What kinds of pure music are commonly used in the Spring Festival Evening?

This is the first movement of the Spring Festival Suite, which is often taken out for solo. It is a work written by Li Huanzhi, a famous composer and music theorist in China, based on his life experience in Yan 'an in 1950s, which shows the people in the revolutionary base areas warmly celebrating the Spring Festival.

Its melody is elegant and popular, and its theme is a grand festival with a mass base, so it has gradually evolved into a small tradition attached to the Spring Festival since its birth. Especially after the TV Spring Festival Evening became popular, this song became more familiar.

2. "Flower Full Moon"

This is a folk music ensemble, played by the Central Broadcasting National Orchestra. Shortly after the founding of New China, Peng Xiuwen, the conductor, adapted the Jiangnan-style A Moon into a national orchestra, which was then played by the Central Broadcasting National Orchestra, which had a wide influence.

3. Golden Snake Dance

This is a national orchestral music adapted by Nie Erzai 1934 according to the folk music "Dao Ba Ban". The melody of the music is loud and warm, and the gongs and drums are powerful, which renders the festive atmosphere. This song is often played in festivals.

During the opening and closing ceremonies of the 29th Beijing Olympic Games in 2008, athletes repeatedly played "Golden Snake Dance" as background music, which effectively set off the festive atmosphere and rich China characteristics of the Beijing Olympic Games as a festival for people all over the world.

20 12 CCTV Spring Festival Evening, Wang Leehom and Di Yun performed a song "Dance of the Golden Snake".

In the 20 13 CCTV Spring Festival Gala, Yani and Chang Jing performed "Qin Zheng Heming" with a combination of Chinese and western, and the third part was "Golden Snake Dance", which made year of the snake more diversified in the world.

Step 4 harvest gongs and drums

This is a orchestral piece composed by Peng Xiuwen and Cai Huiquan in 1972, which has distinctive Shandong music characteristics. The music draws lessons from the drums and rotation of China folk percussion music, and is reformed and developed, bringing forth the old and bringing forth the new, giving full play to the expressive force of China's colorful percussion instruments, which has both national style and characteristics of the times.

The climax of the whole song shows the grand scene of celebrating the harvest. At first, the percussion instruments of Chaozhou gongs and drums were used, and the idea of "cannon" was used for reference, which was magnificent. After the melody reappeared in the first part, the percussion band developed the idea of "sharp wind" and "horse's leg" which are good at expressing tense, fast and fierce scenes in the drums of Beijing Opera, and the idea of "snail knot" in percussion music in southern Jiangsu, which constituted the first part.

5. "Happy"

This is a famous folk music in China, and it is played with the new banhu as the main instrument. Composed by the late Chinese folk music master Liu Mingyuan on 1958.