What intangible cultural heritage does China have besides Ansai waist drum?

There are many intangible cultural heritages in China, such as Kunqu Opera, Mongolian long-tune folk songs, China calligraphy, China seal cutting, Chinese paper cutting, Nanjing brocade craft, Dong folk songs, Humai, Tibetan opera, rice paper, Angu music, Beijing opera and so on.

Intangible cultural heritage refers to various forms of traditional cultural expressions that exist in intangible forms and are closely related to people's lives and passed down from generation to generation. Intangible cultural heritage is a people-oriented living cultural heritage, which emphasizes people-centered skills, experience and spirit and is characterized by living changes.

1, Chinese paper-cutting:

Paper-cutting, also called paper engraving, is a hollow art and one of the oldest folk arts of Han nationality in China. Visually, it gives people an empty inspiration and artistic enjoyment. The carrier of paper-cutting can be paper, gold and silver foil, bark, leaves, cloth and leather. The most representative Ping Jiang paper-cut in northern Shanxi Province has developed into a multi-color, multi-color and gorgeous pattern, forming a primary color and heavy color artistic language of "seeking complexity in simplicity, summing up complexity in complexity and seeking difference in harmony".

Paper-cutting is a folk art form with a long history and widely spread in rural areas of China. Paper-cutting is to cut paper into various patterns with scissors, such as window grilles, doormats, wall hangings, ceilings, snuff and so on. The emergence and spread of this folk art is closely related to the festival customs in rural areas of China. On festivals or wedding celebrations, the word "Xi" is usually affixed. People stick beautiful and bright paper-cuts on snow-white walls or bright windows, doors and lanterns, and the festive atmosphere is rendered very rich and festive. Paper-cut art is a traditional folk craft of Han nationality. It has a long history and is enduring. It is a treasure in China folk art, and also a treasure in the world art treasure house. Simple, vivid and interesting artistic modeling has unique artistic charm. Its characteristics are mainly manifested in the two-dimensional concept of space, the texture of knife and paper, lines and decoration, freehand brushwork and implication and many other aspects.

2. China calligraphy

Calligraphy is the most classic national symbol in the development of traditional culture and art in China for five thousand years. It is an art form of writing Chinese characters with a brush, which has aesthetic inertia. Calligraphy can be called the "fourth religion" in China, with strong attraction, sense of ceremony and public participation. Therefore, for more than 5,000 years, the representative figures in each period were Zen Ruo Xing He, and the most important figures were Wang Xizhi, Yan Zhenqing, Huang Tingjian, Mi Fei, Zhao Mengfu, Zhu Yunming, Wang Duo, Liu Gongquan, Su Shi, Yu Bo, Ou Yangxun, Yu Shinan, Yan Suiliang and so on. In terms of techniques, paying attention to writing, pen, stippling, structure, ink painting and composition is closely related to traditional Chinese painting and seal cutting.

3. Xuan paper

Xuan paper is a traditional paper for painting and calligraphy in China, and it is one of the traditional paper-making processes of Han nationality. It originated in Jingxian County, Xuancheng, Anhui Province, and was named "Xuan Paper" after the government ruled Xuancheng.

The fame of Xuan paper began in the Tang Dynasty. The Famous Paintings of Past Dynasties written by Zhang Yanyuan, a critic of calligraphy and painting in the Tang Dynasty, said, "A good man should buy hundreds of Xuan paper and wax it to copy it." This shows that Xuan paper has been used in calligraphy and painting in the Tang Dynasty. According to Old Tang Book, in the second year of Tianbao (743), there were paper tributes in Jiangxi, Sichuan, southern Anhui and eastern Zhejiang, especially in Xuancheng County. It can be seen that rice paper had been crowned everywhere at that time. The "Chengxintang" paper produced by Li Yu, Queen of Southern Tang Dynasty, is a treasure in Xuan paper. Skin is like an egg membrane, clean as jade, thin and smooth, and crowned for a while. Xuan paper has the characteristics of "tough and moist, smooth but not slippery, white and dense, pure texture, lossless rubbing and strong ink wetting", and has unique permeability and lubricity. Writing is both a bone and a spirit, while painting is full of spirit, and it has become the calligraphy and painting paper that best reflects China's artistic style. The so-called "ink is divided into five colors", that is, it is completed in one stroke, with distinct shades, visible textures, distinct Mo Yun and distinct layers. This is the artistic effect achieved by painters and painters by using the moistening property of Xuan paper to control the proportion of ink and wash, and the brush strokes are slow and smooth. Plus anti-aging and no discoloration. Worms eat less and live longer, so they have the reputation of "the king of paper, the paper with a thousand years of life". /kloc-won the gold medal in Panama International Paper Competition in the 20th century. Besides painting poems, Xuan paper is also the best paper for writing diplomatic notes and preserving high-level archives and historical materials. China handed down a large number of rare ancient books and the ink of famous painters and calligraphers, most of which are preserved on Xuan paper, and still remain the same today.