straight, their jaws are adducted, their necks are not tense, their spines are straight, their lower abdomen is slightly contracted, and their waists are stable.

Second, breathing in singing

First, breathe in. When doing breathing exercises, do a good job of singing correctly, with straight waist, relaxed chest and shoulders, free head, eyes looking far away, and affectionate expression from heart to face.

Then, "take a breath" to relax your chest. When inhaling, the mouth is slightly open, and the soft and hard palate are lifted, which is in line with the eyebrow lifting action. I am very excited to focus on my back, relax my waistline outward, and let the gas flow in naturally and smoothly, so that my back feels "qi" and my chest will naturally feel wide, such as yawning and feeling the above actions.

But don't exhale too deeply, or your chest and abdomen will be stiff, which will affect the flexibility of your voice and the accuracy of your pitch. Don't make any noise when inhaling. On the contrary, it will not only affect the artistic effect of singing, but also make it difficult to inhale deeply and affect the support of breath. Therefore, in daily life, we should develop the habit of rib expansion and abdomen miniaturization.

Third, vocal music practice.

It is a comprehensive basic training of singing, and learning to sing must start with the most basic vocal music practice.

1, do exercises to get the fulcrum of breath, experience the coordination of sound absorption and sound production, and use scientific humming methods to understand and adjust your singing.

2, learn to open your mouth to sing, the upper and lower teeth are loose, and the chin has a loose "falling feeling."

3. When singing an octave, from low to high, the vowels are not broken and the oropharyngeal cavity is opened from small to large at the same time.

4, the breath is smooth, and the sound is smooth and smooth.

Extended data:

How to sing high notes:

1, shout out the high notes first.

When we do any kind of sports, such as shot put, we must first have the power to lift the shot put. In order to increase the strength of hands and feet, Wushu practitioners practice carrying water first. Only when your hands and feet are strong can you not fly out when dancing broadsword.

In order to pronounce, our vocal cords must be able to resist high pressure from below. Someone asked, under high pressure, will the vocal cords make a sound, and will they break the vocal cords by shouting? No, as long as you keep the correct breathing and singing posture, you won't scream. As for the position and cover-up of treble, how to locate your treble before it is called out?

Shout from the bottom first, go up half a tone, and stop at #f2, g2, #g2, in groups of five tones. Don't shout too much at first, because your breathing and singing posture may be wrong from the beginning. You should correct it while singing. When all aspects are coordinated, it is better to shout more.

#g2 After singing, a2 is another way to breathe. We know that when singing high notes, we should use high pressure to press the breath up. In fact, waist qi is needed at this time (see the next section). After we shout a2 with waist gas, we shout b2 with the same gas.

Generally speaking, people who sing high notes are born with high notes, but we just don't use them. A girl has no vocal training and can only sing to f2, but when she suddenly meets a horrible thing, she can't help screaming, which may reach f3 of HiHC, but she won't make such a high voice anyway.

2. Breathing and posture

If we also have a chance to scream when we meet a very unexpected thing, we must remember the shouting posture and use it to sing high notes. That's right.

Singing high notes is different from singing low notes. It is to press the air into thin lines and impact the vocal cords. When the diaphragm strength has been used to the apex and can not be pressurized, the waist strength must be used. As mentioned earlier, the lung lobe is larger than the lung apex, that is, the lower part is larger than the upper part, and the upper part of the lung apex expands outward from the ribs.

With waist strength, first put your hands on your hips (don't pay attention to the abdominal muscles at this time, it will naturally work when inhaling), suck in the air around your waist, feel the front and back waist bulging, then put in the air (with your mouth wide open, see Figure 7), and put your waist and ribs in hard, so that your chest will stand up, and you will feel the pressure to hold down your upper jaw. This is how waist strength is used.

As mentioned earlier, F2-# G2 we use the contraction of abdominal muscles to increase pressure. When we reach a2, we use waist strength. In b2, because only a small amount of air is needed, just opening the upper lip is like yawning. We need to show our upper teeth and put the tip of our tongue flat on our lower teeth, so that we can sing b2. From below b2 to above highC, the method is the same as below b2.

The higher, the easier it is.

At b2 level, it should be said that we have broken through the difficulty of high notes and can easily sing b2, c3, #c3 and d3, because there is no difference between singing these notes and singing b2 level.

My throat is smaller when I sing b2 Ping, because the bigger my mouth, the smaller my throat. So, I don't need to be afraid of higher notes. What I need is shortness of breath to support the treble. Shortness of breath comes from hard practice at ordinary times.

References:

Baidu encyclopedia-pronunciation method