Writing and thinking about inscribed couplets

It is difficult to embed name couplets, because it not only embeds the name you need into the same part of the upper and lower couplets, but also pays attention to fluency. Except in the case of necessity, the last word of the upper couplet should be softly spoken, and the last word of the lower couplet should be flat spoken. Moreover, this pair of couplets needs to have a more positive artistic conception, otherwise it is meaningless to embed couplets. I used to make more than a dozen couplets under my own name, but now I have copied a few pairs for couplets lovers to enjoy:

Hongbo surged across the sea; It will be sunny tomorrow.

The color of gold entering the furnace remains unchanged; Fog still hangs over the bright moon.

Hong Zhong's loud noise shook the earth; The bright moon sailed from the ancient temple.

A dream was born after eternity; The Millennium bright moon broke the dawn.

The wilderness tries to find spring first; Come and see me tomorrow when you are free.

The above five inscribed couplets are all embedded with the word Hongming, and the names of Meng Xiao and Chun Mei are added to the fourth and fifth couplets respectively. The first pair not only embeds the word Hong Ming, but also uses the same side. The second, fourth and sixth words of each pair of couplets are relative to the second, fourth and sixth words of the next pair of couplets. The fourth and fifth pairs of couplets can't be even, because suffixes are also embedded in the names. Give another example of a couplet engraved with the name "Meng Xiao". I use a thimble and a repetitive hand:

The past is like smoke, often waking up to Xiao Yue;

This winter night is so warm that I can't feel the trace of Feng's dream.

Generally speaking, it is not so easy for a novice to make a "title", because it is by no means an "overnight" achievement and needs years of accumulation.