The way of thinking in ancient Chinese literary theory

On the overall condensation of the way of thinking in ancient literary theory Date: 2006-07-06 Clicks: 17 I want to contribute The name "Changqing Style" originated from the Song Dynasty. It is a general term for the poems of Bai Juyi and Yuan Zhen in the Tang Dynasty. It refers to more

broad.

After the Qing Dynasty, its connotation was gradually determined, and it became a seven-character long novel with a subtle narrative style, swaying language, and changing rhymes, represented by "Song of Everlasting Sorrow", "Pipa Song", and "Lianchang Palace Ci"

The proper name for singing.

In terms of writing time, "Song of Everlasting Sorrow", "Pipa Play", and "Lianchang Palace Ci" were all written in the Yuanhe period of Xianzong, not in the Changqing period of Mu Zong from 821 to 824; therefore, the "Changqing style" was not created by

Named after the era.

There is a saying in Bai Juyi's poem "Unfinished Thoughts Added to Six Rhymes and Sent to Wei Zhi Again": "The system started from Changqing Ci Gaogu, and the poem became new in Yuanhe style." The author notes under the sentence "Zhi Cong" that "Wei Zhi"

Changqing first learned about the imperial edicts, which were ancient in style, and then changed to the popular style, and those who followed followed them. "Bai also said in the "Preface to the Epitaph" written for Yuan Zhen, "The imperial edicts were followed in modern times.

, mostly due to clever vulgarity. Since Gongzhi Yuanzhen started writing, the vulgarity has changed to elegance, and the third time has changed to Dianmo. At that time, it was said that it won people. "Under the sentence "Shi Dao", Bai Shi noted that "Zhong said Yuan and Bai Wei.

Thousand-character rhyme poems, or Yuanhege." It can be seen that in Bai Juyi's writing, the corresponding to the "Changqing" era name is "Zhigao", and the corresponding to the "Yuanhe" era name is "poetry".

The name "Changqing style" comes from the name of the collection of works by Bai Juyi and Yuan Zhen.

In December of the fourth year of Changqing, Yuan Zhen compiled Bai Juyi's poems into fifty volumes and named them "Bai's Changqing Collection"; Yuan Zhen's own collection of essays was also titled "Yuan's Changqing Collection".

Although "Changqing" lasted only four years and was only a short stage in the creation of Yuan and Bai, the author himself agreed that "New Book of Tang·Yiwenzhi" recorded the work "Bai's Changqing Collection" seventy years ago.

"Five volumes", "One hundred volumes of "Yuanshi Changqing Collection"".

Catalogs from the Song Dynasty have been handed down to this day, such as Chao Gongwu's "Junzhai Shulu Zhi" and Chen Zhensun's "Zhizhai Shulu Jiejie", etc., both of which were also compiled into "Bai's Changqing Collection" and "Yuan's Changqing Collection".

It can be seen that in the Song Dynasty, the poems and essays of Yuan Zhen and Bai Juyi were all published under the name of "Changqing Collection", and people at that time were also accustomed to calling their collections this way.

It can be inferred from this that "Changqing style" is another name for Yuanbai style.

The poem "Wang Jiangnan" written by Dai Fuxu in the Southern Song Dynasty said, "Hushan is good, and my heart is full of words. The rhythm of the poem has changed to Changqing style, and the lyrics still have the style of Jiaxuan. I am the best at talking about Qingtong." This paragraph means that Song Zixun in Hushan in Song Dynasty, No.

Hushan's poetry has the style of Yuan and Bai, while its lyrics have the flavor of Xin Jiaxuan.

Liu Kezhuang's "Houcun Poetry Talk" commented on Du Fu's poem "Watching Lady Gongsun's Disciples Dance with Swords and Utensils" and said, "I said that this chapter and "Pipa Line" are like a strong man going to the enemy's field with great dignity, like children showing grudges to each other. Du Youjian'an

, Huangchu Qigu, Bai Weituo Changqing Tier. "The "Changqing Ti" here actually refers to the Yuan and Bai styles.

Song Dynasty Shi Zhiyuan's "Reading Bai Letian Collection" said: "The dirty and ignorant disciples are the despicable Yuan Bai Ti... It should be noted that in a hundred generations, there will be a knowledgeable person. Therefore, the "Changqing Collection" is now in the court and the public." What people in the Song Dynasty said

"Changqing style" is actually "Yuanbai style".

Since there are rhythmic styles, ancient styles, and song lines in Yuanbai poems, they were all once regarded as "Changqing style".

"Yingkui Lvxui Review" records that Ji Yun commented on Bai Juyi's seven-character rhyme poem "Yuhang Xingsheng" and said, "This is the so-called Changqing style, and it is easy to learn it." This is an example that the seven-character rhyme poem can be called Changqing style.

Ji Yun also commented on Li Shangyin's poem "Seventy-two Sentences of Occasionally Turned Rhyme to Four Tongshe", saying: "It is written in Changqing style straight, connecting with flat and blunt parts, without breaking away from Yuan Bai's customary path. If there is a dull and frustrated part in the middle, Yuan Bai cannot do it."

Also. "This is an example of the song line being called Changqing style.

When reviewing the five-character ancient poems "A Single Swan on the Xijiang River" and "The Sigh of the River Dolphin" written by Fan Chengda, a poet from the Song Dynasty, "Sikuquanshu General Catalog·Summary of the Shihu Poetry Collection" said that it "mixes the style of Changqing".

This is an example that five-character ancient poetry can also be called Changqing style.

The "Changqing style" mentioned in the above occasions generally refers to the style and style of Bai Juyi and Yuan Zhen's poems, regardless of whether they are ancient poems, rhymed poems, or song lines, and whether they are short or long.

This situation later changed, and "Changqing style" became the proper name for the long narrative seven-character song line.

At the end of the Ming Dynasty and the beginning of the Qing Dynasty, the famous poet Wu Weiye used a seven-character long song to express the great historical changes of the rise and fall of the dynasty and express the deep pain in the poet's heart.

His works such as "Yonghe Palace Ci" and "Yuan Yuan Qu" are very popular and are regarded as "Changqing Style" by poets.

In fact, while Wu Weiye inherited the traditions of the Yuan and Bai Dynasties, he also absorbed and integrated the song creation experience of other poets.

"Summary of the General Catalog of Sikuquanshu" commented: "Wu Weiye was bleak in his later years, and the commentator said that Yu Xin was the best. Among them, the song and the line are integrated, and he is particularly good at it. The rhythm is based on the four heroes, but the emotion is deep; the narrative is similar to Xiangshan, but the elegance

To win. The rhymes are all in harmony with Gongshang, and they are both charming and unique at that time." This means that Wu Weiye drew inspiration from the song creations of the Four Great Masters of the early Tang Dynasty.

Zhu Tingzhen's "Xiaoyuan Poetry Talk" Volume 2 comments: "Wumei Village Wine Sacrifice Poems... Qigu are the most famous in the world, most of them are in the style of "Pipa" and "Eternal Sorrow", and have the charm of Wen and Li's poems, so the poems are compared

"Things are rich and pathos, refreshing the liver and spleen." This means that Wu Meicun has learned from the rich diction and pathos of Li Shangyin and Wen Tingyun's poems.