Traditional Culture Encyclopedia - The 24 Solar Terms - What festival is the silent wet osmanthus in Coody Leng and the crow in Bai Shu in the atrium?

What festival is the silent wet osmanthus in Coody Leng and the crow in Bai Shu in the atrium?

Mid-Autumn Festival.

A message to Du Langzhong by looking at the moon for fifteen nights is a poem written by Wang Jian, a poet in the Tang Dynasty, with the Mid-Autumn Festival moonlit as its content. The whole poem consists of four sentences with 28 characters, each sentence has a meaning. It describes the moonlight and the feeling of looking at the moon in the Mid-Autumn Festival, showing a lonely, cold and quiet picture of the Mid-Autumn Festival night. This poem begins with a description of the scenery and ends with lyricism, full of imagination and charm.

This is a seven-character quatrain written by Philip Burkart on the night of Mid-Autumn Festival. In folk customs, the formation of Mid-Autumn Festival has a long history. The poet looks at the moon and sighs, but the writing is completely different from other Mid-Autumn poems, which is very creative and memorable.

Bai Shu Crow in the Atrium clearly describes the environment of enjoying the moon, but secretly writes the modality of the characters, which is refined and implicit. This sentence is like the first sentence in Ma Zhiyuan's "Tianjingsha Qiu Si". With the help of unique scenery, it suddenly pushes the bleak and desolate scene to the readers, giving people an unforgettable impression.

The poet only uses the word "ground white" to write the moonlight in the atrium, but it gives people the feeling of being empty, quiet, simple and cold, and thinks of Li Bai's famous sentence, "My bed foot is so bright, how can there be frost?" And immersed in a beautiful artistic conception. Arboreal crows should hear, not see.