How to make the sound sound good? How to sing in the chest and how to sing in the abdomen?

The timbre cannot be changed. Singing requires a combination of breath and skill. The following are precautions:

When singing, you need to relax the soft palate, open the nasopharyngeal cavity, let the head cavity emit * * *, then relax and lower the throat, let the throat open completely, and the breath is smooth from bottom to top. It should be emphasized that this unobstructed state should run through the whole singing process and cannot be closed. Next is the key content I want to talk about. After the completion of the previous state, the key content that needs to be controlled when singing is to close the abdomen and keep the chest singing well.

The so-called qi guarding the abdomen means relaxing the lower abdomen first, then inhaling enough air to open the chest. Not only should you hold your chest back and forth, but more importantly, you should hold your chest down. Even if the diaphragm between the chest and abdomen is supported, you should feel an air mass condensed at the abdomen, just like a squeezed balloon, and feel an air column elastically supported by the air mass at the abdomen between the lower abdomen and the throat. We're going to use this air column to impact the vocal cords. In the process of singing, try to suppress the air mass in the abdomen and not let it float. The higher you sing, the more you have to press the air mass down, and you feel that the lower abdomen holds the air mass tightly in your abdomen like a fist. Pay special attention to keep the strength of this fist when breathing, and pay attention to the fact that the lower abdomen cannot deflate. Once deflated, the whole control is dispersed. In the process of singing, the more you sing high notes, the more you should clench this fist and push it to the front and bottom of your body. At the same time, we should also pay attention to the lower back and tighten it. In the process of singing, in order to make this air mass sink well in the position of Tian Dan, at the same time, we need to relax and lower our throats well, and keep it during the whole singing process, and we can't relax.

The so-called chest * * * Song emphasizes that after keeping the breath in the abdomen, it is important to open the chest well, support the heart hard, and keep the volume in the chest full at seven or eight points. This strength cannot be relaxed during the whole singing process, and must be maintained all the time, even when taking a breath. In the process of singing, we should pay attention to feeling and expressing the ringing voice on our chest. This kind of bell is a very empty and bright buzz, which can spread far away. If we use a deep voice to express the hum of the chest, it will be as bright as blowing a beer bottle.

What I want to emphasize here is that the process of singing is a process of comprehensive coordination and control, because all places are closely linked, and any place must be controlled in place, otherwise the final desired effect will not be achieved. Of course, if you want to do all this at the same time, you need a certain foundation, and you can't do it without a good foundation.

In order to prove what I experienced, I sang all afternoon one day, and the practice proved that my statement was correct, because when I sang at night, I found that my vocal cords were not tired at all, but the muscles of my mouth and abdomen were very tired, and the abdominal muscles were the most tired.