Seven-character poem describing fright and stench

The four lines describing the shock are as follows:

Frozen bamboo shoots and spring thunder, one of the "seven wonders", as well as a frog drum and a crooked stream. Smiling, plums rustled before lent, and suddenly the wind came like snowflakes. Write a sentence or two about the stunning scenery or things in the solar terms, and three or four sentences will turn into plum blossoms in front of you, which is quite beautiful. In contrast, the first two sentences are full of vitality, while the last two sentences have the feeling of burying the past and the cycle of life alternation.

"The second of the seven wonders" takes advantage of the rain to clear up, and butterflies fly in spring. Who is a drifter in the wind? The poetry of this song is also quite romantic. Either a butterfly is a metaphor for people, or a butterfly has self-awareness and blends in with the scenery, both of which I forgot. Even a tramp will never forget the dress of youth. Or there is frost on the temple, but it is still covered with red flowers.

In the third part of the Four Wonders, Baihui misses the butterfly as the medium and the bee as the flower. Two swallows cut the pond willow, but the frog drum still stings the thunder. The first four sentences are purely about frightened spring scenery, but each sentence is personified, so I don't feel pale and bored, but I feel full of emotions. Colorful and lively colors breed fragrance.

"The Four Wonders of the Seven Wonders" The freezing thunder started the bamboo shoots, and it must be my home before the spring comes. Peach, plum and willow dream again, and a bay is full of fish. Describe the front of Baishui Mountain, near the mountain residence, frozen thunder and thunder bamboo shoots, peach, plum and willow buds, which are full of vibrant spring breath. The last sentence ends with the scenery of the fish pond in front of the Chunjiang River, which is refreshing, or there is some intimacy in it, leaving the reader with an imaginary aftertaste of the picture, as if the painting is in front of him.