What are the artistic techniques of classical garden bamboo landscaping?

What are the artistic techniques of classical garden bamboo landscaping

The artistic techniques of classical garden bamboo landscaping have very important practical significance for modern garden plant landscaping. Below, I will tell you about the classical garden bamboo landscaping art techniques, I hope to help you!

Pink wall bamboo shadow

Pink wall bamboo shadow refers to the configuration of the bamboo in the white 1 wall before the combination of the artistic approach to the scene, as if the white wall wall for the paper, the bamboo shadow for the painting of the ink and bamboo. As the walls of the Jiangnan garden are mostly white 1 powder wall, so the art technique is widely used. Powder wall bamboo shadow is the traditional art of painting in the bamboo landscaping in the embodiment of the artistic approach.

"With the powder wall as paper imitation of ancient brushwork, planting Huangshan pines and cypresses, ancient plums, beautiful bamboos, collected in the round window, just like a mirror in the tour also" (Kei Cheng "Garden Metallic Theory Theory Theatre Mountain"). A few poles of bamboo before the white 1 powder wall, bamboo in the white background is more green, while the delicate and smooth bamboo poles are very easy and smooth white 1 powder wall through the difference between the texture of the harmonization. If the appropriate embellishment of a few sides of the rock, the picture is more simple and elegant.

Bamboo in the secluded

Bamboo in the secluded art refers to the creation of classical gardens in the bamboo forest landscape. Ji Cheng in the "garden metallurgy" of the "garden" in the outline of the ideal landscape is: "Sycamore shade ramp, acacia shade when the court; willow along the embankment, planting plum around the house; knot thatched bamboo, dredge a faction of the long source, barricade brocade screen, columns of thousands of miles of towering cui, although made by people, just like the day open", bamboo forests in the ride! A hut in the bamboo forest, to nourish the heart of the free feelings.

At the same time, in the "Garden Metallurgy" of the "phase of the land chapter" also mentioned many times in the bamboo landscape, such as "bamboo dock to find secluded, intoxicated that is. The bamboo forests are also mentioned many times in the "Xiangdi Chapter" of the "Garden Metallurgy", such as "The bamboo dock is a place to find the seclusion and intoxication.

The tranquility of the bamboo forest includes both static and dynamic views. On the quiet view of the bamboo forest, the most prestigious is the Rim Chuan Bieye Zhuli Hall, the poet "sitting alone in the secluded bamboo grove, playing the qin and then long whistle; deep forest people do not know, the bright moon Song Xiangzhao", enjoy the beauty of the quiet view of the bamboo forest.

"Garden Metallurgy" in the knot thatched bamboo that is such treatment, covered in the depths of the bamboo thatched hut is not only a good place to enjoy the scenery, but also very rich return to the simple and true interest of the wild. The dynamic view of the bamboo forest is mainly reflected in the dynamic spatial sequence of the winding paths, bamboo paths for the sake of subtlety and depth, is always avoiding the straight for the curved, avoiding the wide for the narrow.

The best example of a classical garden is the winding paths in Xiaoyingzhou, West Lake, Hangzhou.

The path is located in the north-east of San Tan Yin Yue, the entrance is a unique style of partition wall leakage window, the plaque on the door of the moon is Kang Youwei's handwritten "the path is through the secluded". Bamboo path on both sides of the water, about 50m long, 1.5m wide. bamboo species to just bamboo-based, height of 2.5m or so, visitors walk the path, feel quiet and secluded, can not see the water outside the embankment.

Along the path on both sides is the ten Gonglao hedge, along the steps of grass edging, bamboo forest peripheral configuration of Sapium sebiferum and heavy sun wood, forming a rich seasonal changes in the artificial community. In particular, the bamboo path in the plane processing took three kinds of curvature, both ends of the curvature, the middle curvature is small, standing at one end can not see the other end, so that people feel subtle and deep, to experience the "courtyard deep, deep how much?" The garden mood of "how deep is the garden?

At the end of the bamboo path, there is an open and empty lawn, which creates an aesthetic space in line with the alternation of the garden. From Tiancheng International Landscape

Bamboo and stone vignettes

Bamboo and stone vignettes refer to the combination of bamboo and strange peaks and stones through the art of composition. Ancient love of bamboo and stone from the classical garden of a basic aesthetic concept, that is, "the personification of nature". Zhuangzi put forward "multiply things to swim in the heart" is to believe that I can be intertwined between things, this idea of unity of man and nature on the classical garden plant landscape has had a profound impact.

Bai Juyi in the Tang Dynasty not only lived in the bamboo, but also on the rocks, the poet in the mansion in the bamboo forest scattered stones, "on the green bamboo, bamboo between the white stone", "a stone, a number of poles of the green bamboo, to me, such as the feelings, still look at the lack of" (Bai Juyi's "North", the "North", the "North", the "North", the "South", the "North"). (Bai Juyi "North Window Bamboo Stone"). Bai Juyi love bamboo and stone garden ideas on the rise of future generations of garden bamboo and stone configuration has a certain significance of inspiration.

The Song dynasty literati loved stones more than the Tang dynasty. Mi Fu every stone, must be dressed to worship the call for "stone brother". Su Shi because of the love of bamboo and stone and the creation of bamboo, stone as the main body of the painting, bamboo and stone painting body of the popularity of the literati garden greatly promote the application of bamboo and stone configurations.

Zheng Banqiao's love of bamboo and stone in the Qing Dynasty played to the extreme, the poet in a painting poem on the mood of the bamboo and stone sketches made a wonderful depiction: "ten watts of thatched cottage, a side of the patio, cultivating a number of bamboo poles, stalagmites a number of feet, not much of its land, and not much of its fee. But there are sounds in the wind and rain, shadows in the sun and moon, love in poetry and wine, and companionship in idleness and boredom. Not only do I love bamboo and stone, that is, bamboo and stone also love me," the poet and the bamboo and stone emotionally integrated, the thing I forget, expressing the feelings of human and celestial music **** Ming.

Bamboo and stone vignettes in classical gardens are often used as embellishments, arranged in the corners of the corridor corners, not only can be independent into the landscape, but also can be sheltered, relieve the corners of the hard lines. Courtyard patio or "dumb courtyard", space closed and oppressive, with bamboo and stone vignettes, "see a tree in the garden can see a thousand forests, a fist in the basin, but also know the degree of the five mountains, so that people in the limited space to feel the vibrancy of all things natural.

Bamboo and stone are two major features of the Garden, the Garden of the four seasons of the rockery are configured with different species of bamboo. Spring scenery is located at the entrance of the garden, mainly by the bamboo and stalagmites, the background is white wall, as if the pink wall for the paper, bamboo and stone for the painting of the spring after the rain, especially in the spring when the bamboo shoots, bamboo shoots and stalagmites, presenting a scene of spring:

Summer scenery by the soft and delicate bamboo and delicate Taihu Lake stone combination of the scene, with violet, magnolia, etc., rendering the summer of the beauty of the beautiful and beautiful;

Autumn scenery is located in the garden, mainly by bamboo and stalagmites, background is the white wall, as if the paper for the wall, bamboo and stone for the painting of the rain.

Autumn is the climax of the whole garden, with Daming bamboo configuration of yellow stone, coupled with red maple and other autumn foliage species, to create a bleak autumn scene;

Winter Hill by the Xuan stone stacked up with planting of bamboos and wax plums, "a branch of bamboos a thousand drops of tears, bamboo halo spots tears", the feeling of sadness and misery came to life. At the same time, bamboo, wax plums and neighboring autumn scenic area of the black pine to create a "cold three friends" of the garden mood.

Move the bamboo when the window

Move the bamboo when the window is the original meaning of the window planted bamboo, the article refers to the bamboo landscape frame treatment, through the various frames to enjoy the bamboo landscape, just like a picture embedded in the frame.

The technique of framing was first seen in "A Family of Words", Li Yu pointed out in the section of window bars in the Department of Living Room: "the method of borrowing the scene is all real on all sides of the only virtual which is the shape of the surface of the right", which is the so-called framing, also known as the "ruler window", "the window". This is the so-called framing method, also known as the "foot-window" and "mindless painting". Move the bamboo when the window of the technique to introduce the scenery of the space into this space, with space penetration 'nature, help increase the sense of hierarchy of the garden space.

"Garden Metallurgy" to move the bamboo when the window of the far-reaching mood has a pithy exposition: "move the bamboo when the window, divided into pears for the yard, soluble moon, the sound of the wind; quiet close to a couch of qin books, moving half a round of the connotation of the autumn water, the breath of fresh air felt a few seats, the mortal world far away from the mind".

Move the bamboo when the window to the bamboo outside the window for the painting, a few bamboo poles gave birth to thousands of bamboo painting, "see its small and contain a large, the meaning of the Sumeru Arabidopsis, all day to sit and watch, can not bear to close the lattice" (Li Yu, "a word of the Department of the living room"), and play the effect of the small in the see big, pot in the world. At the same time, due to a heavy layer of view, the space penetrates each other to produce a distant mood.

Move the bamboo when the window frame formed by the picture is not static, with the changes in the position of the appreciator, the bamboo landscape is in a relative displacement of the changes, which coincides with the modern Western architectural theory of the "flow of space" doctrine.

If a number of windows are set up continuously, visitors through a series of windows to enjoy the bamboo landscape, with the movement of the point of view, the bamboo landscape is hidden, light and dark, while the picture also presents a certain degree of continuity, with a clear sense of rhythm.

On the form of the frame, "Garden Metallurgy" said that "the system is new, cut out the old set". Move the bamboo when the window frame in addition to the window, but also includes a variety of doorways, leaky windows and other architectural enclosure space, such as by the drop, the beauty of leaning and columns surrounded by the frame. From the relationship between the virtual and the real, the windows and doorways for the virtual, white 1 wall for the real, leakage window between the two, can be seen as half-virtual and half-real elements, play a role in the transition and harmonization. West Lake in Hangzhou, small Yingzhou garden wall has a leaky window, through the beautifully patterned leaky window to enjoy the window outside the bamboo forest, hidden and hidden, virtual and real, increasing the depth of the scene, enriching the sense of hierarchy in the garden space.