Traditional Culture Encyclopedia - The 24 Solar Terms - What are the common drawing methods for sketching still life such as bottles, pots and pans?

What are the common drawing methods for sketching still life such as bottles, pots and pans?

What are the common drawing methods for sketching still life such as bottles, pots and pans? The drawing method and skills of sketching plates in still life are also issues that art students pay more attention to. I believe that many art students want to master the painting techniques and skills of plates when sketching still life. We must not blindly learn art, we must cultivate keen observation ability and application ability, and at the same time have the professional quality and accomplishment of art students. So let's learn the drawing methods and skills of sketching plates in still life together.

Sketch is a combination of light and shadow, which is composed of black and white. This is an elegant world. The girls who sketch are quiet and exquisite, while the boys who sketch are deep and noble. The plate is a frequent visitor in sketch and one of the most basic combinations. So how to grasp its painting method? The following introduces the drawing methods and skills of still life sketchpad.

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First of all, when it comes to plates, many students will find the shape of plates difficult to draw. Indeed, the shape of the plate is an ellipse with perspective changes, which is very similar to the perspective circle we drew when we drew the jar, so we can also find their similarities in shape.

Under the normal visual angle, the perspective lines on both sides of the plate extend backward and disappear at one point. In the picture below, there will be a circle in the middle of this ordinary white disk, and the perspective of this circle will be relatively strong, which will not be consistent with the perspective of the outline circle. Be sure to pay attention to observation and distinction.

The second point is to pay attention to the drawing of the plate. The plate itself is not complicated. The difficulty lies in its thickness and how to express the sense of mass. Of course, the most important part is observation. We can find the thickness of the plate and some small turning points through observation.

The part of the sense of volume needs to be conveyed through projection and the texture of the plate. When we draw plates, don't be ambiguous. If the lines are drawn harder, the texture of the plate will be more realistic.

① Why does a plate appear in many still life combinations? Let's analyze it from several different angles. First, the combination of plate and jar is only complementary in shape, one is high and the other is flat. Second, the dark color of the jar will match the white plate. Third, the plate can hold some fruit. The combination of fruit and plate can be said to be very natural.

A good sketch needs different body combinations and reasonable distribution of black, white and gray. It can be said that it is appropriate to arrange a white plate in a group of dark still lives.

(2) The plates in the following works exist entirely for the continuity of the picture. First of all, this work is a big top view, so it will be difficult to arrange the space. At this time, some long still lives are needed to enrich the picture, and the position of the white plate is just right, connecting the pears at the back with the still life in front, and at the same time making this blank area very rich.

The placement of still life must be helpful to the picture, not very redundant. Of course, we can also adjust the position subjectively to make the picture more comfortable and reasonable.

First of all, talk about the most common white disc. At the beginning of the article, it is mentioned that the shape of this disk is relatively conventional, but it is difficult to get started. As long as you grasp the perspective method, it is still relatively easy to draw.

Secondly, Xiao Zhi marked several places with thickness on the plate. In detail, it should be noted that the projection of still life on the plate will change according to the internal shape of the plate. At the same time, the inside of the plate is arc-shaped, not very flat, and there should be a feeling of slight depression in the middle. We must grasp the details.

(2) the second is white blue and white. Compared with the above board, it is thinner and more slender in shape. At the same time, there will be many tricks. These patterns are very beautiful. When we find it difficult to draw, we should not ignore them. Knowing these details is very helpful for us to express our own modeling, because the pattern will change according to the change of modeling. Then, if we draw this change, the perspective inside the plate will be stronger. It is important to be careful not to draw these at the beginning and draw them later when you adjust the picture.

(3) The third type is a relatively deep plate with a relatively high edge, which can also be understood as the thickness of the plate. If you encounter this kind of plate, you should draw that depth when painting. There is a distance from the edge to the bottom, and then there will be some shelter when fruits or vegetables are put inside. The detail part is to pay attention to the insertion of lines.

(4) The fourth type is stainless steel dinner plate, which is relatively rare and difficult to draw. First, it is too big, but it is very regular, and the texture is stainless steel, which is more reflective, making its own black, white and gray levels richer and more difficult to draw. There will be many small turns on this plate, and there will be many heavy colors and bright colors. If you encounter it, you must draw it carefully and patiently. If you encounter the angle shown below, you should also pay attention to the perspective change of the plate and the shape of the still life in the plate.

⑤ The fifth type is a fruit bowl. The picture below is darker, and then the curvature is larger. This bowl is characterized by a smooth surface and a sense of glass. In addition, it is black, so its highlight will be stronger. Except for the deep edge line of the bowl, the other colors will be a little gray and have a crystal clear texture. If it's a frosted bowl, don't paint the highlights so strongly, you can paint them rough.

The last one is a bowl similar to a dinner plate, which is very long in shape and has a certain depression in the middle. The texture should be plastic and smooth. It is very suitable for putting some fruits like bananas and cut watermelons. There are some small lines and black edges on the plate, which can be noticed. Especially when there is nothing in the plate shown in the picture below, it depends on the details and texture of the plate.

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