Thesis on "Chinese style in interior design", about 5,000 words!

The so-called "modernist" style mainly refers to the design style originated in the 1920s around the time of the Bauhaus school in Germany as a representative of architectural design as a symbol of the design style. In the historical background of that time, the school emphasized the breakthrough of old traditions, creating new buildings, and opposing superfluous decoration, advocating reasonable composition process, respecting the performance of materials, and attaching importance to the structural beauty of the structure of the building structure itself. Under the influence of the Bauhaus, Europe at that time formed a simple modeling, functional and reasonable, the layout of the asymmetrical geometric form characterized by the architectural design style and the corresponding interior design style. This is a kind of indoor composition method closest to the modern architectural form. After the industrial revolution, machine production to make products batch, modular. Architectural design style changes directly affect the tendency of interior environmental design, in order to facilitate mechanized construction, in order to coordinate with the modern industrial product modeling style, simple rectangular, triangular, circular interior space around the world, some people call it "international style". With this approach to deal with interior space, simple construction, clear spatial structure, there is a "machine beauty" meaning. But because of this style too much emphasis on geometric form and simplicity, spatial effects sometimes seem too calm, lack of "human touch". 20 century 50's by a wide range of criticism, but it has a focus on functional issues and other reasonable kernel, so that it has been influencing a lot of interior designers.

This design approach can be seen as a reaction to the "modernist" style tendency. 1950s, the United States in the so-called decline of modernism, the emergence of a modernist pure rationality of the reverse psychology, and the gradual formation of the post-modernist cultural thinking. Postmodernism style of interior design emphasizes the expressiveness of interior space and personality, emphasizing the design should have historical continuity, but not adhere to the traditional logical way of thinking, the insistence on the pursuit of local characteristics or in the interior space to reproduce the typical historical scene, and pays great attention to the use of non-industrial materials and non-standardized components to form a distinctive personality of the interior space. The design of this style is often set up in the interior of the exaggerated, deformed columns or broken arch coupons, or classical architectural components in a new way to combine together, the use of symbols, metaphors and other means, with a view to creating a blend of sensibility and rationality, set of traditional and modern in one of the indoor environment. Postmodernism design style is a complex cultural phenomenon, and can not be expostulated only by the visual image seen. These styles are represented by P. Johnson (P. JOhnsOn), M. Greaves (M. Graves) and so on. This is not a very clearly defined design style, generally refers to the design of the advocacy of "return to nature", in the aesthetics of "natural beauty", that in today's high-tech, fast-paced social life, only to return to nature, combined with nature, in order to make people's physical and mental equilibrium. In order to achieve a natural effect in the indoor environment, the design of natural wood, stone, rattan, bamboo, fabrics and other materials, especially highlighting the natural texture of the material.

The pursuit of simple natural style of indoor space is a modern interior design activities are worth studying the creative approach. Modern design movement has been engaged in nearly a century. Industrial products throughout the world market, pay attention to the "machine beauty" art effect is sometimes too cold, pay attention to the indoor space "dramatic" effect is sometimes also in the mundane. Modern people want to break free from the monotony of machine production brought about by the mode of life, but also can not get away from the cheap and applicable modern industrial products, so easy to combine with modern interior space, more simple, more simple folk art, primitive art, etc. will become the goal of the designers to pursue. The so-called simple natural style is not at the expense of modern technological achievements, modern people living environment for the premise of comfort. It is a combination of modern industrial products, industrial materials and primitive, natural materials, and a product of modern construction technology combined with rough composition techniques. This simple, natural design style creates an indoor living environment that is close to nature and suitable for people's survival.

In the design of indoor space, pay attention to the performance of technical beauty is also a kind of quite angry, unusual design techniques. Humans live in the exploration of the mysteries of space, the use of artificial intelligence to assist the work of the times, the public and interior designers of self-consciousness is stronger than ever before. Modern means of transportation provide people with faster speeds, more viewpoints and wider perspectives of the world around them. People are influenced by this and they demand newer and higher standards of design from interior designers. Space capsule, new technology laboratories in the equipment, pipes, cables, metal parts of the exposed style also greatly influenced the modern interior designer's creative thinking.

Interior design in the "high technology style" is mainly affected by the architectural design of the "high technology style (ten ch tech)" to advocate modern technology and machinery for its aesthetic characteristics, design highlights the achievements of contemporary industrial technology, and in the building and indoor environment to be expressed. Typical examples of this style are the Pompidou Exhibition Center in Paris, France and the Bank of China Building in Hong Kong. In these works are basically characterized by exposing the structural components of the building such as beams and plates, grids and other structural components as well as equipment and pipelines such as air ducts and cables, emphasizing the craftsmanship.

In addition to fully embodying a sense of technical mystery in technology-related interior spaces, cables, ducts, and structural components (especially metal structures) in general public **** buildings are painted in beautiful colors and laid bare. Interior designers use this technique to show both human curiosity, but also the ability to show this curiosity, the so-called "sense of the times" is the main feature of this type of interior space.