Basic knowledge of women fencing

1. What are the characteristics of ancient fencing in China?

Fencing in China developed earlier and spread widely.

Confucius' student Luz likes fencing very much. According to Confucius' letter, Rong obeyed Confucius and asked, "Did the ancient gentlemen defend themselves with swords?" In the ancient imperial court, fencing mostly appeared in the form of fighting swords. The rulers at that time took pleasure in watching swords and shadows. They left the swordsmen as victims in the arena, and each game ended in the death of one side.

This sword fighting scene in Zhuangzi? "Said the sword" contains: "Hair protruding temples, hanging crowns and tassels, short clothes, hard to say. It is equivalent to the front, upper neck and lower lung and liver. "

For this tragic scene, Zhuangzi is even more critical, thinking that it is "tantamount to cockfighting, and once it dies, it is useless to state affairs". Unlike rulers who like bloody sword fights, swordsmanship has developed healthily among the people, and superb swordsmen like Yue Nv and Lu Shigong have emerged.

Yue Nv was a martial artist during the Spring and Autumn Period and the Warring States Period. She is not only clever in fencing theory, but also clever in fencing practice, which has a great influence on later generations.

2. Who knows the sentences describing women's fencing in martial arts novels?

Although the fallen fairy in the eyes of the world is conquering the world with a violet sword, it is true that he doesn't need other kung fu against the enemy, and Li Bai's kendo practice is hard to find an opponent in the world. Therefore, the Tang Dynasty was a grand dynasty in the history of China, especially in the more than 100 years after the founding of the People's Republic of China.

In the Jin and Southern and Northern Dynasties, the weak atmosphere was swept away, and the whole society was full of thriving and vibrant masculinity. Literati in the Tang Dynasty not only praised the military life of soldiers with pens, but also wrote a lot of frontier poems, which were very passionate about martial arts. Many famous scholars have a pen and a sword in one hand.

Li Bai, known as the "Poet Fairy", loved fencing at the age of 65, traveled around with a sword at the age of 438+05, and "came to Shandong after learning" at the age of 36. He is not only good at fencing, but also good at riding and archery.

In the Tang Dynasty, folk Wushu took another big step towards routine and entertainment, especially in fencing. Before the Tang Dynasty, there were various forms of entertainment. For example, during the Warring States period, there was a Song man named Lan Zi who could play with seven swords at the same time. During this period, five swords kept flying in the air, and some of them were like acrobatic performances today.

This kind of performance reached a high level in the Eastern Han Dynasty. In Zhang Heng's Xijing Fu, there is a vivid description of this performance of throwing a sword while walking on a rope.

In the Tang dynasty, sword dancing became a social atmosphere, and friends also danced swords to add fun when feasting. For example, the great poet Li Bai drew his sword and danced "three cups of sword dancing and autumn moon dancing, suddenly singing and crying." (Yu Huyin) "Wan Li sings a song to explore the tiger's den and dances three cups of swords in Longquan", "Singing drunk and dancing in the sunset" (Nanling children don't go to Beijing).

Li Bai's fencing has reached a high level. He raised his eyebrows on all sides when he was "dancing with a knife and making a sword". Even the sickly Du Fu once "drank my wine with open arms and was drunk."

This kind of performance fencing reached a superb level in the Tang Dynasty, and many people were proficient in fencing, among which the most famous swordsman was General Pei. When the sword is in his hand, it is like having life. His swordsmanship is vividly described in a unique record. General Pei's swordsmanship, Li Bai's poems and Zhang Xu's cursive script were called "Three Musts" in the Tang Dynasty.

We should see that General Pei's fencing is quite far from actual combat, with obvious entertainment and artistry, so it can attract thousands of people's attention. The further combination of fencing and art is sword dance, which can also be called artistic fencing routine performance.

The sword dance in the Tang Dynasty has reached a high level. The great poet Du Fu saw the famous Gong Sundaniang sword dance and left a deep impression. Even after 50 years, when he watched the performance of Li Shiniang, a disciple of Gong Sundaniang, he couldn't help but look back and remember it vividly. He wrote the famous poem "Watching Gong Sundaniang's Disciples Dance Sword", which made us seem to see the vivid scene of Gong Sundaniang's sword dance today. The audience was shocked and pale. Du Fu said that Zhang Xu, a great calligrapher, often participated in Gong Sundaniang's sword dance, and was inspired, and his cursive level was greatly improved.

Because Gong Sundaniang's sword dance is a kind of dance, it needs a high degree of artistic processing. Nature and military martial arts are completely different. Even General Fei's swordsmanship is far from the actual combat technology, and it is obviously different from the martial arts routines developed with the theme of attack and defense. This shows that the routine martial arts in the Tang Dynasty is still immature. But martial arts, especially routine martial arts, need extremely rich action materials. Dance was highly developed in the Tang Dynasty, especially Wushu reached a peak, which provided an important prerequisite for the later development of Wushu.

Among the 20 Wushu routines set in today's World Wushu Championships, men's fencing, men's Tai Ji Chuan, women's fencing and women's Tai Ji Chuan practice swords, accounting for one fifth of all routines, and fencing pays attention to elegance, softness, clearness and softness. The International Wushu Federation recommended eight individual events of Wushu routines to the International Olympic Committee for inclusion in the Olympic Games, including women's fencing (the other seven recommended events are men's long boxing, men's southern boxing, men's fencing, men's stick technique, women's long boxing, women's Tai Ji Chuan and women's guns).

In China's martial arts novels, which originated from the legend of the Tang Dynasty, the status of sword is supreme, and it has always been the king of weapons, which accords with the status of sword in ancient China society. In the old martial arts novels from the Republic of China, there appeared many swordsmen and swordsman who could fly swords to destroy the enemy, and several masters of the new martial arts novels originated in Hong Kong in the 1950s also loved swords very much. Let's talk about the nine famous swords in the martial arts novels in Changqing's eyes: 1. Yue Nv Yue Nv is a short story by Jin Yong. She can be said to be one of the earliest and most famous swordsman in China. In the Spring and Autumn Annals of Wu Yue, she replied to the King of Yue: "What is the method of using a sword?" On the question, he said: "Tao is very small and easy, and its meaning is very deep."

Tao has a portal and yin and yang. Open and close the door, yin declines and yang flourishes.

Every way you hit by hand is to show your inner spirit and external security. See it as a good woman, take it as a tiger.

Waiting for the weather in cloth, walking with God. If it is for the sky, like a rabbit, chasing shadows, if it is for light, it is better to ban it than to ban it.

If you are a Taoist, one person should be a hundred, and a hundred people should be ten thousand people. "This is a wonderful summary of fencing, and it tells the best truth about martial arts. No wonder the King of Yue praised "Yue Nv's sword is better than it is now".

Jin Yong also gave a wonderful description of Yue Nv's swordsmanship in sword of the yue maiden. The swordsman of the State of Yue only learned a little about the shadow of sword of the yue maiden, and became a world-beater swordsman. So, needless to say, Yue Nv's sword of protection. Yue Nv has a supreme position in the history of Chinese fencing. In later generations, the sword in sword of the yue maiden method became a major swordsmanship, and Guo Jing, a righteous man in Xiangyang, was good at it. Yue Nv can be said to be the master who started the fencing world, and Changqing listed her as the first swordsman.

Second: seek failure alone.

3. Who knows the sentences describing women's fencing in martial arts novels?

Although the fallen fairy in the eyes of the world is conquering the world with a violet sword, it is true that he doesn't need other kung fu against the enemy, and Li Bai's kendo practice is hard to find an opponent in the world. Therefore, the Tang Dynasty was a grand dynasty in the history of China, especially in the more than 100 years after the founding of the People's Republic of China.

In the Jin and Southern and Northern Dynasties, the weak atmosphere was swept away, and the whole society was full of thriving and vibrant masculinity. Literati in the Tang Dynasty not only praised the military life of soldiers with pens, but also wrote a lot of frontier poems, which were very passionate about martial arts. Many famous scholars have a pen and a sword in one hand.

Li Bai, known as the "Poet Fairy", loved fencing at the age of 65, traveled around with a sword at the age of 438+05, and "came to Shandong after learning" at the age of 36. He is not only good at fencing, but also good at riding and archery.

In the Tang Dynasty, folk Wushu took another big step towards routine and entertainment, especially in fencing. Before the Tang Dynasty, there were various forms of entertainment. For example, during the Warring States period, there was a Song man named Lan Zi who could play with seven swords at the same time. During this period, five swords kept flying in the air, and some of them were like acrobatic performances today.

This kind of performance reached a high level in the Eastern Han Dynasty. In Zhang Heng's Xijing Fu, there is a vivid description of this performance of throwing a sword while walking on a rope.

In the Tang dynasty, sword dancing became a social atmosphere, and friends also danced swords to add fun when feasting. For example, the great poet Li Bai drew his sword and danced "three cups of sword dancing and autumn moon dancing, suddenly singing and crying." (Yu Huyin) "Wan Li sings a song to explore the tiger's den and dances three cups of swords in Longquan", "Singing drunk and dancing in the sunset" (Nanling children don't go to Beijing).

Li Bai's fencing has reached a high level. He raised his eyebrows on all sides when he was "dancing with a knife and making a sword". Even the sickly Du Fu once "drank my wine with open arms and was drunk."

This kind of performance fencing reached a superb level in the Tang Dynasty, and many people were proficient in fencing, among which the most famous swordsman was General Pei. When the sword is in his hand, it is like having life. His swordsmanship is vividly described in a unique record. General Pei's swordsmanship, Li Bai's poems and Zhang Xu's cursive script were called "Three Musts" in the Tang Dynasty.

We should see that General Pei's fencing is quite far from actual combat, with obvious entertainment and artistry, so it can attract thousands of people's attention. The further combination of fencing and art is sword dance, which can also be called artistic fencing routine performance.

The sword dance in the Tang Dynasty has reached a high level. The great poet Du Fu saw the famous Gong Sundaniang sword dance and left a deep impression. Even after 50 years, when he watched the performance of Li Shiniang, a disciple of Gong Sundaniang, he couldn't help but look back and remember it vividly. He wrote the famous poem "Watching Gong Sundaniang's Disciples Dance Sword", which made us seem to see the vivid scene of Gong Sundaniang's sword dance today. The audience was shocked and pale. Du Fu said that Zhang Xu, a great calligrapher, often participated in Gong Sundaniang's sword dance, and was inspired, and his cursive level was greatly improved.

Because Gong Sundaniang's sword dance is a kind of dance, it needs a high degree of artistic processing. Nature and military martial arts are completely different. Even General Fei's swordsmanship is far from the actual combat technology, and it is obviously different from the martial arts routines developed with the theme of attack and defense. This shows that the routine martial arts in the Tang Dynasty is still immature. But martial arts, especially routine martial arts, need extremely rich action materials. Dance was highly developed in the Tang Dynasty, especially Wushu reached a peak, which provided an important prerequisite for the later development of Wushu.

Among the 20 Wushu routines set in today's World Wushu Championships, men's fencing, men's Tai Ji Chuan, women's fencing and women's Tai Ji Chuan practice swords, accounting for one fifth of all routines, and fencing pays attention to elegance, softness, clearness and softness. The International Wushu Federation recommended eight individual Wushu routines to the International Olympic Committee for inclusion in the Olympic Games, including women's fencing (the other seven recommended events are men's long boxing, men's southern boxing, men's fencing, men's stick technique, women's long boxing, women's Tai Ji Chuan and women's guns).

In China's martial arts novels, which originated from the legend of the Tang Dynasty, the status of sword is supreme, and it has always been the king of weapons, which accords with the status of sword in ancient China society. In the old martial arts novels from the Republic of China, there appeared many swordsmen and swordsman who could fly swords to destroy the enemy, and several masters of the new martial arts novels originated in Hong Kong in the 1950s also loved swords very much. Let's talk about the nine famous swords in the martial arts novels in Changqing's eyes: 1. Yue Nv Yue Nv is a short story by Jin Yong. She can be said to be one of the earliest and most famous swordsman in China. In the Spring and Autumn Annals of Wu Yue, she replied to the King of Yue: "What is the method of using a sword?" On the question, he said: "Tao is very small and easy, and its meaning is very deep."

Tao has a portal and yin and yang. Open and close the door, yin declines and yang flourishes.

Every way you hit by hand is to show your inner spirit and external security. See it as a good woman, take it as a tiger.

Waiting for the weather in cloth, walking with God. If it is for the sky, like a rabbit, chasing shadows, if it is for light, it is better to ban it than to ban it.

If you are a Taoist, one person should be a hundred, and a hundred people should be ten thousand people. "This is a wonderful summary of fencing, which tells the best truth about martial arts. No wonder the King of Yue praised "Yue Nv's sword is better than it is now".

Jin Yong also gave a wonderful description of Yue Nv's swordsmanship in sword of the yue maiden. The swordsman of the State of Yue only learned a little about the shadow of sword of the yue maiden, and became a world-beater swordsman. So, needless to say, Yue Nv's sword of protection. Yue Nv has a supreme position in the history of Chinese fencing. In later generations, the sword in sword of the yue maiden method became a major swordsmanship, and Guo Jing, a righteous man in Xiangyang, was good at it. Yue Nv can be said to be the master who started the fencing world, and Changqing listed her as the first swordsman.

Second: seek failure alone.

4. What is the basis of learning kendo?

LZ, don't listen to the nonsense in front of you. I haven't heard of any formal Dojo that dares to let students practice cohabitation with real swords and spears. = = This happened in the early years when the kendo gym was generally not formal. Now there won't be any serious Dojo gym for students to live together. Then analyze it for LZ. The main characteristics of kendo and iaido kendo are wearing protective gear and fighting with bamboo knives, which are quite antagonistic.

Relatively speaking, the requirements for people's physical quality and physical strength are also stronger. The most important thing is that I often wear my skin when I first practice, which hurts a little. Just stick to it slowly.

Others say that kendo exercises will grow muscles, which is sheer nonsense. First, practicing kendo won't lose weight, and second, kendo won't turn you into a muscle.

So what is the function of kendo? It is a state of balance, and the human body is adjusted in this state. In other words, overweight people will become thinner, and thin people will gain weight, but they will eventually stay at a relatively healthy value. In other words, the role of kendo is to enhance the overall quality of the human body and have a healthy body.

Iaido's main feature is his powerful martial arts performance. No antagonism, beautiful, standardized and fashionable movements.

People who practice iaido for a long time will be very energetic and have outstanding temperament. In addition, iaido will not cause any sports injury to the body except for a lot of movements in the front seat, which is why it is more suitable for girls to practice.

However, it should be understood that it is difficult to get started with iaido, which requires a certain sports foundation, preferably a kendo foundation. It is suggested that LZ practice kendo for a while, and then try to live together after the quality of kendo is improved.

It's not too late to start practicing at the age of 26. After all, the purpose of our practice is to keep fit, which doesn't mean we are the best in the world or anything.

It's okay to be a little late. We have been practicing since we were in our forties. You are not late at all.

s .p .

A few people are responsible for what they say. Don't comment on what you haven't practiced and mislead new people.