The Rise and Development of Chinese Style

At the end of the 20th century, with the continuous economic recovery in China, various design concepts emerged in the field of architecture, which can be said to be the repetition of various design trends in Europe and America. Later, the rise of Sinology also made China people look at things from the perspective of China culture, and the Chinese style design that followed was also integrated into their design concepts by many designers. It can be said that there is a revival trend of Chinese style design in China architecture at the beginning of 2 1 century. The reason why Chinese style gradually became popular is worth noting: Chinese style gradually became popular in China, which was a simple copy of China ancient home culture represented by the Ming Dynasty, and was mixed with many factors. First of all, in the modern society where European and American cultures are everywhere, China people will naturally have psychological needs with China's traditional culture as the inner core element. Chinese style is one of them, not a simple superposition of traditional cultural elements. In the eyes of designers, Chinese style is no longer equivalent to the rigidity of ancient times, but is close to nature, simple and friendly, and rich in connotation. Secondly, as one of the largest economic entities in the world, all kinds of buildings are rising every day, and the new era conditions need a design concept to express, so the Chinese style came into being. In the materialistic society, various contradictions emerge one after another. The harmony and calmness of China's traditional culture have been re-valued, and the traditional architectural style has been reborn in combination with the aesthetic needs of contemporary people.

China's traditional interior design has the dual qualities of solemnity and elegance. From the perspective of indoor space structure, wooden frame is the main form to show the maturity and stability of the owner. The combination of buildings in China follows the principles of balance and symmetry. The main building is on the central axis, and the secondary building is divided into two compartments, forming an important courtyard hall. When it comes to residential palaces and temples, the principle is the same. Its moderate architectural space reflects China's social ethics. Another feature of China architecture is the wooden frame with doors in front. China used wood thousands of years ago and invented the bridge frame. Because wood symbolizes life, and China culture emphasizes the feeling of life, this feature has not changed until now. For example, although the building materials of some lobbies are not wooden structures, their tall and dignified images are derived from China's architectural concept; Xu You Rong Zhuang Plaza Store is a complete building in the south of the Yangtze River, with a strong local cultural atmosphere, which conforms to the pursuit of modern people to return to simplicity. It is worth mentioning that the religious complex of China people is perfectly combined with Chinese style, and the artistic conception of Confucianism or Zen is outlined in some details; The stone carvings carefully placed in the living room even have the shadow of Confucianism, Taoism and Buddhism at the same time.

After thousands of years of ups and downs, a nation's traditional culture still remains in people's spirit and cannot be ignored. As a kind of culture, art design is inseparable from national culture, and the two are integrated and reflect each other. Then, how does environmental art design reflect this national culture? Of course, all kinds of elements in the design can be used to express Chinese style. This paper focuses on the application of symbolic elements in design. Too many classical elements, too many Chinese-style homes have been brought into the same room, but everyone has their own ideas about home, otherwise home can't be called home. Inheriting classical Chinese is not simply copying and writing. When choosing classical elements to build a home, you must always integrate your own experience of classical elements. In the living space of modern people, there are various styles hanging around, which can make people see things in a blur. The classical elements of China in the new space are not only pleasing to the eye, but also enlightening: the creation of home is not a simple material pile-up, but an inductive expression of people's desire for inner needs. The host filled the room with China elements, perhaps to collect traces of the years; Perhaps it is to express the belief in oriental culture. The color of logs, meticulous workmanship, and the charm added by antique with the passage of time all constitute a sincere charm of China. Every piece of Chinese furniture is like a classic old song. Every flowing note has a deep charm. Only by careful tasting can we appreciate some philosophies, and its unique charm will attract a lot of attention. Through the proper collocation of materials, lines and colors, it is easy to get the opposite effect In order to better meet the requirements of living, only by choosing appropriate Chinese furniture and embellishing Chinese elements can the room exude a quaint and fresh charm. Through the historical extension of traditional art, we can see that art itself is an open system, which is constantly updated and expanded under the impact of new technological consciousness. Its connotation spirit is the result of long-term accumulation of national history, unique to the Chinese nation and the soul of national form. With the development of the times, the international design community began to pay more and more attention to the use of China elements and symbols. Nowadays, China elements are widely used in China's interior design works, which shows its extremely important position in design. Because the modern western steel and wood manufacturing technology is very developed, the degree of industrialization is also very high, and it attaches great importance to practicality and functionality, which is in conflict with the traditional form, but it is an irreconcilable contradiction. Therefore, "takenism" is used to refer to new manufacturing.