The Origin of Spring Festival: The Story of Nian Beast

1, Spring Festival refers to the traditional Chinese New Year in the cultural circle of Chinese characters. Traditional names are New Year, New Year and New Year, but they are also verbally called New Year, Celebrating New Year and China New Year. In ancient times, the Spring Festival refers to the beginning of spring in the solar terms and is also regarded as the beginning of a year. Later, it was changed to the first day of the first lunar month as the New Year.

It won't end until at least the fifteenth day of the first month (Shangyuan Festival). The Spring Festival, commonly known as the "New Year Festival", is the most solemn traditional festival of the Chinese nation. Before Emperor Wu of the Han Dynasty, the Spring Festival dates of different dynasties were different. Since the first year of Emperor Wu of the Han Dynasty, the first month of the summer calendar (lunar calendar) has been the beginning of a year, and the date of the Spring Festival has been fixed and has continued to this day.

19 1 1 After the Revolution of 1911, the Gregorian calendar was used to calculate the year, so it was called "New Year's Day" on the Gregorian calendar 1 and "Spring Festival" on the first day of the first lunar month.

2. According to legend, there was a monster named Nian in ancient China, with long tentacles and a ferocious face. Nian lived on the seabed for many years, and climbed ashore every New Year's Eve, eating livestock and hurting people's lives. Therefore, every New Year's Eve, people in the village fled to the deep mountains to avoid the harm of the "Nian" beast.

On New Year's Eve this year, people in Taohua Village were taking refuge in the mountains when an old beggar came from outside the village. He was leaning on crutches, carrying a bag on his arm, with elegant silver whiskers and staring at Matthew. Some villagers sealed windows and locked doors, some packed their bags, some herded cattle and drove sheep, and people shouted hisses everywhere, which was a scene of panic. At this time, who still has the mind to take care of this begging old man?

Only an old woman in the village east gave the old man some food and suggested that he go up the mountain quickly to avoid the "Nian" beast. The old man smiled and said, "If my mother-in-law lets me stay at home for one night, I will definitely drive the Nian beast away.

The old woman looked at him carefully in surprise and found that he was handsome, energetic and different. But she continued to persuade and begged the old man to laugh without saying a word. My mother-in-law had no choice but to leave home and take refuge in the mountains.

At midnight, Nian beast broke into the village. It found that the atmosphere in the village was different from previous years: the old woman at the east end of the village had red paper on her door and the room was brightly lit. The beast Nian trembled and let out a long whistle. Nian stared at her mother-in-law's house for a while, then screamed and rushed over. As we approached the door, there was a sudden explosion in the yard. Nian trembled and dared not go any further.

It turns out that Nian was most afraid of red, fire and explosion. At this time, my mother-in-law's door was wide open, and I saw an old man in a red robe laughing in the hospital. "Nian" was frightened to disgrace and fled in confusion.

The next day was the first day of the first month, and the people who came back from refuge were very surprised to see that the village was safe and sound. At this time, the old woman suddenly realized and quickly told the villagers the promise of begging for the elderly. Villagers flocked to the old woman's house, only to find red paper on her mother-in-law's door, a pile of unburned bamboo still exploding in the yard, and several red candles still glowing in the house.

In order to celebrate the auspicious arrival, ecstatic villagers put on new clothes and hats one after another and went to their relatives and friends' homes to congratulate and say hello. The story soon spread in the surrounding villages, and people knew the way to drive away the "Nian" beast.

Since then, every year on New Year's Eve, every family has posted red couplets and set off firecrackers. Every household has a bright candlelight, so it is better to wait for the New Year. In the early morning of the first day, I want to say hello to my relatives and friends. This custom has spread more and more widely, and has become the most solemn traditional festival among the people in China.

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The customs of the Spring Festival

1, Happy New Year

When paying New Year greetings during the Spring Festival, the younger generation should first pay New Year greetings to their elders and wish them health and longevity. The elders can distribute the lucky money prepared in advance to the younger generation. It is said that lucky money can kill evil spirits, because "old" and "special" are homophonic, and the younger generation can spend a year safely with lucky money. There are two kinds of lucky money, one is to put colored rope in the shape of Jackie Chan at the foot of the bed, which was recorded in Yanjing.

The other is the most common, that is, parents wrap the money distributed to their children in red paper. Lucky money can be given in public after the younger generation pays New Year's greetings, or it can be secretly put under the child's pillow by parents when the child falls asleep on New Year's Eve. It is still very popular for elders to give lucky money to younger generations.

Step 2 post Spring Festival couplets

Spring Festival couplets are also called door couplets, spring stickers, couplets, couplets and peach symbols. They depict the background of the times and express good wishes with neat, dual, concise and delicate words, which are unique literary forms in China.

Every Spring Festival, no matter in urban or rural areas, every household should choose a pair of red Spring Festival couplets and stick them on the door to add festive atmosphere to the festival. This custom began in the Song Dynasty and was popular in the Ming Dynasty. By the Qing Dynasty, the ideological and artistic quality of Spring Festival couplets had been greatly improved. Liang Zhangju's monograph Poetry of Spring Festival couplets discusses the origin of couplets and the characteristics of various works.

There are many kinds of Spring Festival couplets, which can be divided into door heart, frame pair, cross string, spring strip and bucket square according to the place of use. The "door core" is attached to the center of the upper end of the door panel; The "door frame pair" is attached to the left and right door frames; "Cross-dressing" is posted on the crossbar of the door; "Spring strips" are posted in corresponding places according to different contents; "Dou Jin", also known as "door leaf", is a square diamond, often attached to furniture and screen walls.

People's Network-Origin and Legend of Spring Festival

People's Network-Origin and Customs of Spring Festival