"Singing and beating" are the four artistic means of China's opera performance, and they are also the basic skills of performance. Among them, "doing" means

"Singing loudly and doing time" are four artistic means of Chinese traditional opera performance, and they are also the basic skills of performance, among which "doing" refers to doing work.

Extended data:

"Singing, reciting and beating" are four artistic means of Chinese traditional opera performance, namely, singing, reciting, doing and doing. These four artistic means are combined with each other, and the isomorphism of * * * has become the unique charm of China opera. Among them, "doing" refers to doing work, that is, the figure, action and expression in the performance. In making works, actors need to master rich expression techniques to show the inner world and drama situation of opera characters.

1. Body movement:

Body movements are the basis of traditional opera performances in China. Actors need to master various body skills through strict training, such as somersault, jumping, flying and falling. These body movements not only have independent aesthetic value, but also can be combined with singing, chanting and martial arts to show the character characteristics and emotional changes of the role. The requirements of body movements are accurate, graceful, rhythmic and rhythmic.

2. Expression skills:

During the performance, actors need to convey their inner feelings through facial expressions, eyes and smiles. The techniques of expression in traditional Chinese opera performance pay attention to delicacy, richness and truthfulness, which should not only reflect the joys and sorrows of the role, but also show its personality characteristics. Actors need to cultivate facial expressions, make them the embodiment of the role's emotions, and immerse the audience in the drama situation.

3. Personality characteristics:

In making works, actors need to dig deep into the character of the role and make the role lifelike through delicate movements and expressions. In the process of performance, actors should pay attention to the display of the inner world of the role, so that the audience can understand and sing. In addition, actors should also pay attention to the interaction with other roles, and show the tension of drama through cooperation, dialogue and conflict.

4. Emotional expression:

Emotional expression in traditional Chinese opera performance depends largely on work. Actors need to use gestures, expressions and other means to convey the emotional changes of the role. When an actor expresses emotions such as joy, anger and sadness, he should master the strength, rhythm and amplitude to make the emotional expression both true and infectious.

5. Creation of dramatic situations:

In making works, actors should also pay attention to the creation of dramatic situations. Actors should combine with the environment, scenery, lighting and other elements to make the opera performance more visual impact and artistic appeal. For example, in the performance of war, hunting, boating and other scenes, actors need to use the corresponding characters and actions to make the dramatic situation more realistic.

6. Artistic innovation:

On the basis of inheriting traditional opera skills, actors should also pay attention to artistic innovation. Combining modern drama concepts and aesthetic trends, this paper explores new expression techniques to make drama performance more modern and contemporary.

In a word, "doing", as the basic skill of China's traditional opera performance, requires the actors to have solid skills in portraying characters, expressions and roles. Through the exertion of works, actors can better show the inner world of opera characters, create dramatic situations and convey emotional changes, thus making opera performances more artistic.

In the process of the inheritance and development of traditional Chinese opera, actors should constantly cultivate their skills and innovate their expression techniques to present a more wonderful feast for the audience.