What are the great achievements of China classical dance? I want useful and detailed information. [Including classic works and trained dancers]

A Bing, the representative work of China's classical dance

Dance drama directors: male Wen Yuan and Liu Zhongbao.

Deputy editor: Yang

Dance drama directors: Zhang Ge, Yang Wei, Jia Xiujin, You Jinhua and Wang Yanping.

Dance Music: CICI?

Dance drama screenwriter: Chen Chuang

Stage Art: Zhou Zhanger

Dance costumes: Xu Enyuan, Zhang Zhier, Zhou

Lighting design: Zhang

Design: Gu Jingxian

Dance drama premiere: 1999 Wuxi

The first performance group: Wuxi Song and Dance Troupe

Premiere actors: Liu Zhen, Li Qing, Jiang Tiehong, etc.

Awards: In 2000, he won the second China Dance Lotus Award, the Silver Award in Dance Drama and Poetry Competition, the Best Supporting Actor Performance Award (Li Qing), the Excellent Supporting Actor Performance Award (Jiang Tiehong) and the Excellent Dance Design Award. The crew of "A Bing" was awarded "First Class Collective Merit" by Jiangsu Provincial People's Government twice.

(1893 ~ 1950), formerly known as Hua, was born in Wuxi, Jiangsu. His masterpiece is erhu playing "Two Springs Reflecting the Moon". A Bing is a blind folk artist from the bottom of society. He lives by playing the piano and singing all day. A Bing's life was bumpy and painful, but the actual suffering did not destroy A Bing. On the contrary, he integrated it into the art of music and created music works that attracted worldwide attention, such as Two Springs Reflecting the Moon. A Bing's achievements in music have gone far beyond the barriers of family inheritance. He has learned from others and absorbed many skills, and reflected all his feelings about the painful life through music. His music works are permeated with the essence of traditional music, revealing a healthy and deep breath from the bottom of the people, sincere, gripping and full of strong artistic appeal.

A Bing, a dance drama, is a national dance drama adapted from the life story of a magical folk artist, which shows the bumpy fate and life sentiment of A Bing, an outstanding folk musician in China. According to specific feelings and scenes, the work depicts four characters, namely, A Bing's father, A Bing's mother, A Bing and Qin Mei. The contradiction between the closest relatives and love runs through the main line, describing their bitter fate of joys and sorrows, love and hate, and describing the love tragedy of A Bing and his son, thus revealing the beauty and ugliness of human nature and implying the inevitability of a deeper and greater social tragedy at a higher level. Dance drama gives the audience a strong spiritual shock with exquisite dance language, beautiful music and touching plot. This song-like work is not only a true portrayal of the bumpy fate of folk musician A Bing, but also a spiritual portrayal of his life perception and worldly wisdom. It shines with bright light of human nature, illuminates the shadow of Aristotle's tragedy theory that "tragedy is to destroy the most beautiful things for people to see", and also reflects the light of humanistic care.

A Bing consists of preface, knowledge scene, love scene, funeral scene, death scene and ending scene. The main plot: On a tragic night, the mother in labor pains was suffering physically and mentally, and the father who was a Taoist was anxious. A Bing was born in a place where he shouldn't be born. For the sake of fame and status, my father had no choice but to refuse my mother. Mother left disappointed and fainted beside the post. More than 20 years later, in a teahouse in the south of the Yangtze River, a group of villagers were expensive and evil. Qinmei was humiliated as a street performer, and A Bing took the erhu to save the scene, which surprised her. Fall in love with Qinmei in acquaintance. The mother who begged all the way came to them, and they took out money to help. As the master's father, A Bing returned to Taoism. A few days later, facing the invisible bondage, A Bing was in a trance. Father punished A Bing, who wanted to hate but could not love. He is determined not to let history repeat itself. Love and helplessness evoke memories. Qin Mei and A Bing met, knew each other and fell in love. Father's Rebellion A Bing pulls the bow and strings, and the piano sounds like tears, pouring out his pain and expectation. Mother came trembling. The hearts of father, mother, A Bing and Qin Mei are intertwined with love, hate, resentment and anger. A few days later, at Taihu Lake, my mother was crazy, witnessing the rural scenery and thinking. Qinmei meets her mother, cherishes each other and cherishes each other. Mother fell, Qin Mei shouted, followed by A Bing. Mother, relying on the bracelet, recognized her son and died. They are heartbroken, always United and struggling to survive. The next day, A Bing learned about his life, which was very painful. The father repented his son, blamed himself, begged A Bing's forgiveness, and forced him to answer the door and inherit the view of the Lord. Qinmei was desperate and touched the post and died. A Bing is very painful ... It is snowing heavily, and A Bing is pulling the erhu, pouring out the bitterness, suffering, yearning and longing of all beings with euphemistic piano sound.

Among the people, the story of A Bing, a blind musician, is widely circulated, and the works of art with him as the theme are not initiated by Wen Yuan. In recent years, different art forms such as tin drama and ballet have interpreted and interpreted it from different angles, presenting a colorful image of A Bing in the art world. However, the artistic image created in the ballet "A Bing" is far beyond people's expectation, and its breakthrough point and material selection angle are extraordinary. First of all, according to the revelation that A Bing was not born blind, A Bing's image in ballet is not blind. Secondly, as we all know, "Qin" is a "destiny", but in the eyes of the audience, there is no "soul" as a bow and two strings, and there is no image that is used to in dance dramas. However, the audience can clearly feel that erhu is an important part of A Bing's life. Thirdly, Wen Yuan, a man, found the basis of A Bing's life as an illegitimate child, and the ballet skillfully cut people from the illegitimate child, deducing the story that A Bing was a person who should not have been born, which wrote a heavy stroke for the whole tragedy. In addition, the ballet tells the story of A Bing, a famous blind musician. It didn't tell the audience the bumpy life story of A Bing, nor did it tell how A Bing studied hard for music, then went blind and became a street performer, and so on. It doesn't even have the process of A Bing's blindness and the creation of "Two Springs Reflecting the Moon". Instead, it takes a different approach and condenses the grief, anger, love and hate of this great musician's life with a refined structure. Deliberately create distinctive characters with carefully designed specific environments and typical events; Show the inner world of the characters with huge contradictions and conflicts, so as to achieve the effect of shock and tear-jerking. With A Bing's "living" and "knowing the world" as the main thread, ballet strives to turn pain and expectation, helplessness and compassion, desire and struggle, sigh and compassion into anger through the emotional interweaving of love, hate, resentment and anger, and write a poem by Song Like. The work turns the love between A Bing's parents and A Bing himself into the aesthetic object of the audience, and integrates the weeping melody of "Two Springs Reflecting the Moon" with the femininity of Jiangnan women. The music image is in harmony with the environmental atmosphere, forming a more worrying affinity, which resonates with the audience and meets the psychological needs of dancers and audiences.

The ballet "A Bing" focuses on exploring the tragic beauty of love, which combines nationality and drama. The structure of the whole drama is concise, the lines are clear, there are dances and dramas, and the feelings are put in the dance and integrated. The creator's cutting into the plot and grasping the emotional line can be described as thoughtful and original. For example, at the beginning of the dance drama, A Bing's life story is skillfully unfolded, and the different textures of space are fully utilized to directly dissect the nature of contradictions. In the suffocating sound of wooden fish, what is presented to the audience is the Taoist scene that A Bing is about to be born: the mother screamed at the top of her lungs before giving birth, and her father was frightened and helpless. In contrast, the silent and wooden action vocabulary of the Taoist priests played by the male group dance is not difficult to see in their casual chanting. They are defenders and victims of the pedantic feudal society. The sound of wooden fish is getting stronger and stronger in the extremely discordant music. A Bing was born at this time, which indicates the coming of great tragedy. In the aspect of choreography, the choreographer expressed the complicated father-son relationship with special life experience through extremely concise dance language, which triggered people's profound philosophical thinking. The drama uses dance vocabulary to portray A Bing's creation, showing a legendary emotional experience of this outstanding musician, and strives to transform the rhythm of classical dance into the specific dance action language of A Bing, a specific figure, and break the stylization of classical dance. Whether it is the help when saving Qin Mei or the love-hate mixture when being beaten, the audience can feel the personality in the charm of classical dance. In addition, the choreographer also combines choreography skills with style movements, making choreography both scientific and unique. For example, in the third act of Taihu Lake and the fourth act of two female group dances after Qin Mei's death, they firmly grasped the sports characteristics of the water towns in the south of the Yangtze River, created a unique dance language, and rendered the special feelings of the protagonist A Bing with a specific environment. Secondly, there are some differences in the use of props in the play, such as the "Taoist robe" on A Bing's father, which is not only the embodiment of identity, but also can be turned into a feudal secular trend, and can also be used to quickly and reasonably transform the image of virtual and real. Another example is the "high chair" in the first act of "Knowing each other", which has the characteristics of the times and regions, can enrich the stage composition and play a good role in paving the way for the shaping of characters. When Qin Mei was surrounded by young masters in a high chair and it was difficult to ride a tiger, the audience were worried about it. Unexpectedly, Qin Mei didn't want to be humiliated, so she jumped down from the high chair. With this jump, Qinmei's straightforward and stubborn character, which is not afraid of violence, is undoubtedly revealed, showing the heroine's personality characteristics and vivid artistic image.

Wuxi Song and Dance Troupe not only strives for the dance drama "A Bing" to contain rich cultural background and national flavor, but also pursues the feelings of truth, goodness and beauty possessed by human beings, that is, to make the work permanent while adhering to the times, nationality and locality. In order to achieve this goal, from the general director, composer, dancer, lighting designer, costume designer to four main actors, well-known domestic artists are widely recruited, and their creative lineup focuses on the elites of the domestic dance art world. Editors went to A Bing's former residence and the surrounding area of Taihu Lake to collect materials, and invited relevant experts to discuss and finalize the script. Through the "strong alliance", a gorgeous ballet flower, A Bing, finally bloomed. It goes without saying that the music in the play is beautiful and moving. Liu Zhen, a young dancer with master temperament, performed beautifully. In addition to superb skills and brilliant performances, he also witnessed the wonderful performances of Li Qing and Jiang Tiehong with distinctive personalities. The beautiful dance design of A Bing is simple and generous, and the artistic conception of the stage is not created by dry ice and smoke from beginning to end. Starting from the plot, the designer only used two sets of Taoist architectural columns from beginning to end, and two movable sets can show the invisible oppression and strong pressure opposite A Bing. However, many changes and actions have not only created the Taoist atmosphere needed by the play, but also formed an environmental image with a strong sense of mobility, full of Jiangnan meaning. Compared with the pursuit of luxury and glamour in today's dance production, this drama highlights the core position of dance and emphasizes the overall exquisite artistic effect of dance drama.