Traditional Culture Encyclopedia - Traditional culture - Peony painting method
Peony painting method
The painting method of writing peony is as follows:
1.Preparation of tools: the tools that need to be prepared are drawing paper, brushes (such as sheep hair, wolf hair), paints (such as red, light red, crimson, cochineal, vine yellow, juice green and so on), palettes, water, etc. The painting methods are as follows:
2.Composition: first of all, you need to compose the position and form of peony on the drawing paper.
2. Composition: First of all, the position and form of peony should be well conceived on the drawing paper. Generally speaking, the peony should not be painted in the center of the picture, but can be slightly offset to increase the motion of the picture. At the same time, the number of flower heads should be determined according to the size of the painting, and the gathering and dispersing, size, posture and color should be arranged reasonably.
3, painting flower head: magenta, for example, first dipped in light red, painted three to four petals front petals. Then in the tip of the pen into the deep red and carmine color, from the heart of the flower part of the beginning, first small and then large, gradually to the outside of the flower point out. Pay attention to the change of color tone, inside dark and outside light, to form a sense of hierarchy. After painting a flower, then paint the other flower head, there should be changes in size, posture, bud placement should be reasonable, and the main flower head echo.
4, painting stems and flower brackets: use juice green to paint flower stems, flower brackets can be outlined in rouge or crimson. Flower stems should be consistent with the direction of the flower head to form a natural gesture.
5, painting the stamen: use garcinia cambogia with white to paint the stamen, you can point out a few strokes of crimson as needed to increase the sense of hierarchy.
6, adjust the picture: after the painting is completed, you can adjust the elements of the picture appropriately, such as the size of the flower head, position, color, etc., to make the picture more harmonious and unified.
History of the Painting Method of Writing Peony:
The painting method of writing peony has a long history, which can be traced back to the Tang Dynasty in ancient China. The Tang Dynasty was a period when bird and flower painting gradually became an independent and specialized painting discipline, and flowers such as peony and peony became important subjects for bird and flower painting.
During the Tang Dynasty, many painters began to try to express peonies in a stylistic way. This painting method uses shape to write God, summarizes the image of peonies into concise lines and colors, and pursues the rhythm of ink and brushwork and the expression of mood. Among them, Yang Zihua was one of the famous painters of the Tang Dynasty, who specialized in painting horses and dragons, and is also regarded as one of the earliest painters who painted peonies.
By the Ming Dynasty, pictorial peony gradually matured. Painters of the Ming Dynasty, such as Shen Zhou, Wen Zhengming and Xu Wei, applied the realistic painting method to the expression of peony and formed a unique style. In their paintings, the peonies were more vivid and natural, with drenching brushwork and far-reaching meanings.
The Qing Dynasty was the heyday of pictorial peony painting. Painters in the Qing Dynasty further developed and innovated on the basis of their predecessors, forming a variety of schools and styles. Among them, the "boneless" painting method represented by Yun Shouping had an important influence on the development of pictorial peony. In his paintings, the peonies are elegant, fresh and light, and the brushwork is concise but full of interest.
In modern times, the method of pictorial peony painting is still loved and respected by many painters. They continue to innovate and develop on the basis of tradition, forming many different styles and ways of expression. Some painters focus on the use of brush and ink and the exploration of techniques, pursuing the effect of both form and spirit; some painters pay more attention to the expression of emotion and the creation of mood, so that the viewer can feel the vitality and beauty of the peony blossom.
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