Traditional Culture Encyclopedia - The 24 Solar Terms - Which traditional festival does Du Fu's poem Nine Days depict?
Which traditional festival does Du Fu's poem Nine Days depict?
Du Du Fu's Poem Nine Days in Tang Dynasty
Last year, I climbed to the north of Qixian County. Today, the focus is on Fujiangbin. I am ashamed to see countless new yellow flowers.
The world has been chaotic and gloomy for a long time, and the road is difficult to grow. The wine bar recalls for ten years, and the heartbreak clears the road dust.
On the Double Ninth Festival, I just want to drink wine alone and enjoy the beautiful colors in September. Since you can't drink alcohol on the Double Ninth Festival, there is no need to bloom chrysanthemums. At sunset, there came the cry of the black ape, which lasted for a long time. The white goose in the south brought the news of first frost in Chang 'an. Where are all the relatives who can't meet now? Wars are frequent, and years keep reminding people to die.
Note: Illness: refers to illness; Be sick; Bamboo leaves: refers to bamboo leaf green wine; Fight: war
Distinguish and appreciate
This poem was written by Du Fu on the ninth day of September in the second year of Dali (767). In connection with the fact that tourists stayed in Kuizhou for two years, the poet expressed his feelings of climbing Chongyang Mountain on September 9, and his ideological realm and artistic harmony were far above those of ordinary climbing articles.
This poem takes abstinence from alcohol due to illness, rich feelings for flowers, black apes whining and white geese coming from the south as the main line, which leads to the feelings of missing hometown and brothers and sisters, and then shows the sentimental feelings of war and aging. The ending sublimates the theme of the poem: the poet's ascent is homesick for his loved ones and hurtful. As the saying goes, "Ling Du has a saying that he cares about the country and the people."
The whole poem is correct, the language is fluent and natural, vigorous and powerful, with both momentum and temperament. Every sentence tells poetic rhythm without trace, much like writing prose; Direct dialogue, combined with images, is not boring at all. Scenery and narration can be closely related to the poet's mind. Feelings converge at the end of the pen, and the protagonist is vividly portrayed, which can quite show the tragic style of Du Fu's seven-rhythm poems in Lingzhou.
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