Seal cutting books? Seal cutting and printing

Publishing House: Xiling Publishing House.

Publication date: 2005- 10- 1

Author: Liu

abstract

Seal art is a unique art variety in China. It is an integral part of our long history and culture.

Seal art has the duality of material culture and spiritual culture, practical value and aesthetic value. Its formation and development are closely related to our nationality, politics, economy and culture. It embodies the aesthetic experience of the Chinese nation, embodies the national quality and cultural spirit, and shows the unique charm of China art.

This book introduces the development history of seal art in China in detail, from the germination and formation of seal in primitive society to the Chinese nation's pride and the achievements of independent disciplines. Including the formation of seals, the development of seal cutting in past dynasties, the formation of printing science, various forms of printing, the development of seal cutting tools, the practicality of seals, foreign artistic exchanges, the characteristics of private printing and loose printing, the development forms of seal prints in past dynasties, the introduction of seal engravers in past dynasties, printing groups, printing schools, famous seal engravers, seals from Hong Kong, Macao and Taiwan, the research of printing science, seal engraving institutions, seal engraving education and seal engraving exhibitions. With a large number of charts, it is of great reference value.

Brief introduction of the author

Liu Jiang, formerly known as Buddha's Word, distinguished right from wrong on the shore of the lake. Born in July 1926. People from Wanxian County, Sichuan Province. Children learn from their families and love painting and calligraphy. 1945 After graduating from normal school, he was admitted to the preparatory school of Chongqing University for Nationalities to study painting, 1949 joined the army, 1957 returned to the Chinese painting department of Zhejiang Fine Arts Institute, and studied calligraphy and seal cutting under President Pan Tianshou. 196 1 graduated and stayed in school to teach calligraphy, seal cutting and other courses. He used to be a professor of China Academy of Fine Arts, executive director of China Calligraphy Association, creative evaluation member, vice chairman of Zhejiang Calligraphy Association, vice chairman of China Calligraphy Education Research Association and vice chairman of Xiling Printing Society. He has published more than ten monographs, including Liu Jiang's Selected Seal Cutting, Seal Cutting Techniques, Seal Cutting and China's Art History, among which Seal Cutting Techniques and Beauty of Seal Cutting have been translated into Japanese and Korean.

Calligraphy studied under Yan Zhenqing, Liu Gongquan and Zhao Mengfu, and then went to Li Beihai and Han Li, Qin Zhuan. Later, he devoted himself to the study of seal script, starting from the inscriptions in Qin and Han Dynasties, catching up with the inscriptions and tortoise shells of Zhong Ding, involving Wu Changshuo and Deng. He is good at writing divination with Shi Guwen's brushwork. His brushwork is vigorous and vigorous, and his composition is changeable. Zhu Lesan and Fa Wu Changshuo, seal engravers, pursue the charm of ancient seal engraving, seek agility in silence and elegance in simplicity.

catalogue

order

Chapter 1 Primitive Society and Three Generations

-The sprout and form of the seal

Section 1 Overview

In the second quarter, the bud of primitive society

First of all, decorative patterns printed on pottery

Second, Tao Pai with seal function

Third, the texture and shape of Tao Pai.

Section III Origin of Xia Dynasty Seal

First, the pottery patterns of the Xia Dynasty

Second, the Xia Dynasty printed pottery

Section IV Formation and Application of Seal in Yin Dynasty

First, gray pottery seals and seals

Second, white pottery prints and seals

Third, the decorative patterns and seals of bronze seals.

Fourth, Yin Dynasty seal.

Section 5 Seal of Zhou Dynasty

First, the writing, decoration and impression of bronzes.

Second, images on ceramics.

Third, the seal of the Zhou Dynasty.

Section 6 Three Generations of Printing Materials and Cutters

First, printed materials.

Second, the printing knife

Section 7 Characteristics of seal cutting's embryonic stage

First, the use of Tao Pai is the bud of seal cutting.

The second and third generations are the development stages of Tao Pai seal.

Chapter II Spring and Autumn Period and Warring States Period

-A hundred schools of thought contend, and ancient India let a hundred flowers blossom.

Section 1 Overview

Section 2 Official Seal of the Spring and Autumn Period and the Warring States Period

First, the official seal of the Spring and Autumn Period

Second, the official seal of the Warring States period

Section 3 Private Seal during the Spring and Autumn Period and the Warring States Period

I. National differences

Second, the name seal

Third, the auspicious seal

Fourth, the well-known seal.

Section 4 Image Seal of Spring and Autumn Period and Warring States Period

I. Seal of animal image

Second, deify the deformed image seal.

Third, the design seal.

Four, graphic seal

Verb (abbreviation of verb) Bashu symbol seal

Section 5 Application of Ancient Seals

A, mud seal

Second, wear

Third, martyrdom

Fourth, turn the horse.

Verb (abbreviation for verb) printing pottery

Six, tile when

Seven. wattage

Eight, paint

Nine, seal gold

Printing copper

Xi。 Burning wood

XII. Bell Printing

Section 6 Buttons, seals and carving knives during the Spring and Autumn Period and the Warring States Period

First, the ancient seal button type

Second, the seal texture

Third, the seal carving knife

Section 7 Artistic Features of Ancient Seals

First of all, different countries have different styles.

Secondly, the appearance of the printed surface is varied.

Third, the distribution of Zhu Bubai is dense.

……

Chapter III Qin Dynasty

Chapter IV Han Dynasty

Chapter V Wei, Jin, Southern and Northern Dynasties

Chapter VI Sui and Tang Dynasties

Chapter VII Five Dynasties, Song Dynasty and Liao and Jin Dynasties

Chapter VIII Yuan Dynasty

Chapter IX Ming Dynasty

Chapter X Qing Dynasty

Chapter 1 XI in the Republic of China

Chapter 12 People's Republic of China (PRC)

postscript