The flute is not full of breath. What should I do?

The solution to the lack of flute breath is as follows:

To play the flute well, you must closely cooperate with Qi (force), Finger (method) and Tongue (head), and all three are indispensable.

Respiratory control one

The pronunciation, sound level, strength, length and rigidity of the flute are closely related to the "luck" when playing. This kind of luck kung fu means that if you want to play the flute well, you must work hard on "luck". The time of exhaling and inhaling is roughly equal, and playing the flute requires deep breathing, that is, using the diaphragm (located between the lungs and abdomen) to exert force, that is, chest and abdomen combined breathing. It is best to use your mouth and nose when breathing. Give priority to with the mouth, that is, let go of the corners of the mouth and inhale slightly, so that inhalation is faster. When exhaling, you should use the control ability of chest muscle, abdominal muscle and diaphragm to make the breath spit out evenly and rhythmically. Beginners should consciously pay attention to the breathing method from the beginning, and don't violate the movement law of normal breathing, otherwise it will affect the performance and be detrimental to their health. It is not bad for a novice to spit 10- 15 seconds in one breath. Luck is very important to players. It is the basis of beautifying timbre, controlling timbre strength and various emotional changes.

In order to master the correct method of "luck", you can do the following two exercises in combination with playing long notes:

Breathe slowly, breathe slowly-take a deep breath and blow a long sound. When inhaling, it is required to inhale enough without making any noise, and when exhaling, it is required to be uniform and stable for a long time without effort.

Breathe fast and breathe slowly-this is the most commonly used breathing method when playing bamboo flute. The shorter the inhalation time, the better, because the time allowed for inhalation during music is very short.

Respiratory control ii

Luck is very important to players. It is the basis of beautifying timbre, controlling timbre strength and various emotional changes. Breathing luck should pay attention to avoid shrugging, belly in, chest out and other mistakes, but also pay attention to the control of weak voice.

Some mistakes to avoid when breathing luck;

1, shrugged. When inhaling, lift your shoulders up, so your breathing is shallow and you can only inhale into your chest. Inhale like this and tighten your chest. When playing, the lack of strong support of breath not only makes the tone tense, but also makes the long sound unsustainable.

2, abdomen. When inhaling, the lower abdomen will be mistakenly forced to contract inward. In this way, the breath can only be sucked into the upper chest, causing the pectoral muscles to press the ribs tightly, making the breathing inelastic.

3, quite belly. When inhaling, the abdomen bulges out and the abdominal ribs are pulled down. Because the breath is inhaled too deeply, the muscles in the chest and abdomen are tense, which makes the breathing inelastic.