Du Fu no longer sings the whole poem to his ear.

Du fu stopped to sing the whole poem to his ear: cold food and rain produce grass, and the wind of wheat seedlings shines on the willow bank. When there is no home to go home, the cuckoo will cry in her ear.

This is a poem describing the rainy scene of the Cold Food Festival, expressing the poet's homesickness. In the poem, "Rain-eating grass is near the cold, and wheat seedlings are full of wind and willow banks" depicts the vitality of grassland and the scenery in the fields in the spring rain. The spring rain makes the grass lush, the wheat seedlings in the field sway in the spring breeze, and the willows on the bank sway, forming a beautiful pastoral picture.

However, the poet's heart is heavy because he can't go back to his hometown. In the poem, "waiting for home" expresses his helplessness and anguish, and he doesn't know when he can return to his hometown.

Finally, the poem "The Cuckoo Cries" expresses the poet's sadness and yearning. The cuckoo is crying and seems to call him home, but his home is far away and he can't go back. Hearing the cuckoo's cry will only make him more sad.

The whole poem expresses the poet's homesickness and homesickness for his hometown by describing the rainy scene of the Cold Food Festival. Although I can't go back to my hometown, I still have deep thoughts and concerns about my hometown.

Make an appreciative comment

This is a poem that sings the feeling that tourists can't go home in a foreign land. It means that cold food and Tomb-Sweeping Day are coming, and guests can't go home, but when they hear cuckoo crying, they are even more sad and full of "homesickness for the festive season".

The rhythm of this poem is unique. The first two sentences are "one, two, three", but the quatrains are harmonious and even, which is rare in quatrains. Writing about the past of the Six Dynasties is like a dream, and Taicheng has long been ruined; Three or four sentences write that the scenery remains the same and the world has changed. Touching the scene, borrowing money from the scene, hurting the present. The language is implicit and the emotions are infinitely sentimental.