The story outline of Lu's "Pulling the weeping willows" is eighty words. Thank you for your urgency.

When Lu was guarding the vegetable garden at Suoguo Temple in Tokyo, he met a group of hooligans who used to drink in the yard. Because the crows in the tree kept barking, Lu was very upset and told the local ruffians which ladder to use to get the bird's nest.

When he reached the willow, he put his arms around it, twisted his waist and crotch, and uprooted it with a thick bowl. The gangsters were shocked and shouted, "Master is really a god!"

Extended data

Lu is one of the classic figures in China traditional literature. His deeds, such as punching in the town of Kansai, making a scene in Wutai Mountain, making a scene in Taohua Village, pulling out weeping willows and making a scene in the wild boar forest, have been widely circulated among the people through storytelling and drama.

Image source

During the Song and Yuan Dynasties, Lu was one of the 36 leaders under Song Jiang. At the same time, in Gong Kai's Thirty-six Praises of Sung River, Lu was among them, praising it as: "It is especially good to have a flying son and become a monk. The Buddha is also annoyed to be in the same robe as you. " These two works are regarded as the embryonic form or blueprint of Water Margin and the early source of images in Lu's works.

Lu also appeared in the Water Margin of Yuan Zaju, including "Lu Hao Appreciates Yellow Flower Rain". Zhu Youdun, a playwright from the royal family in the Ming Dynasty, wrote a play "Leopard and Monk Return to Custom". There is still a big gap between the image of Lu in these plays and the image of Lu in Water Margin who is not afraid of power and unwilling to be bound.

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