Tap dance costume requirements

Tap dance costume requirements

Tap dance is characterized by light music, dance changes, especially strong expressive. I organized the tap dance costume requirements, welcome to enjoy and learn.

Tap dance costume requirements

The color of the costume is mostly green, white or orange, dancers avoided the use of red, because red is related to the British Association. In modern times, all colors are used. Male dancers usually have softer colors in their costumes.

Costume styles for dance were very different from tradition by the modern era. In the 18th century, dance teachers wore hats, tuxedos, knee breeches, white stockings, and black shoes with silver buckles. In 1893, after the Irish cultural revival, the traditional Irish costume was adopted. To this day, male dancers wear either breeches or pants.

In the 18th century, women dancers mostly wore plain rag dresses or the dresses they wore to church on Sundays, decorated with ribbons tied into flowers or crosses, and after 1893, the typical dance costume was a hooded cloak worn over a white, belted dress. Another alternative to the cloak was the shawl. By the 1930s, the cloak had fallen out of use and the shawl evolved into a shawl worn over a black costume. This modern shawl is triangular in shape, and a brooch or pin is used to secure the shawl to the suit worn for the performance. Until the 1980s, it was common for dancers to wear thin cords around their waists that hung down to their waistbands, with tassels at the end of the cords. Dancers also usually wore jackets or undershirts.

In the early 1800s, the technique of fringing was relatively uncommon on costumes. However, it slowly increased in use, and even its complexity increased. The designers were inspired by Irish ancestral origins, including Irish stone crosses and communion cups, and the motifs on the garments were continuous, symbolizing the continuity of life and the eternity of mankind. Designers, on the other hand, create more modern patterns. Another modern innovation is the use of silver and gold thread in the stitching of the trim. Each dance school has different costumes for performances. Children usually have one or even more outfits, depending on the caliber of their performance. Many schools have one set for beginners and another for intermediate levels. Adult dancers who have been dancing for less than five years also have separate `costumes', which are usually skirts and blouses or jackets rather than dresses.

Once dancers reach a certain level in the competition, they may have their own unique costume. A dancer's costume is usually sewn in Ireland or England and is made of velvet with a silk lining and colored lace. Having his own unique costume means that the dancer is already highly skilled in Irish Tap Dancing. Dancers usually compete in individual/solo competitions in their own unique costume, while in team competitions/figure dancing, dancers wear the standard school costume to represent their level.

Music

Music and dance are integral parts of Irish culture. Their music and dances are mainly performed during celebrations. The tap dance soundtrack is usually made up of a number of instruments, including fiddles, accordions, flutes, and tambourines. One relatively rare instrument is the Irish Uillean pipe. It is a more complex wind instrument, unlike the common Scottish Highlands pipes. While the Scottish bagpipes have a tremulous sound, the Irish Uillean pipe does not have this problem and has a more melodic sound that suits Irish melodies. Irish pipers have been a major traditional culture for two hundred years, but the ban in England has reduced their numbers.

Tap Dancing Shoes

In terms of dancing shoes, there are some early documents that recount that the dancers were barefoot. Soft shoes were not used until 1924, when girls danced reels, jigs, and slip jigs. Soon, male dancers began using soft shoes as well, but abandoned them in the 1970s. By this time, hard shoes were slowly maturing in style and technology. Dancers adopted dancing shoes with fiberglass toe ends and hollowed out heels. This change in material allowed the dancers to nail the buckles to the heel and make a louder sound to create a drum-like rhythm so that everyone in the audience could hear their melody. This change also affected the emphasis and content emphasized in many of the dances (before, dancers would put coins between the bottom of the shoe and the toe-end to increase the sound effect).