Song Dynasty Flower and Bird Paintings Collection Appreciation (Next)

No inscription on the painting. The painting is of a lake with a vast expanse of smoke and waves, willow branches fluttering, abundant grass and water, and two mandarin ducks playing in the water relative to each other. The picture is open and beautiful, but for the fine detail of the mandarin ducks, it is still not completely free from the Southern Song dynasty paintings of neat and fine.

There is no inscription on the painting. Painting willow pond, willow tree spilling, under the tree an old man leaning on the hoe and stood, open mouth calling not far away from the head to do the response to the plowing cow, the scene is very touching. Painter's depiction of the calf is very delicate and realistic, especially the calf's eyes, flowing, pulsating with love, gratitude to the master and attachment to the feelings overflowing.

? The picture is not signed, the Southern Song dynasty. Write a branch of okra, work brush outline fill color, petals with powder fine hook, leaf with heavy green, posture rhyme vivid, heavy color rendering, layout rigorous. Two open flowers and sparse foliage, fully expressive of okra demeanor, is a masterpiece of the Southern Song dynasty sketching.

The painting has no mark. Picture painting camellia branch, from the upper left corner to the opposite corner diagonally out, Shu its soft stripes, hair green sky. The painter does not take the potential of static observation, but from the dynamic to describe the state of things, can be described as ingenuity. Camellia leaves are colorful and gently lifted in the wind. Especially prominent is the petals and leaves on the remnants of the snow, the white and red petals, dark green leaves will soon melt to form a colorful and contrast.

The painting is unmarked. Painting method of double hook color, color halo, work force are deep, the leaf color of the tender old, the fruit of the pendant gold, the God Bishop. Fruit and leaves sparse and dense, positive side supine slanting, curling cover, deep sense of space.

This picture painted a lifelike turtledove standing on the leafless branches, and the dense and full of business bamboo leaves form a sharp contrast. The dove's eyes are wide open and gleaming, and its slightly curved body harmonizes well with the branch's abruptness, revealing a slightly melancholic atmosphere. This painting, with its clear and elegant colors and rigorous but fine brushwork, is one of the few masterpieces of Li Anzhong's works that have been handed down to us. The painting is inscribed with collection seals such as "Treasure of the Xuantong Emperor".

Chen Juzhong, born and died unknown, was a painter of the Southern Song Dynasty, served as an imperial edict of the Academy of Painting, and specialized in the work of animals and horses, depicting objects in an accurate and natural way, with a fine painting method, and with a good combination of form and spirit. This picture is composed in the style of a corner scene with a solid left and a false right, depicting four goats with different colors of hair. The simple composition of the picture, refined ink and brushwork, elegant colors and accurate and vivid images fully and vividly express the naughty and aggressive nature of the goats. On the slope, withered trees and thorns, withered leaves and yellowed weeds, the picture has a clear and open atmosphere of autumn, rich in the interest of life.

This picture was originally published in the first book of the famous brush collection of successive generations (see the book of the famous paintings of the imaginary Zhai). Signed Chen Juzhong. Geng Zhaozhong title: Chen Juzhong willow pond horse herding, although slender as a rope, all with the wind and waves. The former commented: "the scenery and coloring, no less than Huang Zongdao. Today's view of its vivid chiaroscuro, the spirit of things, the whole shape of thick waterproof vegetation, that is to say, super anonymous predecessor, is not too much." This praise is appropriate. On the surface of a small fan, painted more than twenty people, more than fifty horses, and the posture is active exceptionally, that power is profound.

This picture was originally contained in the album of "playboy fan painting" (see "Shiqu Baoji continued"). On the title of Zhang Mao. Zhang Mao, Hang people, Guangzong (1190 a 1194) in the Academy, the work of landscape flowers and birds, all exquisite, small scenes are better. This painting is a small pond scene, in a pair of mandarin ducks tend to chase each other outside, the sky has a small bird fast and want to go down, reed branches have a bird perched and cited the neck looking up, although the size is small but has the potential to find the zhang.

This picture was originally published in the album "playboy fan painting" (see "Shiqu Baoji"). No author's name. The shape is very delicate, is the early Southern Song dynasty painting academy in the work of masters.

This picture was originally contained in the famous brush collection of successive generations of the first book (see "virtual Zhai famous painting book"). Signed Huang feudal estate. According to this painting is in no way similar to the Jusuo, there is no need to attach its name, so now titled Anonymous.

This picture does not know the original book, and no author's name. Review of its style, when the early Southern Song dynasty painting academy written.

This picture is also a loose page, do not know the original book, signed by "Ma Yuan" two words. Ma Yuan painted flowers, not many people have seen. This painting blooming white rose, a meticulous, can be said to be the Xuanhe painting school of the direct descendants. If there is not his title, we will not take it as Ma Yuan's work. It can be seen that those who can write, is nothing less than the best.

This painting is painted on the plum branch diagonally out of the stone, the water has a group of eider flying set floating swimming. Cutting, composition is new and ingenious. There are two small characters "Ma Yuan". Painted plum branches strong twists and turns, but also has the strength, with charcoal ink outline of the trunk, appears "thin and hard as iron". Mountain rocks with a big axe chapped, solid, crisp and powerful. Water waves drawn out of the idea of movement, showing meandering, circling, and by the breeze blowing up the microwave, painted very moving. This picture belongs to the so-called "rivers and lakes" of the small landscape painting range.

Ma Yuan, the word Yaofu, the name Qinshan, Shanxi Yongji people. Ma Yuan was a native of Yongji, Shanxi Province. He was an imperial inspector of the Academy of Painting during the reigns of Emperor Guangzong and Emperor Ningzong of the Southern Song Dynasty (1190-1224). Five generations of his family were all court painters. He inherited his family's learning and was good at painting landscapes, taking Li Tang's style but creating his own new ideas. Most of his landscapes were "one corner" and "half side" scenes, with unique compositions, known as "Horse One Corner". This picture depicts a mountain man driving two small donkeys carrying charcoal in the snow-covered mountains early in the morning when the mountains are closed by snow. Picture near and far ink, thick and light effect, has a strong sense of space.

This picture shows Ma Yuan's creative and excellent compositional skills and his ability to express the atmosphere and mood of a particular environment. The vaguely appearing corner of the tall snow-covered mountains in the distance covers almost the entire picture. This background not only clarifies the ambience of the work, but also serves as a good foil for the rocks and trees in the foreground, which are the focus of the depiction. The tree branches with snow sticking out from the left side bend downward and then turn to the right to elongate, and the horizontal and oblique twists and turns are extremely varied. The left side and the lower part of the rocks, with water ink brush for the big axe chopping chapped square hard angular "a corner".

Yi Yun Xian Apricot Figure can be seen in the basic appearance of Ma Yuan bird and flower paintings, neat brushwork, heavy coloring. This picture only draws a part of the flower branch from the lower left corner of the painting, this partial depiction of the compositional techniques, and his landscape paintings in the "corner", "half" treatment has a similarity. The flower branches zigzag horizontally, and then one branch points to the upper left and one branch points to the lower right. The branches are outlined in ink with fine brush strokes and then rendered in ink; the blooming flowers and budding buds on the branches are painted with heavy white powder and light red, and the sepals are painted in purple. The whole flower branch has the beauty of zigzag and changeable posture, but also reveals a bit of nobility.

This picture does not know the original book, the painting on the title of the word "Ma Lin". View Ma Lin's title, and Ma Yuan's never the same, the style of painting is also very different. Lin was especially good at flowers. I have seen his plum blossom a shaft, branches and trunks pale ancient, and buds bright, seems to want to spit out the fragrance. This green tangerine figure, is also sufficient to see that it is a wonderful hand to write things.

This picture is the surviving masterpiece of Ma Lin bird and flower painting. It depicts two branches of green calyx plum, one leaning down and the other tilting up, graceful and elegant. It is said that the calyx of the green calyx plum flowers, pure green, branches and stalks with green, is a very valuable species of plum blossoms. The picture of the plum blossom seems to be like jade stamen occupying the wind, qiongbao containing dew, delicate and exquisite, quiet and cold. Sparse thin branches of jade stamens cold, dark fragrance floating, for the typical "courtyard" Palace plum. Painter to hook le method of light ink and fine lines to write out the petals, and then fill in the color layer by layer. Ink painting branches, heavy color dyeing flowers, strong contrast, vividly embodies the beauty of the cold plum icy muscles and jade bones.

Ma Lin inherited the family school, not only the landscape and pavilions painted like a weeping, in the flower and bird painting also has a profound strength and unique aesthetic ideas. Twilight Snow and Cold Bird Painting" draws a small bird in the cold and twilight snow, spreading its wings in the rustling cold wind still standing in the scene, the kind of cold birds that defy the cold frost and the virtues of a very good rendering. The artist carefully carved the branches and the wind and bamboo snow scene, the picture coloring elegant and elegant, light ink and brush, is a picture of flowers and birds in a serene and elegant mood.

This picture scroll depicts a flat lake willow embankment, lotus fragrance of the summer scenery. In the vast lake, the microwave gently swinging, blue leaves and lotus, and near the group of birds, but more to add endless interest in the picture. The brushwork in the painting is fine and elegant, describing specific objects, especially the willow tree with many changes, the leaves of the tree silk hooked out, and like smoke movement. Its use of ink to light as the primary, but also thick and light, coloring is also elegant, more to highlight the peace and quiet of its realm, from which you can see the significant influence of his father Ma Yuan.

This picture was originally published in the book of famous brushes of the past dynasties (see the book of famous paintings of the imaginary Zhai). It is signed by Ma Lin. Detailed review of the title of the painting, and the style of Ma Lin is very different, and its style is not similar. The word "Ma" is ambiguous, and should not be mistaken for the work of Lin. So had to be included in this Anonymous. Maybe it is a family of Ma's work, but the age of the work seems to be earlier than Ma Lin.

This picture was originally published in the Four Dynasties of Selected Algae Figure (see "Shiqu Baoji continued"). It is signed Yao Yuehua, with the inscription Ningzong (1195-1224). The signature, Yao Yuehua, is unattributed. Yao Yuehua may have been a female painter during the Ningzong era, and her paintings are characterized by slender brushwork and a refined and delicate style.

This picture was originally published in the Four Dynasties Selected Algae Album (see Shiqu Baoji Renewal). It is signed with the title of Yang's work. Yang is the wife of Emperor Ningzong, "Tuyi Baojian" and "Painting History" books do not say that she can paint. The inscription on this painting reads, "The thread is twisted in green, and the gold curls up in yellow." But I do not know whether this painting is also from his hand. Painting history will be" contains Yang queen's sister (a for Yang Wa), Huiji people. Queen sister of Ning Zong, art and literature for the inner court. She was good at poetry and painting. She was a poet and good at painting. She wrote cranes and was very skillful at it. It is difficult to determine whether it was painted by the sister of Queen Yang, or whether it was signed by Queen Yang.

This picture shows a partridge standing on a nearly dry branch, sharp beak and claws, round eyes, sharp vision, the whole body feathers with thick ink rendering, realistic approach, the feathers seem to shine, shiny black, reflecting the style of the Song Dynasty Academy of Painting. In contrast, the other branch of the autumn tree, with its dense foliage, is gradually drying up because of the onset of autumn. This painting embodies the typical characteristics of Southern Song dynasty courtyard painting, and although there is no signature on this painting, it does not affect the viewer's judgment.

The painting is in the shape of a fan, with ink brush painting a willow tree and sparse willow branches, there are two cold crows are searching for nests, a round of the rising moon is covered by the mist, the moon is dark, the night is hazy, the mood is quiet and bleak, the brushwork is simple, belonging to the Liang Kai class of brushstrokes.

Mou Yi, Wu County Kunshan, Southern Song Dynasty Emperor Xiaozong Qian Dao years (1165-1173) for the Painting Academy to be edict, painting flowers and bamboo plumes, especially good at rendering, and good at painting and calligraphy, "Drawing Baojian" cloud of its "painting into the can be product". This picture is painted in the willow flat hill, the shepherd boy on the back of a cow, a small wooden pole in one hand, an insect in the other hand to tease. A calf follows the big cow in front of him, making the picture vivid and lively. The cows in the painting are accurately modeled, vividly portrayed, and the brushwork is simple. The painting has an imperial inscription by Emperor Qianlong of the Qing Dynasty, followed by inscriptions by nine people, including Fan.

This picture was originally published in the Four Dynasties Selected Algae Album (see Shiqu Baoji Renewal). Signed Lu Zonggui. Picture Painting Baojian cloud: Lu Zonggui, Qiantang people. Good at painting flowers, bamboo, birds, animals, nests and stones, excellent depiction. He was especially good at sketching chickens and ducks in yellow, which was the most businesslike. In the Shao Ding years (1228-1233), the Painting Academy to be imperial edict. He entered and left the palace of Yang extra horse harnessed by the side of a team of horse harnessed by the side of a team of horse. This painting is also made by means of sketching, very lively.

This picture was originally contained in the Song celebrities set algae album (see "Shiqu Baoji continued"). Signed Chen Kejiu. Picture painting Baojian cloud: Chen Kejiu, BaoYou key (1253-1258) to the imperial edict. Worked on fish, flowers and trees in the four seasons, under the tutelage of Xu Xi. This painting method has the legacy of Xu Xi.

This picture was originally contained in the Four Dynasties Selected Algae Album, see the Shiqu Baoji sequel. Signed Zhu Shaozong. Painting on the title of a "Zhu" character, the lower part of the inscription is no longer. Today, from the "four dynasties selected algae book", as Zhu Shaozong made. Pictorial treasures" cloud: Zhu Shaozong work animal cats and dogs and flowers and birds, depiction of profound far more than the stream generation. Affiliated with the Academy of Painting. The "Picture Matters Remarks" said: Zhu Shaozong was attached to the Academy. When he was appointed as a god and goddess of honor, he was quiet and did not work. He made several ink paintings on a daily basis for the sake of wine. The same column has for the Royal pen and ink, always bring wine on the business.

This picture was originally published in the Song people set painting book (see "Shiqu Baoji three"). No author's name. This style of painting flowers and birds, although no name, but a look can be seen for the Southern Song Dynasty in the middle and late (about 1195-1279) in the Academy of the people made, the body shape of the object are very sophisticated and business.

This picture does not know the original book, no author's name. Profound mountain streams, old pines in the sky, sparse bamboo groves, long-tailed mountain birds, where or flying to and fro, or resting or pecking, quiet charm seems to overflow on the silk.

This picture was originally published in the "four dynasties selected algae book" (see "Shiqu Baoji continued"). Signed Mao Yi. According to Mao Yi for the Qian Dao in (1165-1173) Painting Academy to be imperial decree, work painting plumes flowers and bamboo, especially rendering, seems to want to fly, see the "Drawing Baojian" and the "Southern Song dynasty painting record". This picture is titled Mao Yi made, quite similar, but the age seems to be later, it was changed to Anonymous.

This picture was originally contained in the album of playboy fans (see "Shiqu Baoji three"). No author's name. Composition to fine, especially bright colors, green maple leaves, with a red beetle, suddenly enriched the whole picture.

This picture is not known in the original book, and no author's name. Describing the ecology of the apes and monkeys in the deep wild forests, the brushwork is rigorous, fine and vivid, especially the dynamic portrayal of the apes and monkeys, quite capable of conveying the spirit, typical of the style of the courtyard.

This picture was originally contained in the Four Dynasties Selected Algae Album (see "Shiqu Baoji sequel"). Signed title Ma Lin made, no basis, so now titled Anonymous. Orchids spitting stamens, fragrant, full of paper rhyme, quite vivid.

This picture was originally contained in the famous brush collection of successive generations of the book (see "virtual Zhai famous painting book"). Signed by Yan Ji Yu made. According to the "Drawing Baojian" cloud: Yan Jiyu for Yan Zhong's son. Can Shi its learning and over. He painted landscapes and figures, and specialized in painting cows. Filial piety zong longxing early (1163), into the painting of the map said purpose, fill in the second in the Chengshulang, the painting of the court. But this picture is similar to Ma Yuan's family method, should not be the early Southern Song Dynasty, so the title was changed to Anonymous. The painting is a winter scene in the south of the Yangtze River, the white plum, daffodil, camellia blooming on the water's edge, the reeds have been withered, the water falls out of the stone, birds or swim or fly.

This picture was originally contained in the "Song People's Collection of Painting Album", which was shown in the "Shizhi Jin Baoji Sanji", with no author's signature. It is a painting of a snowy bamboo and a young bird standing upright in the snow and ice. The artist's brushwork is smooth and robust, the bamboo leaves are double hooked, and the bird's feathers are also outlined, showing the strength of the bones. In the work of the brush, but with a free, roughly seemingly clumsy, a detailed examination of the essence of the mellow.

This picture was originally published in the "Song People's Collection of Painting Album", which can be found in "Shizhi Jin Baoji Sanji", with no author's signature. It is probably an ornamental picture on a screen, and the painting method is very delicate and neat, vivid and vivid, which should be made by the masters in the middle and late period of the Southern Song Dynasty.

This picture was originally published in the famous brush collection of successive generations. The title is signed by Zhao Mengjian. Zhao Mengjian was a master of painting orchids in the Song Dynasty. But from the painting style of this picture, but not like Zhao Mengjian painted. This Narcissus picture depiction is very neat and strict, is the late Southern Song Dynasty works, because we can not be sure for Zhao Mengjian's work, so to no name passed down.

This picture was originally published in "Song People's Collective Painting Album", which was shown in "Shizhi Jin Baoji Sanji". It is not inscribed by the author. The picture depicts a mountain bird perched on a tree branch after a light snowfall in winter, and the depiction is so touching that the viewer has a feeling of the cold air on his face.

This picture was originally published in "Song People's Collective Painting Album", which was published in "Shiranjin Baoshu Sanji". There is no author's signature. The picture shows that the sky is cloudy and snowy, and the bamboo leaves and mountain birds are all resistant to the cold. Although the size is small, it is very expressive. And from the point of view of the style of painting, and "Sapium sebiferum birds" seems to be out of the same artist's handwriting.

Hibiscus painting is small, but the painting is very delicate and vivid. This painting is made of boneless method. The brush is light and fine, soft coloring, almost no brushstrokes. The light pink petals and tender yellow stamens seem to have dewdrops at dawn, which is the best time for the buds to sprout. Pink lotus flower in the green lotus leaves appear to be extraordinarily bright and colorful. It highlights the lotus out of the mud and not pollute the noble character. This is a rare masterpiece in the Song flower sketches.

This drawing of two branches of peach blossom, peach blossom on the branches of some of the full bloom, some buds to be released. Petals with fine strokes after multi-layer staining, rich layers of change and three-dimensional sense. The whole picture with fine brush, color and elegant, although the picture is small, interesting, is the southern song dynasty sketching wonderful. There is no mark on the picture. Inscription in the painting is "Yu Teng" and "He Rong's Fine Appreciation". It was once collected by the Song imperial palace.

This painting depicts a branch of lychee with two small birds standing on it in heavy color, with fine and subtle brushwork and beautiful colors, making it a masterpiece with a strong symbolism. Although the painting of the Academy painters inevitably have the grease and elegance of the whitewash, in the color painting thick and heavy color in the corner but reached a very high level, this painting whether in the composition or the bone method of the brush, can be said to be a representative of the Southern Song Dynasty Academy style painting.

This picture shows an apple branch with a lively bird standing on it. Picture color elegant, not warm, but the carving is extremely vivid, the leaves gradually withered due to the ripening of the fruit and even by the bugs biting out a small hole, the apple can not escape the bad luck, but also appeared with its ripening reddish extremely incongruous bug eyes. This is also representative of the skillful realism of the Southern Song artists. The painting is unmarked, but inscribed with the collector's seal "Xuantong yuanshan zhi zhi bao" (Treasure of the Xuantong Imperial Academy).

This painting shows a branch of hibiscus flower (kapok) with light red coloring and green leaves under the flower. The artist used the technique of overhead close-up to depict the charming and fresh appearance of the blossoming hibiscus flower and the flavor of the bud. The brushwork is exquisite, the colors are fresh and elegant, and there is no trace of brush or ink, making it a fine example of Southern Song courtyard painting. There is no signature on this painting, but it is inscribed with collection seals such as "Xuantong Imperial Treasure".

The painting looks like a sketch, with three kinds of insects: butterflies, dragonflies, grasshoppers and a green vegetable. The whole picture with fine brushwork, the object depicted vividly, very strong realism, color and elegant, although the picture is small, the interest is endless, is the Southern Song Dynasty sketching wonderful. There is no signature on this painting, but it is inscribed with the collection seals of "Qianlong Appreciation" and "Sanxitang Jingjian Seal".

The monk Fa Chang, No. Muxi, was a native of Shu (now Sizhou), and his birth and death dates are unknown. Fachang pen and ink, meaning simple ancient, the image is quite rigorous, the background is more free. Fachang's works were widely spread to Japan, and had a great influence on the paintings of that country. Guanyin, Ape and Crane" is a triple scroll, the center axis white Guanyin seated in the deep mountain cliffs and valleys, the face of the rich and quiet, headdress depicted in exquisite work, but the pattern of clothing with thick brush and light ink, slightly close to the Liang Kai style of painting. The right-hand panel depicts two apes perched on a tall pine, their bodies slanting out of the tree, a far cry from the traditional style. On the left axis, a white crane walks in the bamboo forest while singing, the bamboo tops reflecting the melting moonlight, the crane's dignity, and the bamboo's elegance, showing a very tranquil and elegant mood.

Zhao Mengjian (1199-1264), Zigu, Yi Zhai, was a member of the Song royal family. He was awarded a bachelor's degree in the second year of Baoqing (1226). Zhao Mengjian specializes in ink painting plum, orchid, bamboo and stone, painting method to go to school Yang Wugui, Tang Zhengzhong school, the use of strong and fluent brush, slightly stained with light ink, elegant style. Ink and Orchid Painting" depicts two clusters of orchids, leaves and flowers in light ink with a stroke, with a soft and graceful posture, fluent and handsome. It is a literati painting with light ink and ink strokes, and it opens the door to the ink orchids of later generations. The inscription in running script is less tender, which should be from the early years, and the self-titled poem reads: "In June, the summer air in Hunan steamed, and the fragrance was sprayed on the ice to make the people clear. It was once transferred to Zhejiang and planted in the west of the country, with one or two stems of talent a year. Yi Zhai Zhao Zigu still assigns."

The Chinese government's policy on the issue of Chunghwa's rights was to make Chunghwa's rights as a Chinese citizen a priority, and to make Chunghwa's rights as a Chinese citizen a priority, and to make Chunghwa's rights as a Chinese citizen a priority. He was the first person in the world to be granted the right to paint a picture of a woman's face, and the first person to be granted the right to paint a picture of her face. He was also an ambassador to the Jin Empire. He specialized in painting landscapes, figures, and birds and flowers. His style was similar to that of his elder brother. His green landscapes combined some of the painting methods and interests of the literati ink landscapes, changing the decorative nature of the Tang Dynasty's green landscapes from the richly colored and brilliant, replacing it with the beautiful and elegant, which is both "extremely refined and scholarly". Ten Thousand Pines and Golden Que drawing" painting spring mountains and lush forests, pines and white clouds, mountain tops dew, Qionglou Jinque, smoke and mist, the rising sun, the scenery is exceptionally beautiful.

This picture was originally contained in the famous paintings of successive generations, the first book, see the "virtual Zhai famous painting book", signed by Ma Yuan. But this painting and Ma Yuan's style is far away, so entitled Anonymous.

Transferred from? Aesthetic Appreciation