Why is moon imagery so concentrated in Eileen Chang's novels?

The depiction of moon imagery in Eileen Chang's works has inherited the imagery meaning of poetic depiction of the moon in classical Chinese literature on the one hand, and has also used her bold artistic imagination to give the moon imagery multiple artistic forms and colors on the other. In this paper, the moon imagery in Eileen Chang's writing is analyzed in the vertical coordinates of modern and contemporary Chinese literature and the horizontal coordinates of foreign literature, trying to find out the status of the moon imagery in Eileen Chang's works and analyze the writing techniques of Eileen Chang's works in both vertical and horizontal coordinates. In the process of creating and writing moon imagery, while preserving the connotation of the traditional Chinese moon, Eileen Zhang, based on her own life experience and combining it with her own aesthetic experience in reading Western literature, uses her bold imagination to create moon imagery that embodies her own literary ideas and emotions, and in this creation and transformation, she makes this moon imagery speak out the blankness beyond the poetic code of the established literary tradition, showing a richer cultural connotation and a more beautiful and more beautiful image of the moon in her works. In this creation and transformation, the moon imagery speaks out the gaps beyond the poetic code of the existing literary tradition, showing a richer cultural connotation, and this kind of imagery writing has a lot of revelation and value to the contemporary literary writing to strengthen the meaning of the works.