What is the biggest difference between the costumes of Cantonese Opera and Peking Opera?

Satisfied AnswerOne-armed Iron Palm Shock Taiyuan Level 72010-04-25 There is no fundamental difference. They are both inherited from a long line of traditional Chinese opera costumes, and the costumes between the two are interchangeable. Perhaps it's just that Cantonese opera is not as clear-cut as Peking opera in terms of ornamentation grades and color grades. For example, the famous Cantonese opera actor Ma Shi Zeng's costume for the performance of "The Visitation of the Mother by the Four Langs" was a large dragon python that should be white in color (the true color is not clear because it was a black and white movie), with no plumes and no fox hair. While the Peking Opera in the performance of "Four Langs Visiting Mother" was dressed in a red dragon python, and inserted plumes hanging fox hair. Early opera costumes are the same, which facilitates the transplantation of the repertoire, and are inherited from the ancestor of the Kunqu Opera. So if we want to explore what is the difference between Cantonese Opera costumes and Peking Opera costumes, we can only distinguish them from the newly designed costumes. However, the problem is that among the newly designed costumes, the successful examples of Peking Opera are the improved official clothes, the grass dragon python, the improved female leaning, the arrow python, and other modifications of the traditional costumes (the improved official clothes) (the improved female leaning), but the costume reforms of Cantonese Opera are more and more inclined to realism - restoring the real costumes of the history. (I'm sorry for the lack of pictures). The difference is that Beijing Opera has retained the original costume realism, and there is not much innovation, even if there is great innovation, it does not last long (e.g. Mei Lanfang's early work "A Lock of Hemp" is no longer performed in Beijing Opera today). Cantonese opera, on the other hand, favors realism, but it still follows the old system in its traditional repertoire, so it hasn't changed much. I don't know if Cantonese opera's newly designed costumes are similar to those of Peking opera: they don't last very long. But what is certain is that the basis of costume is the same for both, and there is no fundamental difference between the two. In addition, we can see that Cantonese Opera is much more influenced by Kunqu, and hardly uses any Lao Sheng scenes in its performances, but Peking Opera is much more influenced by Qinqiang, and has a rich variety of Lao Sheng scenes. Therefore, some of the Lao Sheng plays in Peking Opera become Xiao Sheng plays in Cantonese Opera, such as: "Four Langs Visiting Mother" (picture given), "Chopping the Scripture Hall" and so on. Add: What else do you ask? I see there is still something to add there. Give a response, thanks! Follow-up: Anything else? Can you say more?