Li Bai's Poetry Style Characteristics What are the style characteristics of Li Bai's poetry?

1. Li Bai's poetry not only has the typical spirit of romanticism, but also from the image shaping, material intake, to the choice of genre and the use of a variety of artistic techniques, all have the typical characteristics of romantic art.

2. Li Bai succeeded in shaping himself in his poems, expressing himself strongly, and highlighting the unique personality of the lyrical protagonist, thus his poems are characterized by distinctive romanticism. He liked to use the majestic image of self-expression, in his poems, unabashedly and without restraint to express his feelings, to express his joy, anger and sadness. To the powerful, he "held a branch of chrysanthemum and laughed at two thousand stones" (one of the two poems of "Drunkenly Sending to Servant Cui"); when he saw the laboring people's hard work, he "destroyed his heart and wept as if it were raining". When he saw the hard work of the laboring people, he "wept like rain". When the country was overthrown and the people's livelihood was in ruins, he "swore to cross the river and swore to flow the water, aiming to clear the Central Plains. He drew his sword and struck the front column, and the sad song was hard to reiterate" ("South Running Book of Reminiscences"), so impassioned; when he was drinking with his friends, "the two of them drank mountain flowers, a cup after a cup. I'm drunk and want to sleep, but I'm going to hold the qin tomorrow" ("Drinking in the Mountain with the Ghosts"), and so naive and straightforward. In a word, his poems express his unrestrained character and his image.

3, boldness is Li Bai's poetry. The main characteristic of Li Bai's poetry. In addition to the factors of thought, character, talent and fate, the artistic expression and genre structure of Li Bai's poetry is also an important reason for the formation of his bold and elegant style. Being good at relying on imagination and presenting the objective with the subjective is an important feature of Li Bai's Romantic artistic approach to poetry. His imagination is extremely rich, almost all of his poems have imagination, and some of them even use a variety of imagination throughout. Real things, natural landscapes, myths and legends, historical allusions, dreams and fantasies all became the medium of his imagination. With the help of his imagination, he often transcends time and space, intertwining reality with dreams and fairyland, and interweaving nature with human society to reproduce objective reality. His image is not a direct reflection of objective reality, but the externalization of his inner subjective world, the reality of art.

4. One of the romantic artistic techniques of Li Bai's poetry is to combine anthropomorphism and metaphor skillfully, empathize with objects, and compare objects to people.

5. Another romantic art technique of Li Bai's poetry is to seize a certain feature of things, and on the basis of the real life, to boldly imagine the exaggeration. His exaggeration is not only peculiar imagination, and always with the combination of specific things, exaggerated so naturally, without revealing; so bold, but also real and believable, to highlight the image, strengthen the role of feelings. Sometimes he also combines bold exaggeration with sharp contrast, by increasing the artistic contrast, to strengthen the artistic effect.

6, Li Bai's most skillful genre is the seven lines of song and stanzas. The seven lines are long, large capacity, free form, suitable for the expression of the poet's contradictory and complex ideas, and express the unrestrained talent, and Li Bai's seven lines used a large open and close, jumping and swinging structure. The beginning of the poem is often as abrupt as a sudden surge, and the middle of the poem, the image of the transformation of the swift, often omitted the transition of the illumination, seems to have no trace to follow, the end of the poem more than in the climax of the feelings of an abrupt end.

7, Li Bai's five or seven-word stanzas, more on behalf of his poetry, fresh and bright style. For example, "early departure from Baidicheng", "to send Meng Haoran's Guangling", etc., wonderful in "only eye prospects, verbal language, but there are strings outside the sound, taste outside the flavor, so that people far away from the God." ("Saying Poetry on the first birthday")

8, Li Bai's poetry language, some fresh as colloquial, some bold, unrestrained, close to prose, but all unified in the "water out of the hibiscus, naturally unadorned," the natural beauty of it. This is related to his conscious pursuit of natural beauty. Inheriting Chen Zi'ang's literary advocacy, he took it as his mission to restore the tradition of poetry and scholasticism. He once said, "Since Liang and Chen, there has been a great deal of colorfulness and thinness, but Shen Huowen still uses sound and rhythm, and who else can restore the ancient way but me? (Meng Kai's "Poetry of Functionality - Gao Yi") He advocated "purity and sincerity" and satirized the ugly women who "lost their innocence in sculpture" by knitting their knitted brows and following the footsteps of others. The natural beauty of his poetic language is the result of his careful study of the understandable and popular characteristics of folk songs, which are as clear as words and as vivid as the commonplace.