Methods and skills of breath adjustment in singing

Methods and skills of breath adjustment in singing

It is very important to adjust the breath correctly in vocal music learning, so how do we adjust the breath when practicing? What are the skills and methods of practicing Qi? Let's take a look.

Breath adjustment of singing skills

First of all, what is breath?

Singing must use qi, and qi in pop music consists of two actions: one breath and one breath. (Never have a third action, such as pause, re-inhalation, re-inhalation, air leakage, etc. As far as breathing is concerned, singing is the art of breathing, so don't put the cart before the horse. At present, most methods of practicing Qi in the market place too much emphasis on inhaling, which will greatly weaken the singer's performance ability and communication ability. To practice the essentials, you must inhale and exhale, work alternately, stabilize the intake, and act coherently.

Breathing exercises 1:

1. Weak continuous practice? Silk? Sound, breathing? Silk? 20-30 seconds, 5-7 breaths as a group, and practice 3-5 groups at a time? Silk? Replace the lyrics and complete the whole song: light, thin, continuous and long.

2.？ DuDu? Practice (like a child playing) relaxing your lips and shaking your breath? DuDu? 20-30 seconds, 5-7 breaths as a group, and practice 3-5 groups of breathing movements at a time. Let's introduce chest-abdominal breathing. First of all, let's get to know the upper abdomen and lower abdomen in breathing. Lower abdomen: abdomen (three fingers below the umbilicus), lower abdomen groove (semi-circular zone formed by the bottom and edge of the lower abdomen), hip bones above and below the waist on both sides of the body and the circle formed by the same position on the back. Upper abdomen: diaphragm and its surrounding area. Including the upper abdomen, stomach, lower lung lobe, two ribs, two ribs on the chest and two ribs on the back.

Action:

1. Take three deep breaths, make sure that the breathing and inhaling actions are sufficient, and find the rhythm of breathing, lasting for 5 seconds.

2. Take a deep breath three times to ensure that the breathing and inhalation actions are sufficient, but the breathing is still 5 seconds, and the shorter the inhalation, the better.

3. Repeat the action of 2 for three times, and just hold your breath and don't breathe (at this time, your breathing is still and only your muscles are working).

4. Reverse the breathing and muscle-sucking actions in actions 2 and 3 (key), and then start to take a deep breath. Breathing three times is 10 second, and the shorter the breath, the better.

5. Keep the action of 4 and slowly extend the call 10 ~ 30 seconds. When talking on the phone, breathe as short as possible and push the vocal cords to pronounce vowels (A, E, I, O, U, this is pinyin).

6. Keep the movement of 5, slowly change vowels into lyrics, and keep the position of vocal and breathing movements to sing.

Breathing exercise method 2:

1. The fastest number of long link exercises is 1, 2, 3...9, 10. Take 20-30 breaths at a time, and take 5-7 breaths as a group. Every time you practice 3-5 groups, you should separate breath, sound and word pronunciation, and try to pronounce them clearly and evenly.

2. The number of strong skipping exercises is still 65,438+0 ~ 65,438+00, with a one-second interval, with two breaths each time and 5-7 breaths as a group. Each exercise requires 3-5 groups: short, fast, even and clean.

3. Practice alternately in one breath 1 and 2. For example, practice 2 from 1 to 5, and then practice 1 5 times. You must pay attention to alternating the above exercises. First of all, know the muscles that work with breathing; Secondly, follow the above actions to make these muscles work correctly.

Misunderstanding:

Practicing Qi is the ability to use your breath when practicing singing, not to compete with others.

Take multiple breaths as a group, not one breath. In addition:

1.5 seconds take a breath, stop for 5 seconds, and then 10 seconds spit it out. If you want to finish throwing up, repeat this exercise. There is no time to control it. You can practice at any time. The more the better!

The easiest thing is to sing while jogging.

3. Keep singing every day and choose some difficult songs.

How to control breathing in singing skills

1, nasal inhalation:

Take a deep breath through your nose or mouth and inhale vertically to the bottom of your lungs. Don't lift your shoulders. When inhaling, let the ribs in your chest swell, let the diaphragm under your abdomen expand, the upper, left and right sides of your abdomen expand, and the lower abdomen should contract, not expand. The back should be upright, the two sides can move, and the left and right sides should expand up and down. At the same time, store the inhaled gas, push it to both sides, and then slowly spit it out gently.

2, nasal exhalation:

When singing, when we use breath, it is very important to keep breathing. Just like a balloon, don't let it out at once. There is also a problem about breathing, that is, how to keep breathing. If you want to keep breathing, you should keep inhaling, control your breathing and exhale slowly. You should keep the airflow and exhale evenly. It's called breath confrontation.

In the state of continuous breathing and inhalation, pay attention to the feeling of breathing to see if it is stiff. Under normal circumstances, the whole body and spirit should be relaxed. If we feel nervous, it's the diaphragm and ribs, and the sound keeps floating. All we have to do is hold down the sound and press it down. Simply put, just hold your breath. There is a fulcrum problem here.

3, the fulcrum of breath:

There should be a fulcrum to support the breath when singing, so that the voice can have a stable foothold. It is suitable to use the side of diaphragm and lower rib as support points. When we have a cold and cough, we often blush and our necks are red. That's because we haven't received professional breathing training. People who sing like this can't fly high notes, can't sink low notes, and the songs will look stiff when they sing. These are all manifestations of breath without support. However, if we make good use of breathing skills, find ways to support breath and find that point, then when singing and spitting, we will feel that the sound has been connected to the breath point we control and can come and go freely. This kind of sound is supported by breathing. The supported sound will not appear hollow, but will be pleasant to hear, loud and easy to control.

Methods and skills of practicing singing skills

To practice breathing, you must relax your throat and chest and abdomen together, then close and release it once, open your mouth once, and just breathe once. After going back and forth for more than a dozen times, you must sing a favorite song with a mouth like half a moon? 」。

It is said that after the first trick, the second trick will be performed in black and pink.

Method ━ ━ Relax all over, take a deep breath, then sing from I to I with a slight breath, and then take a breath to make a fast and smooth "Oh" sound.

This method helps to increase the volume and make the sound bright. However, some singers sing in a shallow and narrow voice, and after "inspiring" exercise, they may find that their throats are tight and they breathe quickly. If this happens. Please pour a glass of warm water.

Poetry says: Take a sip and pat your chest. Then massage the whole neck and throat by hand, which helps blood circulation and widens the chest and mouth.

Solutions to the problem of voice change in singing skills

Adoption? Turn off the singing? Solve the problem of voice change

Italy? Bel canto? To solve the physiological phenomenon of phonetic change, the method of vowel change is adopted; . Add mutation? o？ 、? Oh? . For example:? Mom? The word is, normal alto sings A, tone sandhi area adds O sound change, tone sandhi area adds sound, and it becomes vowel. After such a change, the virtual sound brought by the sound change gradually appeared bright sound. When solving the problem of sound change, we must master the preparation work of sound change in advance. When the transition from one vocal area to the next is about to happen, it is necessary to use the * * * method that different vocal areas change immediately to avoid the disharmony of vocal areas and the generation of laryngeal and nasal sounds. For example, when a soprano changes from a midrange to a treble, generally speaking, the switching point is at the F2 pitch. At this time, it is necessary to move forward with a two-flat E2 note, stabilize the E-flat tone of the larynx, and adjust the changes of vocal cords. And using the method of vowel change, singing is controlled by weak voice, and singing is mainly adjusted by the * * * sound of the head cavity. When you sing F2, the sound will naturally break through the inflection point, and the high-pitched area will gradually appear bright, which will promote the unity of the whole sound area. Closing the singing method is to use a brighter A in the midrange, then bring in O to round the sound, and start using Y in the voice change area. In tenor, you should use more A-zone, which can make the sound bright and round. Bass o should be used more to make the sound rich and deep. Training with vowels A, O and I is the main way to unify the sound area.