How to write Happy Mid-Autumn Festival with seal script?

Happy Mid-Autumn Festival is written in seal script as follows:

Seal script is a general term for big seal script and small seal script. Seal script is the earliest script, and its brushwork is relatively simple compared with other scripts. The knot of seal script is decorative. Therefore, "calligraphy begins with seal script, and learners learn seal script first." The style of seal script is serious and the cloth is rigorous. Learning seal script can avoid the problems of weakness, vulgarity, shortage and inclination. "

Extended data:

Among the stone carvings handed down from ancient times, Shi Guwen is the most representative. This kind of stone tool is undoubtedly the oldest and most reliable stone cultural relic in China. It is now in the Palace Museum in Beijing. Shi Guwen has an important position in the history of calligraphy. The oldest Shi Guwen rubbings in the world are collected by Fan Tianyi Pavilion in Ningbo, Zhejiang.

The font is roughly between Zhou and Qin Xiao Zhuan. It is known to belong to the calligraphy system before Qin Shihuang. Compared with Xiao Zhuan, it can be called Da Zhuan, which is a masterpiece of Da Zhuan. Its font is small and complicated, like a ritual vessel in Zongzhou period, which is relatively complete and can be called neat.

Kang Youwei called Shi Guwen in "Guangyi, One Boat, Two Cans": "When gold falls to the ground, the grass clouds are strange, and it is not annoying to cut it all. The body is slightly flat, and the insect is similar to qi. Shigu is not only the first antique in China, but also the first method for calligraphers. "

It can be said that it is appreciation. Shi Guwen was cherished by Yilin, but after the Northern Song Dynasty, calligraphy research flourished and few people set foot in it. Until the middle of the Qing Dynasty, the wind of archaeological respect for monuments revived, and the stone drum characters were especially valued by calligraphers. Wu Da, you can get strict rhymes. Wu Changshuo, on the other hand, was angry that he was a man in ancient times. Both of them regard contemporary calligraphy as the most important thing for future generations.