Qinhuangdao glass museum pavilion display

I. Enter the exhibition and feel the magic of glass history.

Throughout the exhibition, the basic display of "heaven and earth condensed light" is a comprehensive display of glass history, glass technology, glass art. *** divided into "ancient glass", "the cradle of China's glass industry", "China's contemporary glass industry", "bright glass art "Four parts. The exhibition area of 1500 square meters, a total investment of 15 million yuan. More than one thousand pieces of cultural relics comprehensively and vividly display the beginning of China's glass culture, evolution, development and production status in different periods. The exhibits on display both reflect the contemporary art of glass art treasures, reflecting the folk culture of the glass jewelry, as well as a convergence of exotic flavors of imported treasures, fully demonstrated the important role of glass in life and unique cultural and artistic charm.

(a) Prologue design, ingenuity. The central theme sculpture "heaven and earth condensed light", showing the glass from heaven and earth, through the fire quenching the final formation of the process. Surrounding the wall landscape "Window of Light" in the dome meaning the curved wall, soft and pleasing to the eyes of the various colors of light transmitting out the expression of glass to bring the world a bright future of the good significance. (Photo: Prologue - heaven and earth condensed light)

(2) Ancient glass, Chinese and Western distinct. Ancient glass exhibition area **** divided into Western ancient glass and Chinese ancient glass two units. The art scene "the legend of the creation of glass in West Asia" as the starting point of the exhibition. Ancient Western glass display case shows the ancient West Asia unearthed across 4,000 years of history, "glazed sand" " " rolled core " " molded " " blown "Representatives of several major crafts. Landscape wall "medieval church stained glass" mainly expresses the evolution of glass technology in medieval Europe and the integration of glass art and religion. A group of Western envoys into the Qing Emperor's glass artifacts, the Chinese and Western ancient glass exhibition naturally linked, logical and rigorous. Ancient Chinese glass is displayed from the Western Zhou Dynasty until the Ming and Qing Dynasties, and these artifacts make the historical development of ancient Chinese glass clearly visible. Through the restoration of the street scene in Yanshen Town, the cityscape of Yanshen Town in Boshan, the glass capital of the Ming and Qing Dynasties, is visually reproduced, combining historical authenticity and artistic charm, rendering the atmosphere and rhythm of the whole exhibition, and together with the ancient glass artifacts exhibits, restoring the historical memory of China's ancient glass production. Glass was not only a material treasure in ancient China, but also given literary and religious colors by literati and monks of all times. The "Han Lefu" had compared the earrings made of glass to the bright moon, so there is a "waist if flowing dandy, ear with bright moon danno" of the best lines. Glass is also known as "Liuli" is one of the Buddhist "seven treasures", "China's top five" first. A set of glass gourd excavated from the underground palace of the pagoda in the museum is the supreme container for holding the relics of Buddha's bones. Buddhism believes that the glass is the incarnation of the realm of a thousand years of cultivation. In all the classics, "the form and spirit are like glass" is regarded as the highest state of Buddhist cultivation. The Sutra on the Merits and Virtues of the Original Wish of the Medicine Master Glazed Light Buddha: "May my body be like glass when I attain Bodhi in the next life, clear inside and out, and free from flaws and deficiencies." In a sense, glass is a symbol of personality, a spirit and a realm. The clarity of the glass holds people's good wishes. (Photos: Ancient Glass Exhibition Area, Ancient Glass Production Town Yan Shen Town - Street View)

(3) Modern Yaohua, Cradle of Industry. Cradle of China's glass industry exhibition area, mainly introduces the development of Yaohua Glass Factory and its glorious history, through the Yaohua Factory historical artifacts, precious photos, production tools composed of the exhibition detailed records and revisit the ups and downs of that period of national industry years. Yaohua Glass Factory shared the same fate with modern Chinese industry. Built under the slogan of "Industrial Salvation", all the periods before the liberation reflected the struggle and compromise between the national industry, which was inherently deficient, and foreign capital. From the "Sino-Belgian" to "Japanese occupation" to "government-business" period of a book of meeting records to remind the audience of China's national industry has been in the three mountains in the cracks to survive. Decades of ravages, decades of struggle, finally in 1949 the day to raise eyebrows, the modern history of China's glass industry, is almost a microcosm of the modern history of the Chinese nation. Vast history, the wind and clouds. From "ten years of construction" to "reform and opening up", from "public ownership" to "shareholding system" reform, from "Focker's Law" to the "Focker's Law", from the "Focker's Law" to the "Focker's Law". From the reform of "Focker method" and "float" glass production process to the application of the electronic model of isometric production line. From as if through time and space, a period of pride and sorrow as the waves of history washed the beach of memory, leaving a shore full of treasures, all the way to see, all the way to create.

(D) emerging products, development and evolution. With the development of China's glass industry, a variety of glass enterprises such as the starburst blossomed on the land in China, the more varied types of glass products. In order to adapt to the production, life on the glass needs, glass is reprocessed into a new product in different shapes. The source of new products from different industries in the demand for special glass materials, which has a transparent, thermal conductivity, insulation, corrosion-resistant features, is destined to become difficult to replace the material. The industries involved are closely related to people's lives in the automotive, construction, medical industry; involved in the national economy and people's livelihood of the transportation, mining, warehousing industry; to explore the unknown astronautics, diving, microelectronics industry. It is a magical material, new properties waiting for us to continue to discover, the blank field needs us to continue to explore. The combination of exhibits in the Contemporary Chinese Glass Industry section is typical of the comprehensive displays in contemporary museums. This group of large display cabinets, synthetic diagrams and 26 categories of 311 pieces of glass exhibits composed of large-scale combined display, artistic and shocking display of China's contemporary glass industry since the reform and opening up the brilliant achievements. Among them, bulletproof glass, self-cleaning glass, aerospace glass and many other products fill the gaps in China's glass industry, conveying to the public the generation, development and application of glass science knowledge.

(5) Glass art, bright magic. Glass art display is the center of gravity of the entire exhibition, but also the overall tone of the museum to enhance and sublimate. The representative works of Tsinghua University, Shanghai University, Liuligongfang, Taiwan Liuyuan, Wu Zixiong Museum, Hundred Workshop and other top domestic glass art groups, academic institutions and artists are gathered here, which perfectly interpret the artistic qualities of glass with its many variations and flavors. The wide range of contemporary glass artworks or imagery is fresh, simple and natural, glittering with the warmth of memory, or the modeling is exaggerated and dynamic aura, leaving an indelible deep impression on people. The progress of culture and art requires the display and exchange of works, but also the inheritance of the essence of traditional art. If you look back carefully, thousands of years of glass craft development history, there is no lack of cultural highlights that make the world marvel. The special intangible cultural heritage cabinet in the exhibition area displays two groups of snuff bottle painting artwork and glass lampwork artwork. Spanning two hundred years, the stories of different periods are stated between square inches, which is the admiration for the art of internal painting passed down from the Ming and Qing Dynasties to the present day, but also the respect for the masters of the Qing Dynasty's internal painting crafts, such as Zhou Leyuan and Chen Shaofu, as well as the inheritors of the contemporary glass crafts. Sense with heart, exchange with heart. In order to increase the fun and participation of the museum, this exhibition area has been carefully set up in the glass scene production, glass painting, glass beads, kaleidoscopes and other forms of interactive links, every holiday, this place is wonderful and lively.

Second, read the exhibition, in the world of glass art.

(1) The rational layout of space is magnificent. The exhibition relies on the original space of the historical building, and the designers have spent a lot of thought on the spatial layout of the exhibition. The exhibition plan focuses on the sense of rhythm and rhyme, the layout of the pursuit of spatial continuity of the ups and downs and mobility, according to the exhibition theme content, the space will be divided into several both coherent, but also relatively independent of the exhibition halls, so that the display to achieve a breath of air through the extension of the trend, a natural effect of the overall display. The prelude hall with the theme of "Heaven and Earth Condense Light" has a profound meaning and is the soul of the whole exhibition, playing the role of a finishing touch. Each exhibition hall is presented in the form of a unit, and the different levels of description have obvious visual differences, so that the audience can easily grasp the structure of the display and clearly remember the exhibition. In addition in the first exhibition hall design and the use of segmentation techniques, with colorful medieval church stained glass windows for the landscape wall, the original single space divided into two thematic sub-space, so that the environmental space in the overall atmosphere rich in change, so that the audience thinking in the changes in the flow, not constrained.

(ii) the clever use of color, distinctive personality. The background of the exhibition hall renders the overall atmosphere with calm and atmospheric slightly cold tones, and the base of the display cabinets and logos are mainly in brown color, reflecting the solemnity and depth of the exhibits. Each exhibition hall has a complete and unified style, but also adopts a variety of display methods, through the different shapes of the air connection, exhibition panels and walls of the color changes make the exhibition halls have their own characteristics. The color of the first exhibition hall is simple and thick, suitable for cultural relics of deep and heavy features, to achieve the coordination and unity of the background and cultural relics style; the second and third exhibition hall color gradually bright and rich, highlighting the exhibition hall of the sense of space and depth of the scene, magnificent atmosphere; the fourth exhibition hall color and the first exhibition hall echoed each other to achieve the perfect and ingenious return to the artwork with the lighting effect highlights the magic of the sparkling.

(3) The lighting is carefully set up with appropriate strength and weakness. The whole exhibition hall is fully closed, using the overall light and local lighting combination of ways to produce a soft overall light, local lighting highlights, the entire exhibition hall quiet and harmonious, the effect of light strength and weakness is appropriate. The lighting of specific display cabinets and main exhibits adopts the combination of top light and bottom light, assisted by positioning lamps, which has a great perspective effect, highlights the crystalline and translucent characteristics of glass, and plays a role in guiding the audience's vision. The theme sculpture "Heaven and Earth Condensed Light" and the wall landscape "Window of Light" in the prelude hall of the exhibition are splendid and eye-catching with the echo of ambient lighting. The dazzling glass art exhibition area creates a fantastic visual effect with the skillful cooperation of lighting.

(D) the form of novelty and creativity, unique. The form of display design in a deep understanding of the content of the exhibition on the basis of a strong contemporary features, in order to highlight the cultural image of the museum, the museum invited the national young sculpture artist Mr. Li Fujun for the exhibition tailored to the theme of the sculpture "heaven and earth condensation", artistic interpretation of the glass from heaven and earth, born in the process of fire. At the same time, the museum is based on innovation, rational arrangement of graphics, scenes, landscape, models, video, sand table, painting and other artistic techniques, to create a clever layout, novel and unique shape of the display art image, to achieve the perfect combination of art form design and display content, enhance the artistic impact of the display to guide the image of the visitors to perceive and rational thinking.

Three, expanding services, seeking to extend the exhibition.

Social education and service is the main social function of the museum. Since its inception, the Glass Museum has been to establish a "people-oriented, for the audience," the concept of museum management, through the scientific management system, so that the collection moves, the pavilion alive.

(A) solid basic services, the "set" to play well. The museum is equipped with a voice guide service system, clear signs to guide, supporting services and facilities, disabled access, wheelchairs, medical boxes, storage, themed restaurants and so on. The museum provides three language interpretation services, and provides free interpretation on a regular basis every day. Volunteer docents have been trained and inducted***76 people. Actively develop a detailed publicity and promotion plan, so far, *** printed 35,000 sets of brochures to provide the audience free of charge.

(2) expand the educational position, the "highlights" to grasp. Museum personnel "go out", the scope of services extended to schools, communities, troops. With Tsinghua University, Northeastern University, respectively, to establish a social practice education base mechanism, played a cultural propaganda, education position. Digital museum is fully functional, realize online booking, online visit, museum souvenirs online sales, expanding the effect of museum publicity, for resources **** enjoy build network platform.

(3) social activities, the "features" to do well. Develop a detailed activity planning program, successfully organized the National Day Mid-Autumn Festival, Christmas, New Year's Day, Spring Festival, Valentine's Day and other thematic activities. Invite internationally renowned glass art masters such as Anthony, Guan Donghai and other masters to the museum to communicate, attracting a large number of glass art and art professionals to the museum to observe, academic discussions. Widely invited top domestic artists from all over Beijing and Shanghai to facilitate intercity glass craft cooperation, providing space and platform for the fusion of glass art from north and south, and providing the public with the latest and highest level of glass art enjoyment.

(4) Research and development of cultural products, the "resources" used. Museum souvenirs are an extension of the exhibition, the memory of the audience sealed. Glass Museum souvenirs research and development work to give full play to the geographic advantages of tourist cities, carefully designed with local characteristics of cultural tourism and cultural products, but also on the development of museums and cultural industries is a useful exploration. Qinhuangdao glass museum and a number of domestic top glass art company entered into a product exhibition and R & D contract, *** R & D "ink sea listening to the waves", "city in the chest" "harmony" and so on. More than 20 kinds of glass souvenirs, into the Shanhaiguan, Beidaihe, the Great Wall, the sea and other local cultural elements, widely loved by tourists at home and abroad.

Four, focusing on practical effects, to obtain a good social response.

The public's participation is the most real assessment of the museum's exhibition effect. Sitting on the coastal tourist city, close to the "summer capital of Beidaihe" "the world's first pass" of the benefit of the Qinhuangdao City Glass Museum open that has become the public, tourists to visit the hot spot, half a year to receive the audience a total of 120,000 times. Has received the National People's Congress Vice Chairman Han Qide, former Vice Chairman of the National Committee of the Chinese People's Political Consultative Conference Wang Zhongyu and other leaders above the provincial ministerial level 8, all kinds of groups nearly 100. Organized more than 40 activities of various types. Qinhuangdao City Glass Museum to create an elegant artistic and cultural atmosphere, the performance of cultural taste and artistic content, to win the praise of the cultural circles at home and abroad, literature and museums and all walks of life of the audience's aspirations. Ai Wenli, Minister of Propaganda of Hebei Provincial Party Committee, inscribed "Inherit Civilization", which clearly defined the function and positioning of the Glass Museum and gave his best wishes. Qinhuangdao City Glass Museum opened for operation, become the focus of news media coverage. Since the opening of the museum, the cumulative report involved in the channel media up to 24, reported 72 times, at the same time, Qinhuangdao Glass Museum was listed as the top ten news of Qinhuangdao in 2012.

Qinhuangdao Glass Museum not only builds a comprehensive display of glass culture and glass art platform, but also for the world to understand the history of glass, understand the history of the city an important window. Qinhuangdao Glass Museum will further promote the deep integration of glass art and glass industry, comprehensively promote the glass culture, and will surely become a bright landscape that carries the essence of culture, shapes the image of the city, and demonstrates the charm of art.