Comparing Xiao Huang's "body double" and Hu Haoliang's "Crazy Dance", who is stronger in Chinese and western erotic dance?

Recently, I watched Xiao Huang and George's dance "body double" to defeat the devil, and my heart was almost shocked. I think of another dance that I also saw in this street, that is, the "wild dance" between Hu Haoliang and the snake sword, which is also a dance of fighting between demons.

The two dances are completely different and have the same effect. Here, I want to compare two unforgettable dances, what are the differences and similarities.

In fact, there is another selfishness, that is, it seems a bit difficult to choose between "crazy dance" and "body double".

From the first impression, Xiao Huang and George's body double is full of oriental culture. The battle between man and demon, one thought of becoming a Buddha, the other thought of becoming a demon.

Liang Liang and the Snake Man's Crazy Dance is a modern psychology, which makes people elusive. One side always wants to control the other, and in the end, no one can control anyone. Man and the devil live in peace.

Next, we will analyze these two dances from the opening appearance, promotion, climax and ending freeze-frame, and see which one you love more?

Visually, the doctor in white, played by the snake man, stood in the dark at the beginning of "Crazy Dance". He is mysterious and a little morbid, and he is preparing to give an injection for human experiments, ready to give a bright injection to black people.

In this way, I vaguely feel the psychological horror, like watching Hitchcock's horror film or psychological thriller. But it doesn't seem too strong. Perhaps dance pays more attention to step by step, rather than the shock at the beginning.

Yes, the dance "Double" was shocked at the beginning, although it had the cultural color of oriental connotation. Black and golden light and shadow, I saw the devil standing at the height of people, one bright and one dark, one foggy and one clear. The contrast is clear at a glance.

As soon as Huang Xiaoyi shook the dust off his head and jumped down, the performance began.

Compared with this opening appearance, there is no doubt that "body double" is more attractive to our eyes. From the beginning, the contrast between light and shade and the effect of light and shadow caught our eye.

Here, it seems that "Double" scored a point at the beginning of the magic dance.

With the progress of the dance plot, we can see the black-and-white contrast of "wild dance", the black-and-white illusion confrontation is out of control, there is a kind of crazy roar and morbidity, the white snake man controls him with injection, and there are invisible ropes to control him. Seems to want to assimilate the men in black, and finally become harmonious and unified.

Men in black are trying to get rid of this invisible mental and physical control.

The performance of the promotion process is shocking enough to give us a creepy feeling of emotional promotion.

In the gray "double", create another atmosphere.

Xiao Huang, a man in gray with magic, rode on his head with physical temptation, confrontation and tearing, defeated humanity, and even occupied the high position of humanity.

George in white is like a Taoist priest. He once moved his heart, but soon settled down. The wind is unmoved.

The advancement here makes us feel an inner struggle, anxiety and final peace. It seems that everything outside is inner practice.

From this progress, we can see the different background colors of Chinese and western cultures. In western psychological warfare, it is the people who want to get rid of control and try their best to get freedom. In China's psychological warfare, people should calm down and enter a state of meditation. They don't need to lose control, they just have no desire. Let the demons tear and be unmoved.

It is also a battle of demons, and western culture may pay more attention to the survival of the fittest, at least a win-win situation, and the coexistence of permanent confrontation between light and darkness.

China culture may pay more attention to self-cultivation, and use light to drive away darkness rather than eliminate it. Even if they coexist, they are gray compatible.

Here, the two forms of expression "wild dance" and "double dance" are both brilliant, evenly matched, and each scored one point.

The dance reached its climax. In "Crazy Dance", the original crazy light is dancing wildly, even leading snake people to fight and kill. Black and white pair never know who is crazier.

This seems to be the theme of the story. A white man who wants to control men in black thinks that justice is powerful, but he doesn't know that he may be countered by men in black and change his identity. No one knows who is crazier.

In post-modern culture, there seems to be such an artistic expression of partial stream of consciousness. When we enter the post-industrial era, the order is broken, and the lofty rationality and blood relationship that we once believed in are facing collapse. The relationship between people has become alienated and unbelievable.

In this context, alienation and indifference between people are more likely to appear in works. 、

Today, this stream of consciousness and psychological expression is another kind of realism that reflects the truth.

This stream of consciousness expressed by postmodernism spread from the western cultural system.

Therefore, in Dance of Madmen, we can see more inner shock and alienation, dependence and distrust of such people.

Watching "Double" is more a war between Buddhist practice and demons in China traditional culture. Even though the devil has gone through thousands of years, he still can't change his path and finally put down his butcher's knife and become a Buddha.

In fact, the cultural color of China here is the fusion of Confucianism, Buddhism and Taoism. Confucianism pays attention to fighting for saints, while Buddhism pays attention to getting rid of self-dependence. Taoists talk about inaction.

No matter what kind of China culture, most of them talk about self-cultivation, spiritual self-defense, and the so-called victory over demons is to defeat their own inner demons.

These practices have been circulating for thousands of years, and we just need to keep practicing. You don't need to keep pace with the times, but you can return to nature and achieve positive results.

Therefore, it seems inevitable that the "double" dance will be tempted, torn, struggled and finally calm.

From this climax, rave and body double are equally neck and neck, each with its own charm. One is full of modern western culture, which makes us feel the spiritual crisis in real life, and the other is full of China ancient culture, which makes us have a quiet refuge in the face of spiritual crisis.

The freeze-frame of "Crazy Dance" did not really defeat the devil, but lived in harmony with the devil and accepted their existence. That darkness and human weakness will never be erased.

In the world of modern post-industry, network and even artificial intelligence, no one knows who is crazier. Originally, people in white experimented with men in black to control them, but they were finally confronted by men in black.

Finally, the man in white forgot his identity, and finally black and white walked out of the picture with a snigger.

In today's world, it is difficult to distinguish between true and false, black and white, and it is difficult to have absolute monopolists and controllers. It's like once the right to speak was in newspapers and TV, and now the right to speak is in the hands of everyone from the media.

Who can really become a man in white? This is an unanswered ending.

In the end, we can only join hands in black and white and enter the unknown world. The rational world seems to have disappeared.

The freeze-frame of "Double" means that the monk finally defeated his demons and realized that he finally achieved a bright world.

This seems to be more in line with the ancient cultural aesthetics, removing the shackles and demons on us, that is, the ego, and distinguishing the truth of life.

If you don't convert to Buddhism, it is at least the right way on earth.

In the ancient culture of China, when one thought of becoming a Buddha and one thought of becoming a demon, the person who was in it might become a demon if he was not on the way to becoming a Buddha. Always on the road to practice.

Round and round, I have been looking for the truth of life and getting rid of myself.

This is an ending with a clear answer.

Many people are asking about the music of these two dances. Some people say that crazy dance is the soundtrack of French twin dance, and double dance is the soundtrack of Shan Hai Jing.

Anyway, the score has increased a lot.

Dance is an art inseparable from music and pictures.

The confusion, confusion and madness of modern people in crazy dance are vividly presented in the strange music and electronic atmosphere. There is also a blue psychedelic sense of disillusionment, especially a strong sense of substitution.

Coupled with the bright and dark makeup of the snake man, it is like the fear of entering a mental hospital and a human laboratory.

The battle of the shemale in body double, the confrontation between the Buddha and the demon, was carried out in gold and black tones, with Buddha-like music and a sense of sacredness of a temple. Strong sense of substitution.

From the perspective of dance technology, Crazy Dance has more modern western cultural color, and street dance has more technical expression and stronger sense of rhythm. "Shuang" has more oriental classical culture color and hip-hop elements, but it is richer in relative physical expression, with modern dance acrobatics and hip-hop elements.

If the film is effective, Crazy Dance is better. If it is a dramatic effect, "body double" is more emotional.

6. After watching all sentient beings: wild dancing is a work of art, while body double is a work of the soul, and the latter seems to be more shocking.

Originally, I thought that I recognized the dance "body double" because the dance itself reached a certain level, and at the same time, it had an innate oriental cultural advantage. When I revisited Dance of the Madman, I found that this seemingly morbid and possessed dance state seemed to be more in line with modern people's life.

I still can't judge which dance is more wonderful. It all depends on my personal preferences and my current psychological needs.

If we seek inner peace, maybe double is more suitable for us. If we face reality, maybe dancing wildly is more suitable.

There are still many people who say that "duo" is a modern dance, and it is no longer street dance.

I think this is street dance in a broad sense and street dance cognition in a narrow sense.

From the narrow sense of street dance, street dance was born in the United States, the earliest is locked, and it is indeed more technical and combative.

But the spirit of street dance is love and peace, and its greatest charm is that it can communicate, integrate and innovate more freely.

Then, as a city choreographer, it is not street dance that can integrate modern dance, oriental classical dance elements and even acrobatics.

From the perspective of street dance in a broad sense, I think it can be regarded as street dance as long as it contains the elements of street dance and expresses the spirit of street dance.

Of course, different people have different opinions.

From the focus of the first season, fighting dancer Han Yu won. Ye Yin, the king of lock-in in the second season, won the championship. In the third season, it seems that more and more choreographers and dancers appear.

I think in this era, as long as we grasp the basic culture, we can accommodate more cultural elements and express them with our own thoughts. This is a very creative dancer. It is also the direction that more creators yearn for.

I hope to see more good works that appreciate both refined and popular tastes in simple terms, and more direct, pure and direct to the soul.

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