Poems with phenological knowledge include proverbs with phenological knowledge.

Bai Juyi, an ancient poem about phenology.

The world in April is full of beauty,

The peach blossoms in the mountain temple began to bloom.

I have long hated that spring is nowhere to be found and I don't know where to go.

This poem vividly tells people that the climate in plain and mountain areas is different, so the phenology is different.

Bai Juyi's Farewell to Ancient Grass

The endless grassland on the plain,

As each season comes and goes.

Wildfire never devours them,

They have grown taller in the spring breeze.

-phenology has two laws: first, the rise and fall of vanilla has an annual cycle; Second, this cycle changes with climate change. When the spring breeze comes, the grass wakes up.

Liu Yuxi's Zhi Zhu Ci

The bamboo house on the river is sunny,

In the west, spring water is flourishing.

There are willows on both sides of the bridge.

People come to sing.

It shows that from Monan to East Sichuan, everyone regards green vitamins as a symbol of spring.

The early winter of Lu you

Poetry in my life leads the streamer,

Like the frost in early winter.

The better the maple leaf,

Plum blossoms smell good before they move. ...

This poem proves that Lu You attaches importance to phenology.

Lu You's "Birds Singing"

Barbarians have no calendar days,

Birds crow at four o'clock.

February smell rules,

Spring ploughing is not too late;

Smell oriole in March,

Young women pity silkworms and hunger, and call cuckoo in April.

Silkworms are clustered;

Uncle Mingya in May,

Young seedlings worry about grass ...

Lu You not only pays attention to phenology, but also predicts farming time. He can be called a poet who can understand natural language.

In addition, the following poems also reflect the phenological characteristics:

The scenery in Qiu Lai is different in the cold, so Hengyang Goose is not noticed.

Several early warblers compete for warm trees, and their new swallows peck at the soil in spring.

It rains at home in Huangmei season, and frogs are everywhere in the grass pond.

In August and autumn, the wind roared and rolled up my three hairs.

The north wind rolled up the white grass and scattered them, and the snow in August crossed the Tatar sky.

Huayang fell to the ground and cried, and Wendaolong crossed five streams.

Why should a strong brother complain about willow? The spring breeze does not pass through Yumen Pass.

The west wind is rustling all over the courtyard, and cold butterflies are hard to come by.

Phenology in poems (not less than three sentences) containing phenology knowledge

One,

Say goodbye to the ancient grassland

Bai Juyi

The long grass is so lush that the withered grass will thicken the color of the grass every autumn and winter.

Wildfire can't burn it out, but the spring breeze can revive it.

Weeds and wild flowers are all over the ancient road, and the end of the grass in the sun is your journey.

I once again sent my bosom friend, and the thick grass represented my deep affection.

[Notes]

1 separation: the appearance of prosperity.

② Original: vilen.

3 Rong: Shengshi.

(4) Sweet They are pressing on the ancient highway: a wild grass that extends far away encroaches on the ancient road. Fiona Fang: A meadow.

⑤ Reaching the crumbling city gate: On a sunny day, a piece of green connects this deserted city.

Ah, my friend's prince, you left again, and I heard them sigh behind you: these two sentences borrowed the allusion of "Wang Sun wanders without returning, and spring grass grows flowers" in Chu Ci. Wang Sun: Noble. This refers to your friend. Lush: the appearance of grass.

Berthing Guazhou

Wang Anshi

A water room in Guazhou, Jingkou,

Zhongshan is separated by only a few mountains.

The spring breeze in Jiang Nanan is green,

When will the bright moon shine on me?

[explanation]

The poet wrote this poem when he passed Guazhou by boat and missed Jinling's former residence (Nanjing). There is only one Yangtze River between Jingkou and Guazhou, and Zhongshan, where I live, is hidden behind several mountains. The warm spring breeze has blown the fields in the south of the Yangtze River green. Mingyue, when can I go back to my home in Zhongshan? "The peach blossoms outside the bamboo are three or two, and the spring river plumbing duck prophet." (Su Shi titled Hui Chong's Night Scene of the Spring River) In early spring, ducks first felt the spring water heating and played in the water.

"Frozen waterfowl live together in cold weather, and one hundred is a group play. When pedestrians can't stand it, they suddenly smell the ice ring in Qi Fei. " (Qin Guan's Return from Guangling) At the end of winter, water birds are dependent on each other, and there is the sound of ice, and birds fly in surprise. Ducks and birds are messengers of spring.

"It rains at home in Huangmei season, and frogs are everywhere in the grass pond." The three images in Zhao Shixiu's poem "A Heart on a Water Threshold" show the seasonal characteristics of plum blossom and Huang Shi in late spring and early summer.

Huang Chao wrote the title of chrysanthemum: "The west wind is rustling all over the courtyard, and the cold butterfly is hard to come." Chrysanthemums wither, butterflies wither, although there is no word "autumn", but the coolness of autumn is coming.

Li Bai's "Xia Sai Qu": "In May, it snowed in Tianshan Mountain, but it was cold without flowers, and willow was heard in the flute, but no spring scenery was seen." May is in midsummer, and it is already the day when all the flowers in the mainland are dying. However, Tianshan Mountain (Qilian Mountain), located in the northwest frontier, is still covered with snow, and there are no willows and flowers, indicating that there is neither summer nor spring and autumn in the Yellow River basin above 4000 meters above sea level. It is not difficult to see the great difference in climate between the mainland and the Great Wall.

Fan Chengda's Four Seasons Pastoral Fun: "Butterflies have entered cauliflower, and no guests have come to Tianjia for a long time." These two poems, written in the countryside in the late spring of Jiangnan, set off the busy farming of peasant women through the description of butterflies entering cauliflower.

Arriving at Baoenshan Temple early in the morning, I said, "The smoke is far away, gulls are falling, the sun is shining, and the forest is flying." Barley did not enter the nursery, and the young silkworm lay alone. "The first part depicts a vivid picture of wild birds flying in the mountains and forests; The second part is about the busy scene of peasant women harvesting wheat, whole vegetables, picking mulberry and feeding silkworms at the turn of spring and summer, which is kind and touching.

High in the dim moonlight, geese are soaring, and Tatar chiefs are fleeing in the dark. While we chase after them, the horse carries a light load, and the bow and sword bear a burden of snow "(the third part of the next song) is about marching and fighting: the enemy fled at night, and the geese were surprised to fly, which aroused the vigilance of our general and led troops to chase after the enemy, fully demonstrating the heroic spirit of the people of China.

Li Bai's poem "Dongfeng is green and Yingzhou grass is green, and Ziguong Honglou feels good in spring." Wang Anshi lived in Jiangning in his later years, and there was a poem saying, "Spring breeze is green in Jiang Nanan, when will the bright moon shine on me?"

What agricultural proverbs or poems contain phenological knowledge? Twenty-four solar term song.

Ancient poems about phenology *

Su Shi in Northern Song Dynasty: Night Scene along the River

Two or three peach blossoms outside the bamboo forest and ducks in the water first noticed the warm spring.

The beach is covered with wormwood, asparagus is beginning to sprout, and puffer fish are preparing to swim upstream from the sea back to the river.

*

"Guest" Zhao Shixiu in Southern Song Dynasty

Mei Huang Shi, every family was flooded by rain, and the pond was covered with green grass and frogs.

It's past midnight, and the invited guests haven't come yet. I tapped the chess pieces bored and shook the wick of an oil lamp.

*

Huang Chao's Title Chrysanthemum in Tang Dynasty

The west wind is rustling all over the courtyard, and cold butterflies are hard to come by.

If I were Di Qing next year, I would report to Taohua.

*

Bai Juyi in Tang Dynasty: A Tour of Dalin Temple in Lushan Mountain

In the world of April, the flowers have withered, and the peach blossoms in the ancient temples have just bloomed.

I want to find a place where my life is dying, but I don't know that it has been moved here.

*

He's "Singing Willow" in Tang Dynasty

Jasper dressed up as a tree with ten thousand green silk threads hanging down.

I don't know who to cut it for, but the spring breeze in February is like scissors.

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There are many ancient poems with phenological contents. Please write two more sentences like Yuan Zhen's poem "Yuquan Road in the Middle" in the Tang Dynasty: the phenology of Chu Guan is late, and there is frost in Meng Dong.

Bai Juyi's Farewell to Ancient Grass in Tang Dynasty: The vast grass crosses the plain and comes and goes with the four seasons.

Lu You's Early Winter in Song Dynasty: Life-long poems drain light, and I love early winter frost.

Lu You's Work on the Pillow in Song Dynasty: It is Spring Festival, not winter, to lie down and listen to the curtain of hundreds of tongues.

In the Song Dynasty, I traveled by land and returned at night: In this year, the cold arrived in Jiangxiang early, and at the end of the year and Mid-Autumn Festival,

In the Tang Dynasty, Bai Juyi's "Tour of Dalin Temple in Lushan Mountain" was beautiful in April, and the peach blossoms in the mountain temple began to bloom;

Bai Juyi's phenological poem "A Tour of Dalin Temple in Lushan Mountain"

In the world of April, the flowers have withered, and the peach blossoms in the ancient temples have just bloomed.

I want to find a place where my life is dying, but I don't know that it has been moved here.

Jia Zhi's Baling Night Farewell Bastard

In a catkin flying season, I told my hometown Luoyang that I came to Hunan thousands of miles away in the winter when plum blossoms were in full bloom.

The vicissitudes of life, ups and downs, such as clouds, are fleeting clouds; However, parting parting, like a long river, is drizzling.

He Zhangzhi's "Singing Willow"

Jasper dressed up as a tree with ten thousand green silk threads hanging down.

I don't know who to cut it for, but the spring breeze in February is like scissors.

One of the Spring River Scenery in Hui Chong in Su Shi's Late Period

Peach blossoms outside the bamboo are three or two skills, and the spring river plumbing duck prophet.

The beach is covered with wormwood, asparagus is beginning to sprout, and puffer fish are preparing to swim upstream from the sea back to the river.

Zhao Shixiu's "appointment"

Mei Huang Shi, every family was flooded by rain, and the pond was covered with green grass and frogs.

It's past midnight, and the invited guests haven't come yet. I tapped the chess pieces bored and shook the wick of an oil lamp.

Ouyang Xiu's "Birds Singing"

When into the badlands is waiting for the sun to shine, everything seems to be competing with the seasons.

Tomorrow, the flowers will be deep and the leaves will be dark, and birds will sing when the sun is warm.

Among ancient poems, many poems contain phenological knowledge. Please give two examples. 1, Tianshan five In the snow, no flowers, only cold. I smell the flute and willow, but I don't see the spring scenery —— Li Bai's "Stuffed Six Songs (Part One)".

2. In April, the world is full of flowers, and the peach blossoms in the Temple of the Mountain begin to bloom. I hate that I can't find a home in spring, but I don't know where to turn for help-Bai Juyi, peach blossom in Dalin Temple.

What is the definition of phenology in Tang and Song poetry?

Organisms adapt to the periodic changes of temperature conditions for a long time and form the corresponding growth and development rhythm, which is called phenology.

Edit this paragraph overview

Mainly refers to the growth, development and activities of animals and plants and the response of abiotic changes to seasons and climate. For example, winter bud germination, leaf picking, flowering, fruiting and defoliation of plants; Animal dormancy, recovery, singing, mating, reproduction, molting and migration are closely related to seasons and climate. Abiotic phenomena, such as first frost, first snow, freezing and thawing, are also called phenological phenomena.

Phenology is also closely related to phenology.

Phenology is mainly a science that studies the periodic relationship between plants (including crops), animals and environmental conditions (climate, hydrology and soil conditions) in nature. Its purpose is to understand the changing law of natural seasonal phenomena and serve agricultural production and scientific research.

Phenology is also the process of talking about the moon, dew, wind, clouds, flowers and birds in a year. Phenology is the accumulation of weather for many years, and the two are subordinate.

Edit this paragraph "natural language"

-Zhu Kezhen

After the Spring Festival every year, the earth gradually wakes up from its deep sleep: the snow and ice melt, plants sprout, and all kinds of flowers and trees bloom for the second time. In two months, the swallows will come back, and nature will show a thriving scene. Soon, the cuckoo also came, so it gradually turned into hot summer, and the plants were busy gestating fruits. Autumn has come, the fruit is ripe, the leaves of plants turn yellow slowly, and they can't stand the autumn wind and fall down. At this time, the geese flew south, and other migratory birds also left one after another, and the earth presented a bleak scene of falling leaves and grass. Since then, all kinds of insects active in fields and grass have disappeared. The earth fell asleep again, preparing for the snowy winter. Year after year, cycle after cycle. ...

I don't know how many poets are intoxicated by these natural phenomena, so every grass, tree, bird and insect has become their natural material for eulogizing and the basis for expressing their feelings. But farmers' feelings about these natural phenomena are different from those of poets. For thousands of years, they have paid attention to the relationship between natural phenomena and climate, such as the rise and fall of vegetation and the coming and going of migratory birds, and arranged their own farming activities accordingly. In the eyes of farmers and flowers, autumn leaves are the language of nature. Apricot blossoms are in bloom, as if nature is telling them to cultivate the land quickly; Peach blossoms are blooming, which seems to imply that we should plant millet quickly. In late spring and early summer, the cuckoo began to sing, but our farmer knew what she was singing: she was shouting loudly, "Grandparents, cut wheat and transplant rice."

This natural phenomenon was called phenology by working people in ancient China. "Things" mainly refer to living things (animals and plants), and "climate" is what the ancients in China called qi and climate. More than 2,000 years ago, the ancients in China divided the changes in temperature and warmth throughout the year into the so-called twenty-four solar terms, and divided the natural phenomena under the influence of cold and heat into seventy-two periods. The earliest origin of phenology knowledge was in China. Many agricultural proverbs about phenology handed down from generation to generation are the summary of working people's practical experience.

Using phenology knowledge to guide the research of agricultural production has developed into a science called phenology in all countries of the world. Similar to climatology, phenology is a local science, which is to observe the passage of all seasons in various places and regions. The difference is that climatology is to observe and record the changes of cold, warm, sunny and rainy weather in a certain place, such as windy on a certain day, rainy at a certain time, how cold it is in the morning, how hot it is in the afternoon and so on. , so as to infer its reasons and trends. Phenology is to record the growth and decline of plants, the communication and rearing of animals, such as willow green, peach blossom, swallow coming and other natural phenomena, so as to understand climate change and its influence on animals and plants. Climate observation records the local weather at that time; Phenological observation records not only reflect the weather of the day, but also reflect the accumulation of weather in the past period. So phenology is sometimes called bioclimatology.

Su Shi, an ancient poem about phenology, wrote about the evening scenery of Hui Chong's riverside, the return of Qin Guan to Guangling, the heart of Zhao Shixiu's water sill, Huang Chao's title chrysanthemum and Li Bai's music.

Ancient poems containing phenological knowledge;

*

Su Shi wrote a title for Hui Chong's "Night Scene on the Spring River"

"The peach blossoms outside the bamboo are three or two, and the spring river plumbing duck prophet."

In early spring, ducks first feel the spring water heating and play in the water.

*

Qin Guan returned to Guangling.

"Frozen waterfowl live together in cold weather, and one hundred is a group play. When pedestrians can't stand it, they suddenly smell the ice ring in Qi Fei. "

At the end of winter, waterfowl live together, and birds fly with the sound of ice in surprise. Ducks and birds are messengers of spring.

*

Zhao Shixiu's "Water Threshold Delivers Heart"

"It rains at home in Huangmei season, and frogs are everywhere in the grass pond."

The three images in the poem show the seasonal characteristics of Huangmei when it matures in late spring and early summer.

*

Huang Chao's Chrysanthemum

"The west wind is full of plants, and the cold butterfly is hard to come."

Chrysanthemums wither, butterflies wither, although there is no word "autumn", but the coolness of autumn is coming.

*

Li Bai's Xia Sai Qu

"There are five In the snow in Tianshan Mountain, which are cold without flowers, and the flowers are bright, and the spring scenery has never been seen."

In the midsummer of May, it is already the day when all the flowers in the mainland are dying, but the Tianshan Mountain (Qilian Mountain) in the northwest frontier is still covered with snow, and there are no willow flowers.

Agricultural proverbs with phenological knowledge;

"/kloc-planting oil in 0/0 is not enough for my wife to rub her head."

"Sesame has two leaves on its head, but I'm afraid it's deep and not afraid of shallow."

"When the seedlings are up, you need snacks." No ashes, no wheat, no wine, no hospitality. "

"The rice is yellow, and the owner owes it money to buy bean cakes."

"The corn has grown on its head, and it is as strong as an ox."

What phenological knowledge is contained in Li Shangyin's poem Liu? Liu is a unique poem written by Li Shangyin in Tang Dynasty. This poem is about the willow tree in autumn, but the poet does not write it from the front, but remembers its spring scenery first and then returns to the willow tree in front of him. The whole poem is meaningful, implicit and euphemistic. There is not a word "willow" in the whole article, but every sentence is about willow, every sentence is about scenery, every sentence is about things, and every sentence is about people, expressing the lament for the sparse and withered autumn willow. The autumn willow in the poem has experienced the disparity between the present and the present, which is a vivid portrayal of the poet's self-sighing life experience.

willow

I used to chase the east wind, just like a dancer dancing at a banquet. It was a spring full of flowers, and people were playing in Leyuan Scenic Area.

How can I go to that clear autumn day, accompanied by sunset and cicada singing!

Literary appreciation

This is a four-line poem that borrows willow to hurt oneself and pour out one's worries. The poet used the image of willow to express his feelings.

The poem is about the willow in autumn, but the poet does not start now, but remembers its spring scenery first, and then returns to the willow in front of him. One or two sentences: "I danced in the east wind, and the spring garden was heartbroken." It means that the slender drooping willow branches in spring are blown by the wind, which is most likely to be associated with fluttering. This word "dance" vividly shows the graceful appearance of the spring willow, and at the same time combines the willow branches with the lively dance feast to further set off the joy of the willow branches. The word "dance banquet" seems to make people see the scene of willow branches dancing with * * *, and they can't tell who is * * and who is willow branches. The two complement each other and are beautiful! Originally, willow branches were blown by the east wind, but the word "one by one" was used in the poem, which said that willow branches were chasing the east wind, turning passive into active, and writing about the vitality of willow branches. After the antithesis, there was a dance banquet, which was described from the time and place, indicating that this was not an ordinary dance banquet, but a dance banquet in the spring music garden. "heartbroken day" refers to the day when spring blooms. "heartbroken" is ecstasy, and the color and fragrance of flowers make people ecstatic. The spring breeze is rippling and a hundred flowers are blooming. On the Chang 'an Music Garden, distinguished guests gathered, dances and banquets crisscrossed, the song pipe was played repeatedly, red skirts were flying, green sleeves were flying, and green willow branches danced with * * *. What a beautiful and prosperous scene.

Three or four sentences: "How come it's clear autumn, accompanied by sunset and cicadas!" But suddenly, the willow tree depicted is completely different. "Clear autumn" means that autumn is already deep; Clear autumn is also a sunset, and the environment is even more desolate. Near the end of life, Qiu Chan's singing is even more mournful. Originally, the setting sun shone on the willow branches, and Qiu Chan wailed on them, but in the poem, the word "belt" was used to indicate that the willow branches were "carrying" them, just like the word "one by one" in the first sentence, which changed the willow branches from passive to active, turned the objective dead scene into a living scene, and showed the misfortune of willow trees in autumn. The third sentence is a rhetorical question, a sigh and a turning point. The word "Ken" may be interpreted as "Hui" (see Zhang Xiang's Collection of Poems, Songs and Ci), but if it is interpreted as "Ken", it seems more poetic: Since autumn is so depressed, why are you (Liu) willing to endure it? The implication is that it is better not to come in autumn, which is very painful. The turning point here, coupled with such a sudden and powerful turning point as "how to get there", enhances the sense of contrast. The prosperity of willow in spring reflects the decline of willow in autumn; The more prosperous and proud spring is, the more haggard autumn is. It is through this strong contrast that this poem expresses the lament for the sparse and withered autumn willow. The use of function words in these two sentences is also subtle. The third sentence "How" and "Would you like to come" can be used together to make rhetorical questions and sighs stronger. Sentences ending in "with" and "with" are more progressive.

The vivid portrayal of "Liu" in this poem mainly benefits from the comprehensive use of various techniques in the poem.

First, the poet used personification rhetoric in many places when shaping the image of Liu. In spring, the willow grows long, swaying with the wind, but the poet does not directly describe it, but gives the word "plant" to make it personalized. Coupled with the word "dance banquet", it is easier for people to think that the wicker fluttering in the wind is a beautiful woman dancing at the banquet, with green sleeves swaying from side to side, which is really beautiful. It can be said that the anthropomorphic technique is used deeply and without trace. The third sentence "Ken" was written by Liu Zuoren. The word "Dai" in the fourth sentence is clearly the person who wrote Liu. The poet said that the setting sun shines on the willow and Qiu Chan sings the willow, but this contradiction highlights the image of the willow.

Second, the clever use of contrast is another feature of this poem. The first two sentences of this poem mainly describe the willows in spring, write a tapestry dancing with the wind, write the flowers in Le Garden, and also write a lively and grand dance feast in Le Garden in spring. It seems that people are immersed in it, making people feel the spring and the sleeves are fluttering. In a word, it presents a lively scene. The last two sentences of this poem express the sadness of autumn. Autumn is clear autumn, the sun goes down and cicadas sing. A series of bleak images combine to form a bleak autumn scenery. There is a sharp contrast between before and after, which has a great impact on people's emotions.

Third, the clever use of function words. There are 28 words in the whole poem, and there are five function words: Zeng, How, Ken, Already and Again. These five words all play a key role in the poem. Without Zeng, you can't see yesterday's willow and spring willow, so autumn willow has less bedding and less contrast. Without "how" and "Ken", Liu's image is not vivid enough, and her rhetorical tone is not strong enough. "Self" and "You" themselves constitute a parallel relationship. Here, the combination of the two seems to have a progressive meaning, which makes the sadness of autumn willow vivid. The use of five function words not only makes the expression more accurate, but also makes people feel meaningful and memorable.

Fourth, the use of symbols. This poem is no exception. The poet wrote about willows in spring and willows in autumn. The so-called "self-injury and self-destruction" is also true. The willow in spring is a portrayal of the poet in his prime. He is proud of the spring breeze and cherishes the world. The willow in autumn is today's poet. He has long been exiled, living a hard life and drifting away. The poet does not directly pour out his own life experience, but expresses it through the image of willow, with his thoughts spinning and his hidden front looming. It is meaningful and profound, and the words are endless, leaving readers with rich imagination space.

From the creative point of view, the poet has made great efforts in selecting materials and conceiving. The choice, contrast and personification of the image of "Liu" are ingenious, but people can't feel the traces of carving. As the saying goes, exquisite and natural.

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