Traditional Culture Encyclopedia - Traditional culture - Why should we organize folk arts and crafts?
Why should we organize folk arts and crafts?
Folk art is like an ecological environment, in which different trees and fruits of art are bred and grown. If it is limited to the study of folk art and cultural products, it will dilute its inherent vitality. If the cultural environment is destroyed, culture will wither, lose or be deformed. Even if a new culture is produced, it will become a rootless tree and passive water. This is the ecological view of culture. In addition to the records of historical documents and classics, and the display of museum collections, traditional folk art and culture also has a very important channel, that is, living in folk life, living in the ways, concepts and concrete objects used by ordinary people, and living in traditional festivals, ceremonies and sacrifices. Some things that are not recorded in historical documents are largely preserved in the form of folk life. It cannot be said that folk culture has strong vitality and inheritance.
However, due to the rapid economic development and the invasion of western culture, on the one hand, people's daily life style and social thinking have been greatly affected, that is, the changes in values and people's aesthetic concepts have undergone great changes. Because there are many factors in traditional folk art that do not conform to this aesthetic concept, it is considered as the object that trend art should break through and reject, which has caused the chaotic development of traditional folk art and further aggravated its status decline. These make the overall development trend of traditional folk art bad, and many of them are in danger of disappearing.
Although traditional folk art belongs to a limited carrier, its existence is relative and its disappearance is absolute, but it is the crystallization of the wisdom of working people, a precious wealth, a non-renewable feature and a rare heritage. Therefore, we should try our best to reduce the losses caused by human factors and try our best to extend the existence time of traditional folk art.
Traditional folk art is not only a product of history, but also a realistic culture, and it is a connecting form between ancient history and modern culture. It has various forms and rich resources. It is an effective carrier of culture and plays a unique role in inheriting civilization. The inheritance of traditional folk art is the inheritance and development of ancient culture, which can maintain the continuity of culture, prevent the loss of cultural characteristics and connotation due to the disappearance of the carrier, and make its potential value disappear.
Traditional folk art is often related to the spiritual value of art itself and the extension of the extensive social value of information form. Especially in the information society, traditional folk art in information form has an important influence on art, which maintains its original style. Its existence maintains the continuity of people's thinking to a certain extent, prevents thinking faults, promotes national culture, improves national quality and enhances cohesion.
Traditional folk art is not a simple artistic reproduction, but through repeated creative activities, under the premise of following the essence of artistic development, it constantly develops and improves, greatly expanding the expressive force of art and having distinctive characteristics. Traditional folk art is a kind of local art with strong humanity, artistry, regionality and nationality. It incorporates the excellent traditions and wisdom of the Chinese nation. Traditional folk art is a review and summary of history to a certain extent, which allows us to enjoy different spiritual enjoyment in a simple way. Culture is an important symbol of a nation, and traditional folk art is an important part of culture and our important cultural foundation. Without it, we will become blurred. Traditional folk art is a platform for working people to show themselves. Without this support, the image of the working people will be damaged. Protecting traditional folk art is a feat to resist the disappearance of culture and a re-evaluation of the creativity of working people. Therefore, the significance of cultural education is enormous.
Traditional folk art belongs not only to China, but also to the world. Maintaining cultural diversity is also a worldwide consciousness and inevitable trend. Protecting traditional folk art is also a manifestation of China's active participation in world cultural construction, so it should be protected.
1, three-level protection system of government, organization and individual. Establish corresponding regulations on trade organizations, and establish corresponding trade organizations according to legal requirements. Industry organization is a non-profit organization composed of relevant people from government departments, experts and scholars, folk artists and so on who know the market.
At the government level, government departments, as managers, have the obligation to protect traditional folk arts. Government departments should streamline institutions, unify management and planning protection, and avoid the coexistence of multiple departments and ineffective protection caused by multi-party command. Government departments should formulate corresponding laws to regulate the protection and development of traditional folk art, act in strict accordance with the laws of art itself and not abuse their powers. It is a good protective atmosphere for society to supplement in time in practice and provide necessary convenience for protectors.
Support industry organizations such as professional associations, scientific research institutions, funding agencies, volunteer organizations, etc. Professional organizations are composed of knowledgeable experts, scholars, folk artists and administrative personnel. They are non-profit organizations and play a connecting role. Professional associations coordinate with other organizations to provide artists with corresponding basic conditions and reduce the burden on the government. With the help of experts and scholars' own advantages, scientific research institutions collect and sort out artistic materials, faithfully record their original appearance, enrich the limited historical language and become a new cultural tradition again.
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