Ancient poems describing Qingming Cold Food Festival

Tomb-Sweeping Day was also called Cold Food Festival in ancient times. The following are ancient poems describing the Qingming Cold Food Festival. Please refer to them!

Where are you going in a few days?

Five Dynasties: Feng Yansi

Where has he gone like a cloud these days? If you forget to go home, you will die in spring. A hundred flowers and a hundred flowers cold food road, whose tree is the car tied to?

Who is he and his horse? Tears on the first floor constantly soliloquize, double swallow, can you meet him on the road? Chaos and spring sorrow are like catkins, dreaming where to find him?

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These days, where is he like a flowing cloud? Forgot to go home, regardless of Fang Chun's death. The cold food road is covered with weeds and idle flowers. Whose tree is his carriage tied to?

Tears kept soliloquizing on the floor, Shuangfeiyan, can you meet him on the way? Chaos and spring sorrow are like catkins. Where can I find him in my dream?

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Literally, this word describes a woman's lingering feeling of complaining about her wandering husband's long absence. From the beginning of Where Are the Clouds Going to the end of Nowhere to Find in Dreams, the heroine's emotions are always mixed with resentment and expectation, depression and search. As an excellent boudoir lyric poem, because of its profundity and typicality, it is often easy to arouse people's wider association. Therefore, the feeling of "vowed and tearful" expressed in this lyric poem seems to summarize a wider life experience.

This word has always been in my heart. In the first movie, a wandering cloud was compared to a prodigal son.

"Where did the cloud go for a few days? Forget it, there is no way to live in spring. " These three sentences are the heartfelt words of young women in boudoir, which show their yearning for their lover. Here, "walking clouds" are used to describe lovers wandering outside, which is very vivid. "If you forget to come back, you don't know that spring will end." Literally, "spring is about to die" means that spring is about to run out, and it also means that women's beautiful years are about to die. These two sentences are a woman's self-question and self-answer, full of endless lament: the beautiful spring is about to pass away, but her lover still doesn't come back.

"Herbs and flowers cold food road, whose tree is the fragrant car?" "Let a hundred flowers blossom" is also a beautiful pun, which implicitly includes women who attract bees and butterflies, and has a sense of contempt. "Sweet car", the whereabouts of my husband. The car is parked under whose tree, indicating where the husband is traveling. This writing is not only in line with the heroine's architectural perspective, but also vivid, emotional and intriguing.

The next movie is about the loneliness and bitterness of young girls in the boudoir. She leaned on the floor with tears in her eyes and couldn't help thinking about it alone.

"Leaning on the floor alone frequently tears. Did you meet any strangers when Shuang Yan came? " How sad she is to think of her husband's dissolute life outside. "Tears" write its sadness; "leaning against the building" is about her hope for her husband; The word "Frequency Soliloquy" clearly describes the heroine's sad and crazy mental state. "Shuang Yan" is her inquiry. She frequently asks Shuang Yan, who has returned, if she has seen her husband. Swallows are heartless, how can they understand her words? This question is extremely delusional about the heroine.

"Like catkins stirring spring sorrow, there is nowhere to be found in Yiyi's dream." Yan Yan was speechless, which made her disappointed and sad. Her heart was as messy and disorderly as catkins. Here, poets use catkins to describe their troubles, concretize their invisible troubles and write their confusion. Long dreams are nowhere to be found. Since he doesn't come back, and she misses him so much, go and look for him in the dream, but the dream is so long that she is at a loss and can't find it. These last two sentences are ever-changing and touching, vividly expressing the heroine's sadness and infatuation.

This word uses three questions in succession: "Where will the cloud go in a few days?" "Whose tree is the car tied to?" "Shuang Yan, meet a stranger?" Every question is more urgent, thus depicting the despair of the heroine getting closer and closer. This is a layered coding technology. Shuang Yan also knows how to repay, but people don't. Sadness is stirred up by spring like catkins, flying all over the sky, so that you can't find traces in your dreams. The author writes a hazy dream with a light and ethereal pen, complaining without anger, which is meaningful and can be described as a new realm.

Send cold food to the brothers in the capital.

Tang Dynasty: Wei Wuying

Fire and cold are forbidden in the rain, and warblers sit alone on the river and listen.

Think of wine and flowers as brothers. Ling Du is a cold herbivore.

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The cold food festival in the rain is colder. I sat alone, listening to the chirping of orioles on the river.

Holding a glass, Shang Huashi again remind of the brothers in Ling Du. During the cold food, Ling Du's area has been covered with green grass.

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Wei's Poems Collection contains nearly 20 poems to brothers, which shows that he is a poet with deep brotherhood. Because it comes from nature and mind, this poem is just improvisation, but it makes people feel deep and affectionate.

As far as composition is concerned, this poem seems straightforward, with a stroke and a dense needle and thread. The first sentence of the poem is written at close range, which actually describes the scenery of cold food among guests; The last sentence is thinking about the cold food scenery in my hometown. This is a collection that echoes from beginning to end and is closely related to poetry. Among the two sentences, one implies sitting alone in a foreign land, and the other clearly indicates that you miss your brother, care for each other and inherit nature. In the two sentences, the words "independence" and "thinking" have magical effects on the whole article. The word "independence" in the second sentence is not only the extension of the word "emptiness" in the previous sentence, but also the foreshadowing of the word "thinking" in the next sentence; The word "Xiang" in the third sentence not only comes from the word "independence" in the previous sentence, but also dominates the next sentence, which runs through the end of the article, indicating that the yearning for grass is related to people and things and comes from the yearning for brothers. Judging from the whole poem, it is the same sentence, secretly connected, and seamless in one breath.

Of course, although the guest can't be without the owner, the Lord can't be without the guest. The third sentence of this poem depends on the comparison between the first two sentences and the next one. One or two sentences in this poem seem to be nothing more than a true description of the surrounding scenery and immediate events, but it also contains many levels and twists and turns. The scene written in the first sentence, cold food without fire, no smoke in every household, is bleak enough, and it is rainy and empty, plus the double cold of climate and mood, which aggravates the atmosphere of the environment. The second sentence also has multiple meanings, that is, "on the river" is a layer, "as a shadow" is a layer, "sitting and listening" is a layer, and "sitting alone" is another layer. This sentence was originally exchanged for other words, which changed the bleak scene written in the previous sentence, not only for Chunjiang, but also for songbirds. But in this sentence, the word "independence" is used to turn around, showing twists and turns on many levels. Together, the two sentences have repeatedly set off the feeling of "missing your brother" expressed in the third sentence. As for the last sentence immediately after the third sentence, it is even more wonderful. Putting down the pen and imagining the cold food scenery in my hometown shows the feeling of "missing my brother" and makes people feel more profound.

This poem is ethereal and implicit, mainly because of the ending sentence. This sentence, in this sentence, is about seeing love in the scenery. In the whole article, it is about feeling in the scenery, and it has received the artistic effect of hiding deep feelings between the lines and seeing the charm outside the text. It is similar to the sentence "The grass turns green again in spring, but ah, my friend's prince, what about you?" "Farewell in the Mountain" in Wang Wei's poems all means "Songs of the South". Recruit hermits ","Wang Sun swims without returning, and spring grass grows endlessly ". But this sentence by Wang Wei is clearly written and has a solid meaning. This sentence is darker, which makes it more interesting. It not only reveals the poet's homesickness, but also expresses his nostalgia for his brother and hometown. Here, the double homesickness of man and land is triggered and integrated.

Cold food returns to land and other businesses.

Tang Dynasty: Song Wenzhi

Luoyang city is like snow, and Luhun Mountain originated today.

The willow wind on the Danbie River lies in the peach and plum moon in Yichuan in the evening.

Yichuan peaches and plums are fragrant and new, and Hanshan wine is rejuvenated.

The wild old man didn't know Yao Shun's strength, but sang a song of peace.

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Luhun Bie Ye is located in Yishui, Luhun County, southwest of Luoyang. That's Song's villa. In his spare time, he often goes on vacation. The quiet and beautiful natural scenery and peaceful environment of the villa have repeatedly aroused the real interest of Shan Ye court poets. Therefore, there are many poems with the theme of Luhun Villa in his poetry collection, most of which are fresh and beautiful in style, showing a quaint and elegant atmosphere far away from the world, and also expressing the poet's love for nature hidden behind his "deep ambition".

During the reign of Wu Zetian, most of them lived in Luoyang, the eastern capital, and the ministers and scribes around them often accompanied them. This poem is from Luoyang, which shows that it was written when Song lived in Luoyang and occasionally returned to Zhuang. "Luoyang City is like snow, and Lushan Mountain originated today." The first sentence is to compare the spring in Luoyang with the late spring in the mountains. "Flowers are like snow", which means flowers with snow, describes the beautiful scenery of blooming flowers and spring in Luoyang, and the word "starting today" compares the difference between Shan Ye and the urban area. On the one hand, the climate in mountainous areas is cold and flowers bloom late, on the other hand, it also shows that Beijing-Luoyang is dusty and bustling, while in Luhun Mountain, it is much quieter. From the beginning, it seems straightforward, but between the lines, it reveals the poet's inner joy and subtle feelings. So, in the sentence "Don't say goodbye", the poet left Luoyang in the morning and looked at the river bridge, the spring breeze brushed his face and the willows were graceful. While describing the incident, he integrated into the scenery of Los Angeles; "Sleep at night" is a continuation of the second sentence, which complements the extraordinary beauty of Luhun Mountain. This couplet is steady and steady, from "farewell" to "lying in the evening", pointing out the poet's actions from morning till night; "Willow Wind" and "Peach and Plum Moon" are very poetic, and the prosperous spring scenery of the city is opposite to the moonlight on the mountain waterfront. In particular, the word "moon" is not only the word "lie" in the sentence, but also renders a somewhat quiet and unconventional environment.

Five or six sentences, using thimble technique, repeat "Yichuan Li Tao" and "Zheng Fangxin" first, and inherit the second sentence "Starting today" to show the scenery in the mountains in late spring. Then the phrase "cold food" responded to this poem. Qingming Cold Food Festival, you can stay away from the hustle and bustle of Luo Jing and spend the spring night in the villa, which is already very comfortable and leisurely, not to mention wine. These two sentences describe the charming spring night in Hanshan and the poet's self-image of drinking alone at the moment. At this point, poetry is all about scenery and lyricism. Elegant mountain scenery, pleasant feelings, seems to have an idyllic flavor. The last two sentences, "The wild old man doesn't know the power of Yao and Shun, and sings the song of peace." The poet claimed to be an old man in the countryside, drinking to his heart's content and singing about peace and prosperity.

The first four sentences of this poem contrast and describe the differences between Luoyang and Luhun Mountain Villa, and describe the flowers and graceful willows in Luoyang, so as to set off the elegance of the bright moon, the brightness and the peaches and plums in the mountains and show their love for the quiet forests. While writing the scenery, it is very vivid and summarized to explain the whereabouts and express the mood. The last four sentences mainly express the poet's joy of returning to Shan Ye after getting rid of Luo Jing. However, looking at the whole poem, the style is delicate and the language is relaxed and natural, which is refreshing compared with the old-fashioned and redundant poems.

Cold food/cold food is served every day.

Tang Dynasty: Han Yi

In late spring, Chang 'an city is full of songs and dances, and countless flowers fall. The east wind of the Cold Food Festival blows on the willow trees in the royal garden.

As night fell, the palace was busy lighting candles, and smoke drifted to the house of the prince and the marquis.

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In Chang 'an in late spring, catkins are flying all over the sky, and the east wind blows the willow branches in the imperial garden at the Cold Food Festival.

As night fell, the palace was busy handing out candles, and smoke curled into the homes of princes and nobles.

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At the beginning, "Spring City is full of flowers". "Spring City" refers to Chang 'an, the capital of spring. "Flying flowers", that is, petals fall in succession, indicating the late spring season. "Everywhere" constitutes affirmation with double negation, and then writes the charming spring scenery of the whole Chang 'an Liu Xufei. The second sentence, "Cold food, east wind and willow slanting", is about the scenery of the palace garden. "Imperial willow" refers to the willow in the imperial garden. At that time, it was a custom to break willows into the door during the Cold Food Festival, and the Emperor Shanghetu at Qingming Festival also ordered that the fire of elm willows be given to the nearest minister to show his favor. Therefore, the poet deliberately cut out the "imperial willow" fluttering in the wind in the infinite spring.

The first two sentences of the poem are written during the day, and the last two sentences are written at night: "When the sun sets, candles are passed in the Han Palace, and light smoke is scattered into the Wuhou House." Sunset is evening. "Han Palace" refers to the imperial palace in the Tang Dynasty. "Five Hou" generally refers to five eunuchs who were sealed on the same day in the Eastern Han Dynasty. Here, the Han Dynasty is used as a metaphor for the Tang Dynasty, alluding to eunuchs who have been favored by the emperor since the middle Tang Dynasty. Every family can't make a fire on the Cold Food Festival, but the palace is an exception. Before dark, the palace was busy distributing candles. In addition to the palace, your near minister can also get this favor. The poem vividly depicts a picture of candles passing by at night with "passing" and "scattering", which makes people see the light of candles and smell the faint smoke. It is a long-standing custom in China to ban fire from cold food, but powerful ministers can make an exception and place candles. The poet made a euphemistic satire on this corrupt political phenomenon.

This poem is good at selecting typical themes, quoting appropriate allusions and satirizing eunuch spoil and autocratic corruption. Although the style of writing is exquisite, readers can still understand the theme of the poem under the hint of historical allusions and the confirmation of the social situation in the middle Tang Dynasty.

Cold food on the middle school

Song Dynasty: Yang Wanli

Go straight to your husband! Can this bridge be out of danger?

The maple leaves in the distant mountains are pale outside, and the broken houses are beside the lonely wheat.

Grass is spring, new buildings are old.

Pear blossoms are cold food, and it is only when you enter the festival that you are worried.

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The path is really long and thin! Gao Qiao doesn't need to rely on it? The maple leaves in the distant mountains are dim and pale, and the hut by the wheat field looks very lonely. Weeds grew with the wind overnight, and the path disappeared a year later. Pear blossoms will bloom after Qingming Festival. I miss you very much this season.

Ganhuanggen is running out of cold food.

Song Dynasty: Chao Chongzhi

There is not much cold food, so sell peony first. The curtains in the yard are tight. Last night's wind and rain, only a minute of spring, now it is too late, sunny.

Go to sleep and stay in the microstrip. I didn't hesitate to dress up and watch the shades of flowers change. Picked a pair of apricots with a smile and put them on with branches.

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This word is about the life and mood of young women in late spring. First of all, it is pointed out that the heroine's season in the poem is late spring. The environment is a small courtyard with heavy curtains. Shortly after the cold food, peony has been peddled in the streets, showing the characteristics of late spring. The most active swallows fly around in spring. It was only because of the heavy curtains that I didn't fly to the depths of the yard. "Zhu Lian Separates Yan" (Yan Shu's "Walking on the Sand") is a scene in which the young woman is in a carefree mood and observes in detail. Women's feelings have not been written here until "last night's storm, only one minute of spring is here", which reveals her feelings from the side. But now I remember that night, that storm, I wonder how many flowers were broken? (Meng Haoran's "Spring Dawn"), last night's wind and rain made the path red and thin (Yan Shu's "Walking on the Sand"). Flowers are a symbol of spring. The wind and rain are ruthless, the flowers are destroyed, and there are few left. The young woman was surprised and exclaimed, "There is only one spring." Nine minutes of spring scenery was blown away by the wind and rain, how could she not feel sorry for it! "Xi Chun is often afraid of early flowering, not to mention countless red flowers." (Xin Qiji's Fishing) But the heroine cherishes spring without hurting it, let alone complaining about it, but "if you hesitate to get it now, it will clear up soon." Her mood was not infected by the wind and rain in late spring, but she was quick-eyed and quick-eyed. The last two sentences of the last movie are the watershed for the whole word to turn to sadness or optimism.

The following film describes the behavior dynamics of young women when they get up and get dressed. I fell asleep and was drunk last night. My cheeks are still slightly red from last night's wine. The tiredness of being slightly drunk last night has not been completely eliminated. Tired and charming, people can't put it down. It is precisely because the young woman's limbs are delicate that she is too lazy to get out of bed to fetch water and wash her hands that she "slapped her eyebrows without hesitation" and grabbed her clothes and wiped off the residual Cui Dai of thrush last night. The author describes the psychology and dynamics of young women, which is very delicate and realistic. It was not until the sun rose that her sleepiness gradually disappeared and her usual vitality gradually recovered. She just dressed up, brushed her eyebrows, put on light makeup, and looked at herself. This process of getting up and dressing is another manifestation of the young woman's "lazy painting and late dressing" in Bodhisattva Man, but all of them describe her manner and state of mind from the process and dynamics of dressing and dressing, and "changing the shade of flowers" is a supplement to Ascension. The sun rises gradually, and the flower scene is gradually shortened. It can be seen that it takes a long time for the young woman to get up from her sleep and finish combing her hair, and she still has leisure to see the "Change of Flower Shadow". Because it is described by concrete images such as "the sun rises high" and "the change of flowers", it will not be abstract after a long time.

Take a break, "smile and pick a pair of apricots and put them on with branches." The pairing of apricots implies the subtle psychological activities of the heroine who hopes that she can also pair. "Laughter" shows that she is optimistic and cheerful. Although the author lived alone for the time being, she believed that she would soon be able to pair up like an apricot and become a symbol of her good wishes and future happiness, which was meaningful. A word "smile" vividly shows her full of confidence and hope.

The heroine in this poem lives alone in the boudoir in late spring. Generally speaking, she always writes articles around "always in my heart" and "spring girls think too much", writing that the heroine cries when she sees the fallen flowers and is sad when she looks at Shuang Yan; Sigh that youth will eventually pass away, feel lonely and unhappy, worry and worry, and feel sad. However, this word cannot be the same. Although it is also about a woman who lives alone in late spring, the author has created an optimistic, confident, hopeful and distinctive woman image, which is an important feature of this word.