How to pronounce Pima?

Historical origin

Pima, which started in the Five Dynasties and prevailed in the Southern Song Dynasty, is an important milestone in the development of China's landscape painting. Dong Yuan, one of the founders of Pimaba, created a new realm of China landscape painting with his unique brushwork and ink color application. The images of rocks and peaks in Dong Yuan's "Horse-riding Pieces" are round and natural and full of vitality, which has become a classic in the history of China landscape painting.

Technology and characteristics

The technique of leather whip is mainly described by the way of central stroke through tortuous brushwork. Painters need to master strength and speed to make lines smooth and natural and full of rhythm. Pay attention to the change of brush strokes in the process of lifting the pen, so that the lines show the texture and texture of rocks and peaks. Pima is characterized by rounded and natural images of rocks and peaks, full of vitality, smooth and natural lines and a sense of rhythm.

Cultural connotation

Pima method is not only a painting technique, but also a cultural symbol and aesthetic pursuit. In the traditional culture of China, rocks and peaks are spiritual symbols representing loftiness and tenacity. Pimapa expresses the lofty spirit and tenacity in China traditional culture through the images of rocks and peaks. At the same time, Pimapi also embodies the idea of "harmony between man and nature" in China traditional culture, which shows the harmonious life between man and nature.

Inheritance and development

As one of the important techniques of China's landscape painting, Pima method has been inherited and developed. In modern Chinese painting, many painters combine Pimabian with other techniques to create new painting styles and forms. For example, some painters combine the techniques of leather horse edge with axe chopping and watercress edge to form a painting style with both traditional elements and modern feeling.

Personal experience

Through the study and research of Pima, I deeply felt the profoundness and artistic beauty of China traditional culture. In the process of calligraphy, I realized the artistic conception of "writing spirit with form" and the essence of "vivid charm" in Chinese painting. At the same time, I also realized the urgency and importance of inheriting and developing China's traditional culture.